Are These ALL The Lessons?

No. The lessons in this course are just a small sample of the lessons you’ll find on Jazzedge. Below is an up-to-date and complete list of all lessons Jazzedge members enjoy 24/7. You can use the “find” function of your browser or “Command-F” on Mac or “Ctrl + F” on Windows to search for a particular lesson.

Jazzedge Lesson List

• "Stardust"
• Analysis part 2
• Arrangement part 1
• Drop 2, 3 and 4 voicings part 1
• Drop 2, 3 and 4 voicings part 2 (summary)
• Arrangement part 2 (m. 9)
• Arrangement part 3 (m. 11)
• Arrangement part 4 (half-step resolution)
• Arrangement part 5 (m. 17)
• Arrangement part 6 (m. 23)
• Arrangement part 7 (m. 29)
• Arrangement part 1b (m. 5)
• Introduction to Stardust
• Analysis part 1
• "Stella By Starlight"
• Introduction to Stella By Starlight
• Stella discovery phase
• Stella arrangement pt. 1
• Stella arrangement pt. 2
• Stella arrangement pt. 3
• Stella – comping chords
• Stella – chord voicings for comping
• Stella – elements of comping
• Stella – backing up a singer
• 6 Essential Arpeggio Exercises
• Over The Rainbow
• Introduction
• m 1-2
• m 3-4
• m 5-8
• m 9-14
• m 14-18
• m 18 to end
• Melodic Confusion
• Piano Essentials Key of C
• Major Scale
• Common Triads
• Common 7 Chords
• Natural Minor Scale
• Tensions and Progressions
• Piano Essentials Key of G
• Major Scale
• Common Triads
• Natural Minor Scale
• Chord Tensions
• Progression
• Piano Essentials Key of D
• Key of D
• Piano Essentials Key of A
• Key of A
• Piano Essentials Key of E
• Key of E
• Piano Essentials Key of B
• Key of B
• Piano Essentials Key of F Sharp
• Key of F Sharp
• Piano Essentials Key of D Flat
• Key of D Flat
• Piano Essentials Key of A Flat
• Key of A Flat
• Piano Essentials Key of E Flat
• Key of E Flat
• Piano Essentials Key of B Flat
• Key of B Flat
• Piano Essentials Key of F
• Key of F
• "Somos Novios"
• Introduction
• Transposition pt 2
• Improvisation
• Montuno – easy
• Montuno – advanced pt 1
• Discovery pt 1
• Discovery pt 2
• Chord breakdown 1
• Chord breakdown 2
• Transposition pt 1
• Montuno – advanced pt 2
• "Light My Fire" - The Doors (Vol. 1)
• Song Introduction
• Verse Chorus
• Solo Section 1
• Solo Section 2
• Solo Section 3
• Solo Section 4
• Solo Section 5
• "Light My Fire" - The Doors (Vol. 2)
• Solo Section 6
• Solo Section 7
• Solo Section 8
• Solo Section 9
• Bringing in the Left Hand
• Improvisation Tips
• "Riders On The Storm" - The Doors
• Introduction
• Dorian and bassline
• Falling RH pattern
• The Verse
• Form and Advanced options pt 1
• Form and Advanced options pt 2
• Lick A
• Lick B
• Lick C
• Lick D
• Grouping of 3
• "Break On Through To The Other Side" - The Doors
• Introduction
• The Bassline
• The Verse
• The Solo
• The Solo – part 2
• The Solo – part 3
• Shaping Your Solo
• Playbook Days 1-10
• "My Romance"
• "Besame Mucho"
• Introduction
• Part 5
• Part 6
• Part 7
• Improv ideas part 1
• Part 1
• Part 2
• Part 3
• Part 4
• Part 4 section 2
• Improv ideas part 2
• "Manha De Carnaval"
• Introduction
• Analysis pt1
• Analysis pt2
• Analysis pt3
• Improv part 1
• Bring in the chord
• Chordal improv
• Mini sequences
• Using Motifs
• Harmonizing a line
• Using a montuno pattern
• Going outside of the harmony
• Advanced topics pt 1
• Advanced topics pt 2
• Blues, Basslines, Re-harm, Chords and Comping - Vol. 1
• Introduction
• Bassline pt 1
• Rootless voicings
• Comping
• Comping pt 2 & Practice
• Bassline pt 2
• Blues, Basslines, Re-harm, Chords and Comping - Vol. 2
• Introduction
• Bassline and fingering
• Variation #2
• Comping tips
• Variation #3
• Variation #4 pt1
• Variation #4 pt2
• Mastering Rhythms - The Basics
• Introduction
• Quarter Notes
• Half Notes
• Eighth Notes
• Mixed Rhythms
• Swung Eighth Notes
• Applying Rhythms to Chords
• Time Signature and Meter
• Mastering Rhythms - Vol. 2
• Introduction
• Syncopated #1
• Syncopated #2
• 3/4 rhythms
• 6/8 rhythms
• Two-handed rhythms #1
• Two-handed rhythms #2
• Comping chords (rhythmic ideas)
• Apply rhythm to improvisation scales
• Rhythms and different styles of music
• Mastering Rhythms - Vol. 1
• Introduction
• Review & Quarter Notes
• Half & Whole notes
• Downbeat Upbeat Syncopation
• Eighth notes on downbeat
• Eighth notes on the upbeat
• Eighth notes tied into notes
• Triplets
• Subdividing the beat
• Introduction to My Romance
• Step 1 preparation
• Step 1 (roots & melody)
• Step 2 preparation
• Step 2 (R7 shells)
• Step 3 preparation (Game changer)
• Step 3 (R7 3rd and melody)
• Step 4 preparation
• Step 4 (adding tensions)
• Step 5 (reharms & tensions)
• Step 6 more ideas to try…
• Interpreting a melody
• Chord Essentials - Key of C
• Introduction to Chord Essentials
• Exercise 1
• Exercise 2
• Exercise 3
• Exercise 4
• Exercise 5
• Exercise 6
• Exercise 7
• Exercise 8
• Exercise 9
• Exercise 10
• Only A Paper Moon - The Basics
• Chord Shells Overview
• Lower Interval Limits
• When to switch between shells
• Reducing Chord Symbols
• Harmonic Rhythm of Chords
• Simple Arrangement
• When hands get in the way
• What to practice
• Only A Paper Moon - Stride
• Oom-pahs Phase 1
• Oom-pahs Phase 2
• Oom-pahs Phase 3
• Student Homework
• Practice with metronome on 2+4
• Only A Paper Moon - Full Arrangement
• Special Tips For Beginners
• Complete arrangement
• Complete arrangement (measure 5)
• Complete arrangement (2nd ending)
• The coda and a cool ending
• What to practice this week
• Summertime - Comping & Switching Styles
• The Melody
• Comping pt 1
• Comping pt 2
• Comping pt 3
• Fixing chord charts pt 1
• Fixing chord charts pt 2
• Fixing chord charts pt 3
• Latin version pt 1
• Latin version pt 2
• Latin version pt 3
• Ben's Blues Part 1
• Introduction to Jazz Piano
• Bassline
• Bassline pt 2
• Bassline pt 3
• Bassline pt 4
• Bassline pt 5
• Bassline pt 6
• Ben's Blues Part 2
• About Virtual Keyboard
• Melody
• Melody pt 2
• Melody pt 3
• Melody pt 4
• First Ending
• Bassline with Melody
• Ben's Blues - Melody With Bassline
• Ben's Blues Part 3
• Rootless Chord Voicings
• Building Chords
• Chord Tensions
• A Voicing B Voicing
• Ben’s Blues Chord Voicings
• Syncopation and Comping
• Bassline & Chords m 1-6
• Bassline & Chords m 7-12
• Gaining Freedom with Comping
• Chunking Practice
• Phrase Flow
• Why You Should Sound Bad
• Ben's Blues Part 4
• Play-along Tracks
• Pentatonic Scale
• Blues Scale
• Grace Notes
• Vocalize Rhythms
• Creating Licks
• Scale Blocks
• Minor Pentatonic Licks
• Blues Scale Licks
• 12-Bar Blues Copy/Paste
• Head-Solo-Head
• Playing/Resting
• Conclusion
• Chord Essentials - Key of G
• Exercise 1
• Exercise 2
• Exercise 3
• Exercise 4
• Exercise 5
• Exercise 6
• Exercise 7
• Exercise 8
• Exercise 9
• Exercise 10
• Chord Essentials - Key of D
• Exercise 1
• Exercise 2
• Exercise 3
• Exercise 4
• Exercise 5
• Exercise 6
• Exercise 7
• Exercise 8
• Exercise 9
• Exercise 10
• Chord Essentials - Key of F
• Exercise 1
• Exercise 2
• Exercise 3
• Exercise 4
• Exercise 5
• Exercise 6
• Exercise 7
• Exercise 8
• Exercise 9
• Exercise 10
• Chord Essentials - Key of B Flat
• Exercise 1
• Exercise 2
• Exercise 3
• Exercise 4
• Exercise 5
• Exercise 6
• Exercise 7
• Exercise 8
• Exercise 9
• Exercise 10
• Chord Essentials - Key of A
• Exercise 1
• Exercise 2
• Exercise 3
• Exercise 4
• Exercise 5
• Exercise 6
• Exercise 7
• Exercise 8
• Exercise 9
• Exercise 10
• Chord Essentials - Key of E
• Exercise 1
• Exercise 2
• Exercise 3
• Exercise 4
• Exercise 5
• Exercise 6
• Exercise 7
• Exercise 8
• Exercise 9
• Exercise 10
• Chord Essentials - Key of A Flat
• Exercise 1
• Exercise 2
• Exercise 3
• Exercise 4
• Exercise 5
• Exercise 6
• Exercise 7
• Exercise 8
• Exercise 9
• Exercise 10
• Chord Essentials - Key of Eb
• Chord Essentials - Key of B
• Chord Essentials - Key of D Flat
• Exercise 1
• Exercise 2
• Exercise 3
• Exercise 4
• Exercise 5
• Exercise 6
• Exercise 7
• Exercise 8
• Exercise 9
• Exercise 10
• Chord Essentials - Key of F Sharp
• Exercise 1
• Exercise 2
• Exercise 3
• Exercise 4
• Exercise 5
• Exercise 6
• Exercise 7
• Exercise 8
• Exercise 9
• Exercise 10
• Style of James Booker
• Introduction
• Junco Partner Groove
• Runs With Flair
• Alternate End
• The Booker Groove
• Making Your Own Booker Groove
• Classified Groove
• Goodnight Irene
• Style of Gene Harris
• Introduction
• 1 to 4 chord lick
• 10ths – 2-5 lick
• 6ths lick
• Tremolo lick
• Gospel 6-5 resolution
• Style of Otis Spann
• Introduction to Otis Spann style
• Otis Spann basslines
• Otis Spann lick #1
• Big Blues chords
• Otis Spann lick #2
• Lick #3
• Lick #4
• Lick #5
• Lick #6
• Lick #7
• Lick #8
• Lick #9
• “Song” using licks
• Style of Johnny Rivers
• Introduction
• Fill/Break #1
• Fill/Break #2
• Fill/Break #3
• Fill/Break #4
• Combinations
• Simple Groove
• Simple Groove pt 2
• Advanced Groove
• Advanced Groove pt 2
• The Solo
• The Solo pt 2
• Style of Dr. John
• Introduction to New Orleans Piano
• New Orleans bass line
• Beginning New Orleans piano lick
• Easy turnaround – Blues
• Resolution notes – suspensions – tendency tones
• Dr. John – Lick #1
• Dr. John – Lick #2
• Dr. John – Lick #3
• Dr. John – Lick #4
• Dr. John – Lick #5
• Dr. John – Lick #6
• New Orleans piano – lick combinations
• Style of Jerry Lee Lewis
• Introduction
• Song introdution
• Arrangement Left Hand
• Adding the Right Hand
• B Section
• B Section pt 2
• Glissando pt 1
• Glissando pt 2
• Glissando in the Song
• Other Licks pt 1
• Other Licks pt 2
• Jerry Lee Technique pt 1
• Jerry Lee Technique pt 2
• Style of Floyd Cramer
• Introduction to Country Piano
• Country basslines pt1
• Country Basslines pt2
• Country Licks pt1
• Country Licks pt2
• My Last Date arrangement
• Arrangement pt1
• Arrangement pt2
• Arrangement pt3
• Arrangement pt4
• Arrangement pt5
• Create your own country song
• Second Ending
• New Age Piano - Vol. 1
• Introduction
• Diatonic harmony review
• Progression pattern
• Simple melody
• Melodic Ex. 1
• Melodic Ex. 2
• The pedal
• Pentatonic Ex.
• Using 6ths
• 16th note triplets
• Progression A
• Interlude
• Progression B
• New Age Piano - Vol. 2
• Introduction.mp4
• Creating a progression.mp4
• Changing the bass.mp4
• Bass exercises.mp4
• Improvisation exercises.mp4
• New Age Piano - Vol. 3
• Introduction
• Root-5th-9th-3rd/10th pattern
• Descending Bass Pattern
• Pentatonic Scale Pattern
• Chord Arpeggio Pattern
• Whole Tone/Lydian Pattern
• New Age Piano - Vol. 4
• Introduction
• M 1
• M 5
• M 9
• M 13
• M 16
• M 20
• M 26
• Intervals & Chord Tensions
• Chapter 1
• Chapter 2
• Chapter 3
• How To Pick Out Songs By Ear
• Introduction
• Get the bass motion (Sinatra)
• How to find the right chord (Sinatra) Pt 1
• How to find the right chord (Sinatra) Pt 2
• Figuring out top 40 songs (Daft Punk)
• Diatonic with a twist (Green Day)
• Groove based songs (Meters)
• Where to go from here
• Ear Training - Solfege
• Ear Training & Solfege
• Putting Chords to a Simple Melody
• HWWe7 – Putting Chords to a Simple Melody
• 7 Ways To Practice Away From The Piano
• 7 Ways To Practice Away From the Piano
• Step 1 - Shells Arrangement of "Someone To Watch Over Me"
• Introduction
• Melody and Fingering
• Chord Shells
• Filling Out The Arrangement
• Step 2 - Reharmonization
• Reharm Pt 1
• Reharm Pt 2
• Measure 10
• Step 3 - Intros, Endings and Accompaniment
• Song Introduction
• Song Ending
• Ear Training
• Accompanying
• Too High or Too Low
• Preview of Step 4
• Step 4 - Scales For Improvisation
• Improvisation
• Scales for Improv 1
• Scales for Improv 2
• 2nd Ending
• What to Practice
• Step 5 - Building a Solo Over Standards
• Important to remember
• Scale cell exercise pt. 1
• Scale cell exercise pt. 2
• Targeting the 3rd
• Targeting the 5th
• Add rhythm to your line
• Blue Jay
• Blue Jay
• Homework
• Zoeie's Bop
• Zoeie's Bop
• Zoeie's Bop Homework
• Do'h Blues
• Do'h Blues
• Do'h Blues Improvisation
• Improvisation
• Chicken Pox Blues
• Chicken Pox Blues
• Chicken Pox Blues Improvisation
• Chicken Pox Blues Improvisation
• Lesson 1 - Major Scale Harmony & Modes
• Major Scale Harmony & Modes
• Lesson 2 - Triads, 7th Chords, Shells, Tensions & 2-Handed Chords
• Triads, 7th Chords, Shells, Tensions & 2-Handed Chords
• Lesson 3 - Diatonic 7th Chords and Improvising Over the ii-V-I Progression
• Diatonic 7th Chords and Improvising Over the ii-V-I Progression
• Dominant Motion
• Dominant Motion
• Related ii Chords
• Related ii Chords
• Create an Arrangement of "Foggy Day"
• Create an Arrangement
• There Is No Greater Love
• There Is No Greater Love
• Review - "My Ship"
• My Ship
• Upper Structure Triads
• "My Ship" - UST's
• Homework Review #1
• Review #1
• Killer Voicings - "My Ship"
• Killer Voicings
• Homework Review #2
• Review #2
• Summertime - Bassline, Comping and Improvisation
• Creating a bassline pt 1
• Creating a bassline pt 2
• Creating a bassline pt 3
• Rootless, Tritones & Comping pt 1
• Rootless, Tritones & Comping pt 2
• Rootless, Tritones & Comping pt 3
• Improvisation tips pt 1
• Improvisation tips pt 2
• Improvisation tips pt 3
• Creating Cocktail Piano Arrangements
• Brainstorm pt 1
• Brainstorm pt 2
• Arranging-Pedal Tone
• Arranging-1-6-2-5 Stalling
• Arranging-1-b3-b6-b2
• Arranging-Bluesy Groove
• Arranging-Blues Groove pt 2
• Arranging-Hip Groove
• Advanced Reharm pt 1
• Advanced Reharm pt 2
• In The Wee Small Hours of The Morning
• Vocalizing drum grooves
• Wee Small Hours - contemporary pt 1
• Wee Small Hours - contemporary pt 2
• Wee Small Hours - contemporary pt 3
• Wee Small Hours - contemporary pt 4
• Wee Small Hours - contemporary pt 5
• Improv Essentials Introduction
• What is Improvisation?
• What is Improvisation?
• Cycle 4 Motion
• Cycle 4 motion
• Cycle 4 Motion with Improvisation Pattern
• Cycle 4 Motion with Pattern
• ii-V-I Progression and Voicings
• ii-V-I Progression Voicings in all 12 keys
• ii-V-I Progression with Arpeggios
• ii-V-I Progression with Arpeggios
• ii-V-I-V7 of ii Progression with Enclosures
• ii-V-I-V7 of II Progression with Enclosures
• Chord Approaches / Enclosures & Guide Tones
• Chord Approaches, Enclosures & Guide Tones
• Rhythm and Articulation
• Rhythm and Articulation
• Autumn Leaves Part 1 (Major Scale)
• Autumn Leaves Part 1 (Major Scale)
• Autumn Leaves Part 2 (Enclosures & Chord Tones)
• Enclosures & Chord Tones
• Slow Blues Style Improvisation
• Slow Blues Style
• Funk Double-Stops & Bassline
• Funk Double-Stops & Bassline
• Blues Double-Stops & Bassline
• Blues Double-Stops & Bassline
• Rock/Pop Pentatonics
• Rock/Pop Pentatonics
• Creating Improvisation Lines
• Creating Improvisation Lines
• Minor Scales, How And When To Use Them
• Minor Scales, How And When To Use Them
• Piano Essentials Practice Tips
• Piano Essentials Practice Tips
• Putting chords to a lead sheet melody
• Create from a leadsheet
• Shells, Tensions and Left-hand Movement
• Shells, Tensions and Left-hand Movement
• Homework (closed to new entries)
• Bassline Creation
• How to create a bassline
• Homework (closed to new entries)
• Advanced Blues Progressions
• Advanced Blues Progressions
• Homework (closed to new entries)
• Blues Improvisation Over Bassline
• Blues Improvisation Over Bassline
• Homework (closed to new entries)
• Advanced Quartal Chords and Comping
• Quartal Chords and Comping
• Homework (closed to new entries)
• Inner Voice Movement
• Inner Voice Chord Motion
• Homework (closed to new entries)
• Working With a Group
• Working With a Group
• 1-2-3-5 Patterns (Will You Still Love Me Rock Improv)
• 1-2-3-5 Patterns
• Ten ii-V-I Patterns (Part 1)
• 2-5-1 licks part 1
• Ten ii-V-I Patterns (Part 2)
• 2-5-1 licks part 2
• Day 1
• 7 Days of Improvisation – Day 1
• Day 2
• 7 Days of Improvisation – Day 2
• Day 3
• 7 Days of Improvisation – Day 3
• Day 4
• 7 Days of Improvisation – Day 4
• Day 5
• 7 Days of Improvisation – Day 5
• Day 6
• 7 Days of Improvisation – Day 6
• Day 7
• 7 Days of Improvisation – Day 7
• Otis Spann Licks and Runs
• Introduction to Otis Spann Licks
• Left Hand Options
• Lick 1
• Lick 2 Back-End
• Lick 2 Front-End
• Create Otis Spann Style Licks
• Introduction
• Exercise Pattern 1
• Exercise Pattern 2
• Pattern 2 Lick
• Pattern 2 Lick Extension
• Exercise Pattern 3
• Pattern 3 Lick
• Gene Harris Blues Gospel Licks - Vol. 1
• Introduction
• Gene Harris Intro Groove
• Gene Harris Fill #1
• Gene Harris Fill #2
• Gene Harris Fill #3
• Gene Harris Fill #4
• Gene Harris Fill #5
• Gene Harris Blues Gospel Licks - Vol. 2
• The progression
• Introduction
• Analysis-dominant motion
• Using dynamics
• Lick #1
• Lick #2
• Lick #3
• Lick #4
• Next steps
• How To Create Blues Piano Licks
• How To Create Licks
• ABC's of the Blues - Vol. 1
• Introduction to the Blues ABC's
• Blues Accompaniments pt. 1
• Blues Accompaniments pt. 2
• Turns and Chromatics pt. 1
• Turns and Chromatics pt. 2
• Double-stop riffs
• What to practice
• ABC's of the Blues - Vol. 2
• Introduction
• Shuffle song
• Swing song
• Rock song
• Stride song
• Shuffle-Rock intro
• Swing intro
• Stride intro
• Common ending
• Beginning Jazz & Blues Improv 1
• Improvisation Basics 1
• Rhythm in Improvisation
• Fingering and dynamics
• Improvisation Exercise
• Relaxing and Phrasing
• Easy Improvisation Steps
• Beginning Jazz & Blues Improv 2
• New Bassline
• Improvisation
• Creating Lines
• Play And Rest
• Beginning Jazz & Blues Improv 3
• Song pt 1
• Song pt 2
• Song pt 3
• What to practice
• Pain, Tension and Technique
• Introduction
• Pain, soreness and tension
• Centering yourself
• Grab technique
• Dropping the wrists
• Stretches
• Alexander Technique
• Weight training, Yoga, etc.
• Practicing the piano
• Introduction
• Goal Setting
• Practicing Technique
• C major scale HT 2 octaves
• Practical Technique
• Creating Exercises pt 1
• Creating Exercises pt 2
• Effective Practice – Scale ideas
• Effective Practice – Staying Active
• Effective Practice – How long to practice
• Faster Fingers - Vol. 1
• Introduction
• Push Vs. Grab Technique
• 5 finger Major Scale
• 5 finger Minor Scale
• Contrary Major/Minor
• Two Hand Fluidity
• Chromatic Mixture
• Major/minor Triads
• Triad/Scale Mixture
• Chromatic Exercises
• Two Hand Scales
• Speed Up The Cross
• Faster Fingers - Vol. 2A - Arpeggios
• Introduction
• Arpeggio Technique pt 1
• Arpeggio Technique pt 2
• Key of C
• Key of Db
• Key of D
• Key of Eb
• Key of E
• Key of F
• Key of Gb
• Faster Fingers - Vol. 2B - Arpeggios
• Key of G
• Key of Ab
• Key of A
• Key of Bb
• Key of B
• Summary & Plan
• Jazz and BeBop Exercises
• Introduction
• Broken 3rds
• Free Play
• Scale Neighbors
• Scale Neighbor Examples
• Bebop scales
• Half-whole diminished
• Metronome on 2 and 4
• Diminished arepeggios
• Jazz Improvisation with Approaches
• Introduction
• Approaches pt 1
• Approaches pt 2
• Approaches practice
• Advanced approaches pt 1
• Advanced approaches pt 2
• Melodic shells pt 1
• Melodic shells pt 2
• ii-V-I scale secrets
• Voicing options
• Creating Improvisation Lines
• Introduction
• Four-note cells
• Elongation patterns
• Arpeggios & Scales filler
• Line using filler material
• Patterns over different chords
• Dominant 7th lick
• 2-5-1-6-pattern
• Chromatic approachs 6th chord
• More licks
• Beginning Jazz & Blues Improv 4
• Minor progression with shells
• Two-hand chords
• IV Chord progression
• Making an arrangement
• Beginning Jazz & Blues Improv 5
• Rhythm
• Lead sheet
• 7th chords
• Shells
• Bassline
• Beginning Jazz & Blues Improv 6
• Blues Bassline
• Right hand chords
• Hands together
• Some tricks
• What to practice
• Beginning Jazz & Blues Improv 7
• Lick #1
• Lick 1b (m5)
• Lick #2
• Lick #3
• Beginning Jazz & Blues Improv 8
• Melody
• Add chords
• Blues bass
• Intro and ending
• Wrap up
• Int/Adv Jazz & Blues Improv 1
• Improvisation Basics
• Rhythm in Improvisation
• Fingering and dynamics
• Improvisation Exercise
• Relaxing and Phrasing
• Creating Lines
• Clave and Montunos
• Introduction to Latin Piano
• Introduction to the Clave
• Playing the Clave
• The Pulse
• Clave with the Pulse
• Typical Montuno Rhythm
• Montuno Rhythm over C chord
• Montuno in Harmony
• Montuno with the Pulse
• Adding the Tumbao
• Tumbao with the Montuno
• C6 Montuno with Tumbao
• C6 Montuno in Inversion
• Montuno in Octaves
• C-F-G progression
• C-F6-G progression
• C-F6-G progression (3-2 Clave)
• 3-2 Clave alternate start
• 3-2 Clave alternate montuno
• C-F6-G progression in Octaves
• C-F-G montuno in OCTAVES Alternate
• C-F-G montuno in OCTAVES Alternate 2
• C-F-G montuno Alternate 2 in triads
• Outer-Inner Triads/Octaves
• Alternate Montuno with Arpeggio
• Montuno with Arpeggio in Octaves
• Montuno with Arpeggio in Octaves 2
• Montunos and Progressions
• Introduction
• 3-2 clave I chord
• 3-2 clave V7 chord
• Combining I and V7 chords (3-2)
• 6 to 5 resolution on Major
• 4 to 3 resolution on Dominant
• 7 to 1 resolution on Dominant
• I-V7 progression #1
• I-V7 progression #2
• Changing Clave Direction
• Basic minor chord montuno
• Minor montuno in octaves #1
• Minor montuno in octaves #2
• ii-V7 montuno (2-3)
• ii-V7 montuno (3-2)
• ii-V7 montuno descending ex. 1
• ii-V7 montuno descending ex. 2
• ii-V7 montuno descending (3-2)
• ii-V7 Alternate montuno
• Conclusion
• Quick Latin Grooves
• Introduction
• Groove #1: ii-V
• Groove #2: minor
• Groove #3: sus4
• Groove #4: harmony
• Groove #5: minor line
• Groove #6: I7 to IV7
• Groove #7: bluesy latin
• Groove #1: tricks
• Groove #2: tricks
• Merengue Piano
• Introduction to Merengue Piano
• Basic V-I Pattern
• Basic V-I Pattern w/ bassline
• V-I Alteration
• Chordal Pattern
• Pattern #2
• Pattern #2 chordal
• Octave Exercise
• Octave Pattern #1
• Octave Pattern #2
• Triadic Pattern w/ new rhythm
• Triadic harmony
• Traditional Merengue Pattern
• Intros and Endings - Vol. 1
• Introduction
• Ballad Intro pt 1
• Ballad Intro pt 2
• Ballad Intro pt 3
• Swing Pedal Tone
• Short & Bluesy
• Slow minor intro
• The Last 8
• Cool Latin intro
• Intros and Endings - Vol. 2
• Introduction
• Down from the #IV pt 1
• Down from the #IV pt 2
• Fast blues ending pt 1
• Fast blues ending pt2
• Rock ballad ending
• Rock Ballad pt 2 (Gospel flavor)
• From the flat 7 pt 1
• From the flat 7 pt 2
• Descending blues scale
• Blues double stops edning
• Blues chordal ending
• Jazz Song Introductions
• Jazz Song Introductions
• Piano Lesson Variety
• #1 [Triads]
• #2 [Posture]
• #3 [Seventh chords]
• #4 [Triad inversions]
• #5 [Slash chords]
• #6 [Chord shells]
• #7 [Using Chord Shells]
• #8 [Shells and Melody]
• #9 [Tensions]
• #10 [Guide Tones]
• #11 [Rootless Chords]
• #12 [2-5-1 with Rootless Chords]
• #13 [Turnarounds & Endings]
• #14 [Blues Progressions]
• #15 [Approaches]
• #16 [Bass Lines]
• #17 [Major & Natural Minor & Modes]
• #18 [Scales for Improvisation]
• #19 [Playing Different Styles]
• #20 [Wrap Up and More Stuff!]
• #21 [Basic Harmonization]
• #22 [4th Quartal Voicings]
• #23 [Four Funky Grooves]
• #24 [Altered and Lydian b7]
• #25 [Easy 2-5-1]
• Piano Chords - Vol. 1
• Intervals
• Major 7th Chords
• Types Of Playing
• Minor 7th Chords
• Dominant 7th Chords
• Sus Chords
• Magic Chords part 1
• Magic Chords part 2
• Real World Examples
• Wonder Chord
• Piano Chords - Vol. 2
• Upper Structure Triads
• 2-5-1 & Upper Structure Triads
• Tri-Tone Substitutions
• Other Chords
• Chord Gems
• Real World Examples
• Comping
• Improvise in 30
• Improv Introduction
• Improv – Sounding Bad!
• Improv – What is a lick?
• Improv – Lick Tonality
• Improvisation pg 4 licks
• Moving licks around
• Improv – Play/Rest
• Improv in 30!
• Improvisation pg 8 licks
• Improvisation pg 12 licks
• Improv – Exercises
• Improv – Triads
• Improvisation pg 16 licks
• Improvisation pg 20 licks
• Improvisation pg 24 licks
• A few tips & conclusion
• Blues n' Boogie - Vol. 1
• Scorch Plug In
• Introduction
• The Blues Form
• The Blues Form pt 1
• The Blues Form pt 2
• The Blues Form pt 3
• Scales Used For Improv
• Triads Sevenths and Inversions
• Suspensions and Slash Chords
• Sliding Crushing & Rolling Notes
• Neighbor Chords
• Adding The Left Hand
• Grooves
• Groove With Licks
• Where To Go From Here
• Blues n' Boogie - Vol. 2
• Scorch Plug In
• Scales
• Rhythm
• Basic Shuffle Groove
• Common Shuffle Groove
• Seven Shuffle Grooves pt. 1
• Seven Shuffle Grooves pt. 2
• Boogie Bass
• Jimmy Yancey Groove
• Blues n' Boogie - Vol. 3
• Scorch Plug In
• New Orleans Style
• Boogie In Octaves
• Turnarounds
• Endings
• Extra Grooves
• Five Licks
• Putting It Together
• Jazz and Blues Made Easy
• 12 Bar blues progression
• Rhythm
• Chord Voicings
• Blues Bassline
• Bassline Approaches
• Comping Chords
• Improvising Over The Blues
• Creating Licks
• Coupling Exercises
• Licks HT With Bassline
• Creating Your Own Composition
• Fills Runs Endings
• Putting It All Together
• Jazz Piano Improvisation - Vol. 1
• Introduction
• What is Improvisation?
• Elements of improvisation
• Choose the right element for the moment
• The Major scale and Major chords
• Swing rhythm and the Major scale
• Getting creative with the Major scale
• In points and target notes
• Adding space to your solo
• Comping chords
• Chord tones & available tensions
• Strong beats and weak beats
• Common Triplet Pattern
• Expanding Your Chords
• Tips & Wrap up
• Jazz Piano Improvisation - Vol. 2
• Introduction
• Chord tensions chart
• Creating scales from tones and tensions
• Scale blocks and four-note patterns
• Chord tones and four-note patterns
• Take-off and landing notes
• Tension and release in the line
• Approaches into target notes
• Simplifying chord voicings
• Form / Rhythm / Notes
• Rhythmic segmenting
• Arpeggiating the chord
• Arpeggiating chord tones (2 examples)
• Adding the 9th to improv
• Adding the 11th to improv
• Blue Bossa Ex. 1
• Blue Bossa Ex. 2
• Blue Bossa Ex. 3
• Blue Bossa Ex. 4
• Bonus Concepts (advanced)
• Jazz Piano Improvisation - Vol. 3
• Introduction
• Bebop Scales
• How to swing the scales
• Bebop scales in different keys
• The descending bebop scale V-I and ii-V-I
• Descending 1/2-whole diminished
• Diminished chord built on the b9
• Diminished arpeggios with 4-note blocks
• Sequencing diminished arpeggios
• Leaping fourth in Major
• Leaping third in minor
• 4-note approaches (delayed resolution)
• Common bebop line
• Common bebop line (ii-V-I)
• Two-measure ii-V-I ex. 1
• Two-measure ii-V-I ex. 2
• Two-measure ii-V-I ex. 3
• (3) one-measure ii-V-I examples
• Tips & Wrap up
• Jazz Piano Improvisation - Vol. 4
• Scales and Modes Intro
• Modes of the Major scale
• Modes with block chords
• Mode usage
• Ionian Mode
• Dorian mode
• Phyrgian
• Lydian mode
• Mixolydian
• Aeolian mode (Blue Bossa)
• Locrian mode
• Using modes…Here is That Rainy Day
• Commonality between modes
• Here is That Raining Day…Improv
• Creating chord scales
• Advanced Jazz and Blues - Vol. 1
• Adv. Jazz & Blues 1 Introduction
• F blues progression 1
• F blues progression 1 – playalong
• F blues progression 2
• F blues progression 2 – playalong
• F blues progression 3
• F blues progression 3 – playalong
• F blues progression 4
• F blues progression 4 – playalong
• A/B forms of rootless chords
• The song – Swingin Blues (F Blues)
• Approaches into Guide Tones
• Advanced Scales for Improvisation
• Advanced Scales for Improvisation pt. 2
• Advanced Comping Techniques
• Creating a Bassline (F Blues)
• Piano Chords - Vol. 3
• Introduction
• Major Seventh Chords Form A
• Major Seventh Chords Form B
• Minor Seventh Chords
• Dominant Seventh Chords
• All A+B Forms pt 1
• All A+B Forms pt 2
• A&B forms correction (quartals) pt 1
• ii-V-I Rootless chords pt 1
• A&B forms correction (quartals) pt 2
• ii-V-I Rootless chords pt 2
• ii-V-I in 6 keys
• ii-V-I-vi Progression
• ii-V-I-vi in 6 Keys
• Altered ii-V-I
• Song Examples pt 1
• Song Examples pt 2
• More Adventures in Jazz *Bonus*
• "Over The Rainbow"
• Over The Rainbow – Chapter 1a
• Over The Rainbow – Chapter 1b
• Over The Rainbow – Chapter 1c
• Over The Rainbow – Chapter 1d
• Over The Rainbow – Chapter 1e
• Over The Rainbow – Chapter 2
• Over The Rainbow – Chapter 3b
• Over The Rainbow – Chapter 3a
• Over The Rainbow – Chapter 4a
• Over The Rainbow – Chapter 4b
• Over The Rainbow – Chapter 4c
• Over The Rainbow – Chapter 5a – Improv pt 1
• Over The Rainbow – Chapter 5b
• Basics of Improvisation
• Introduction
• Rhythm
• Songs we are covering
• Style
• Chords And Their Inversions
• Comping Chords
• Improvising Using the RH pt1
• Improvising Using the RH pt2
• What To Do In The Left Hand?
• Left Hand Rhythms
• Pseudo Bass Line
• Putting Hands Together
• Beyond Chord Tones pt1
• Beyond Chord Tones pt2
• Approaches
• Licks With Approaches
• Lick Exercises
• 1-6-2-5 Exercises
• Jam With The Band
• Play-a-long 1
• Play-a-long 2
• Accompanying a Vocalist/Instrument
• DVD601 Introduction
• Singers And Their Books
• Intros And Endings
• Cueing
• Tag Ending
• Bullet Points
• Duke Ending
• I-vi-ii-V turnaround
• I-vi-ii-V turnaround bassline
• Comping & Voicings
• The Melody
• Phrasing
• Chord Review
• Review
• 1st Time
• 2nd Time
• 3rd Time
• 4th Time
• Vocal Cues
• No Band
• Time Shift
• Mixing Concepts
• Merging Personalities
• Soloing Concepts
• Playalong 1
• Playalong 2
• Playalong 3
• About Tish
• Blues Basics
• Intro – What is the Blues?
• Understanding I-IV and V
• Basic Blues chords
• A basic blues progression
• Blues rhythm
• Types of chordal accompaniments
• Transposing to new keys
• The Blues scale
• Rhythmic cells
• Breaking down scales into chunks
• Combine chunks and rhythmic cells
• Putting the hands together
• Modulation Techniques
• Modulations introduction
• What is a modulation?
• Key centers vs. modulation
• Dominant motion for modulation
• Diminished to dominant sequences
• Diminished to dominant C to Bb
• Diminished to dominant to relative min.
• Dominant chord modulation
• Pivot chord modulation – introduction
• Common keys and finding pivot chords
• Amazing Grace – F to C
• Amazing Grace – F to Bb
• Borrowed minor key chords
• Amazing Grace – F to Ab (borrowed)
• Amazing Grace – F to Db (sus4)
• Amazing Grace – F to Eb
• Diminished to ii-V sequence
• Amazing Grace – F to Ab (create pivot)
• Amazing Grace – F to Ab (diminished)
• Scales, Fills and Runs
• Introduction
• Dominant 7th scales
• Major pentatonics over Dom 7 (inside)
• Major pentatonics over Dom 7 (outside)
• minor Pentatonics over Dom 7
• minor Pentatonics over minor 7
• One-measure fill rhythms
• One-measure fill ex. 1
• One-measure fill ex. 2
• My favorite fills #1
• My favorite fills #2
• Flat 9 run
• Quartal run
• Pentatonic run
• Funk Bass Grooves
• Introduction
• Bassline with Chords
• Lick #1
• Lick #2
• Lick #3 (going outside)
• Lick #4 (groove lick)
• Lick #5 (32nd notes)
• The Chicken Pick
• Outside Chord
• Bass line quarter-note triplets
• Bassline Line Alterations
• Free Improv
• Composing A Groove
• Part 1 – creating a groove
• Part 2 – bassline w/ chord
• Part 3 – triad passing chords
• Part 4 – triad passing chords 2
• Part 5 – sus passing chord
• Part 6 – create the bridge
• Part 7 – putting it together
• Part 8 – Improv 1
• Part 9 – Improv 2
• Part 10 – Improv 3
• Groove Extension And Improvisation
• Introduction
• Lower Dominant Neighbors
• Upper Dominant Neighbors
• Major and minor
• Stevie Wonder – Superstitious
• Chordal Scale
• Chordal Groove
• Slash chords
• Advanced Slash Chords
• Advanced Slash Chord Improv
• Bebop scale
• Funk Master Class 1
• Introduction
• Pockets of Space
• The One Drop
• One Drop part 2
• Line after bass one drop
• minor 6 (-7) funk chord
• Locking in a groove
• Working through substitutions
• Funk chord voicings
• Reharming the progression
• Single-note grooves
• Entry points
• Funk Master Class 2
• Section 2 Part 1
• Section 2 Part 2
• Section 2 Part 3
• Section 2 Part 4
• Section 2 Part 5
• Section 2 Part 6
• Jam Track
• Funk Improvisation - Vol. 1
• Funk Improv Intro
• Chord voicings (dom 7 and min 7)
• Adding inner motion to the chords
• How to comp chords
• How to comp chords (extra)
• Scales for improv – minor pentatonic
• The Blues Scale
• The Altered Scale
• Learning your neighbor scales
• Creating phrases elements of a phrase
• Conditioning Rhythms – part 1
• Conditioning Rhythms – part 2
• Conditioning Rhythms – part 3
• Improv part 2 sneek peek
• Funk Improvisation - Vol. 2
• Introduction
• Lick #1
• Lick #2 – sixteenth notes
• Lick #3 – altered scale
• Lick #4 and #5
• Lick #6 – sixteenth note triplets
• Lick #7 and #8 – sixteenth note groupings
• Lick #9 – 32nd notes
• Lick #10
• Summary
• Funk Improvisation - Vol. 3
• Introduction
• 4-note patterns
• Sequencing patterns
• Creating longer phrases
• Starting on different beats
• Double stops
• Using thirds
• Adding space to the solo
• Interaction between hands
• Interaction between hands part 2
• Extract clusters from the scale
• Extract quartals from the scale
• 3-note patterns
• Quartal and cluster lines
• Funk Improvisation - Vol. 4
• Introduction
• Using the MIDI files
• One chord vs. multi-chord grooves
• Scales and key centers pt 1
• Scales and key centers pt 2
• Using voicings to lead a solo pt 1
• Using voicings to lead a solo pt 2
• Inside/outside quartals pt 1
• Inside/outside quartals pt 2
• Using quartals in improv pt 1
• Using quartals in improv pt 2
• Using quartals in improv pt 3
• Voicings improv pt 1
• Voicings improv pt 2
• Wrap Up
• Quartals Game Plan
• Essential Comping Techniques Part 1
• Introduction
• Ballad style
• Ballad style with fills
• Oom-pah style
• Oom-pah singing
• Bassline and comping
• Summary
• Essential Comping Techniques Part 2
• Bassline comping
• Bassline comping pt 2
• Bassline comping pt 3
• Group chordal comping pt 1
• Group chordal comping pt 2
• Group improv comping
• Walking Bassline And Comping - Vol. 1
• Introduction
• Progression and Usage
• Measure 1
• Measure 7
• Measure 13
• Measure 19
• Measure 23 and Tips
• Walking Bassline And Comping - Vol. 2
• Introduction
• Before Starting
• Starting notes
• Ending notes
• Section 2 A-7
• What to practice
• "Alice in Wonderland" Fakebook Comping - Vol. 1
• Comping Pt 1
• "Alice in Wonderland" Fakebook Comping - Vol. 2
• Introduction
• Comping Part 2
• Play Piano For Hours #1
• Play Piano For Hours #1
• Play Piano For Hours #2
• Play Piano For Hours #2
• Play Piano For Hours #3
• Play Piano For Hours #3
• Play Piano For Hours #4
• Play Piano For Hours #4
• Play Piano For Hours #5
• Play Piano For Hours #5
• Play Piano For Hours #6
• Play Piano For Hours #6
• Play Piano For Hours #7
• Play Piano For Hours #7
• Play Piano For Hours #8
• Play Piano For Hours #8
• Play Piano For Hours #9
• Play Piano For Hours #9
• Play Piano For Hours #9 Student Questions
• Play Piano For Hours #9 Student Questions
• Happy Birthday
• Basic arrangement
• Blues/Rhumba feel
• Arrangement with fills
• Swing bass line
• Jazz re-harmonization arrangement pt 1
• Jazz re-harmonization arrangement pt 2
• "It Had To Be You"
• Step 1
• Step 2
• Step 3
• Step 4
• "On The Sunny Side Of The Street"
• Step 1
• Step 2
• Step 3
• Step 4
• Easy Jazz Piano Lesson
• Introduction
• Song part 1
• Song part 2
• Song part 3
• Song part 4
• Hands together part 1
• Hands together part 2
• Hands together part 3
• Hands together part 4
• Head-Solo-Head
• Comping and Basslines
• Scales
• Solo Patterns 1
• Solo Patterns 2
• Licks
• Putting it together
• Not ready?
• Now together
• Conclusion
• Rhythm Foundations
• 01-Vocalizing/Subdivision
• 02-Rhythmic Vocalization List
• 03-Examples Of Rhythmic Vocalization
• 04-How To Get Better At Rhythm
• Foundations For Beginners – Technique
• Why Technique is Important
• Grab vs Push
• 5 Finger Scales
• How To Get Better
• Reading Music Foundations
• Reading Music
• Reading Music Basics - Vol. 1
• Introduction
• Guideposts
• Ex. 1 – Quarter note guideposts
• Ex. 2 – High and low guideposts
• Ex. 3 – Playing hands together
• Ex. 4 – Double-stops
• Ex. 5 – Flowing between hands
• Ex. 6 – Direction shifts
• Reading Music Basics - Vol. 2
• Ex. 7 – Guidepost Neighbors
• Ex. 8 – A Little Tune
• Ex. 9 – Slurs and Eighths
• Ex. 10 – Watch out!
• Ex. 11 – Repeats and Accidentals
• Ex. 12 – Key signatures and Chords
• Ex. 13 – Pickups and Broken chords
• Ex. 14 – Name this song
• Where to go from here
• Critical Song Analysis
• Progression A
• Progression B
• How to Memorize & Analyze Songs 1
• Memorization & Analysis pt 1
• Memorization & Analysis pt 2
• Memorization & Analysis pt 3
• How to Memorize & Analyze Songs 2
• Introduction
• Breaking down a piece
• Theory vs muscle memory
• Finding new measures
• 5 Elements to practice
• Stealing away time
• Analysis, Memorization and Transposition
• Analysis Introduction
• Diatonic harmony
• Analysis Symbols
• Deceptive Resolution
• Tritone resolution
• Analyze the song (1)
• Analyze the song (2)
• Analyze the song (3)
• Transposing to a new key
• All The Things You Are – analysis
• Memorizing the song
• I Could Write a Book – analysis
• Transpose I Could Write A Book
• Improvisation Scales
• Memorizing Jazz Tunes "It Could Happen To You" - Vol. 1
• Introduction
• Prep Work
• Starting with harmony
• The melody
• Solo piano approach
• Memorizing Jazz Tunes "It Could Happen To You" - Vol. 2
• Review and Fried Bananas
• Harder unfamiliar keys
• Writing a solo
• Transcription-Sonny Stitt solo
• Organ Licks and Chords
• Introduction
• 1-6-2-5 Turnaround
• Gimme Some Lovin
• Smoke on the Water
• Creating Motion Triads
• Funk Tune Groove
• Funk Tune Setting
• Green Onions
• Rock Organ Tour
• Introduction
• Why rock organ?
• Steve Winwood glassy sound
• Goldy McJohn – Steppenwolf
• John Lord (Deep Purple)
• John Evan (Jethro Tull)
• Gregg Rolie (Santana, Journey)
• Wrap Up
• Style of Jimmy Smith for Pianists
• Introduction
• Intro to organ controls
• Jimmy Smith Settings
• Jimmy Jazz comping
• Full organ comping
• Jimmy jazz basslines
• Jimmy jazz blues licks
• Jimmy funky comping
• Outro
• "Hush" - Vol. 1
• Introduction
• Song Intro
• Funk Organ Groove pt 1
• Funk Organ Groove pt 2
• Apply groove to other sounds
• The form pt 1
• The form pt 2
• Organ fills behind vocal
• Creating a part
• Assignment
• "Hush" - Vol. 2
• Introduction
• Transcribing
• Tremolo
• Passing IV groove pt 1
• Passing IV groove pt 2
• Quartals
• Hold Note
• 16th note lines
• Cocktail Piano Basics - Vol. 1
• Introduction
• Intros-Swing
• Intros-Ballad
• Intros-Latin
• Accom-Shells
• Accom-Rootless
• Accom-Rag
• Accom-Ballad
• Accom-Latin
• Accom-Bassline
• Cocktail Piano Basics - Vol. 2
• Introduction
• Soloing-Root-9th-3rd
• Soloing-Chord Tones
• Soloing-neighbor tones
• Soloing-active-left-hand
• Soloing-cells and rootless voicings
• Ending 1
• Ending 2
• Ending-Outside in
• Ending-chromatic
• Cocktail Success
• Week 1
• Week 2
• Week 3
• Week 4
• Week 5-8
• "Night and Day" - Vol. 1
• Introduction
• Line 1 – Option 1
• Line 1 – Option 2
• Line 1 – Option 3
• Line 2 – Option 1
• Line 2 – Option 2
• Line 2 – Option 3
• Line 3 – Option 1
• Line 3 – Option 2
• Line 3 – Option 3
• Line 4 – Option 1
• Line 4 – Option 2
• Line 4 – Option 3
• "Night and Day" - Vol. 2
• Introduction
• Line 5 – opt. 1
• Line 5 – opt. 2
• Line 5 – opt. 3
• Line 6 – opt. 1
• Line 6 – opt. 2
• Line 6 – opt. 3
• Line 7 – opt. 1
• Line 7 – opt. 2
• Line 7 – opt. 3
• Line 8 – opt. 1
• Line 8 – opt. 2
• Line 8 – opt. 3
• Night & Day – Endings
• 2-5-1 Essentials
• Introduction
• Diatonicism and ii-V-I
• Chord tones vs. tensions
• Chord shells
• Creating cool ii chord voicings
• Creating cool V7 chord voicings
• Creating cool I chord voicings
• Voice leading
• Arpeggios, 2-5-1's and Tritones
• Arpeggios, 2-5-1’s and Tritones
• 2-5-1 Major Licks
• Introduction
• Lick 1
• Lick 2
• Lick 3
• Lick 4
• Lick 5
• Lick 6
• Lick 7
• Lick 8
• 2-5-1 Minor Licks
• Introduction
• Lick 1
• Lick 2
• Lick 3
• Lick 4
• Lick 5
• Lick 6
• Lick 7
• Lick 8
• Two-Hand Chord Voicings for Piano Part 1
• Introduction
• II-V-I Theory Origins
• 4 way close position rootless voicings
• II-V-I progression
• II-V-I progression Pt 2
• Two-Hand Chord Voicings for Piano Part 2
• Dominant Chord Extensions
• Autumn Leaves Example
• Two-handed Comping
• Two-handed Comping Pt 2
• Advanced Pentatonics
• Introduction
• Guideposts and blocks
• 4-note patterns
• Left-hand McCoy style
• Pattern A
• Pattern B
• Pattern C
• Pattern D
• Pattern E
• Pattern F and G
• Advanced Pentatonics and Quartals - Vol. 1
• Introduction
• Step 1 – 24 bar Minor Blues
• Step 2 – Minor Chord Quartals
• Step 3 – Constant 16th Notes Exercise Over Minor
• Step 4 – Constant 16th Notes Exercise Over Sus
• Step 5 – Constant 16th Notes Exercise Over Altered
• Step 6 – Quartal 16ths Over Minor
• Step 7 – Quartal 16ths Over Sus
• Step 8 – Quartal 16ths Over Altered
• Advanced Pentatonics and Quartals - Vol. 2
• Step 1-Stepping and Skipping
• Step 2-Missing Scale Tone
• Step 3-Pentatonics and Arpeggios
• Step 4-Pentatonics and Arpeggios
• Quartals and Pentatonic Improvisation
• Scorch Plug In
• Introduction
• What are Quartals?
• Quartals over chords
• Quartal accompaniments
• Making richer voicings
• Going outside pt1
• Minor pentatonics
• Easy F Blues with quartals
• Adv. F Blues with quartals
• Playbook Days 11-20
• Day 11 - Reading Dynamics
• Day 12 - Song
• Day 13 - Song m3-4
• Day 14 - Song m5-6
• Day 15 - Song m7-8
• Day 16 - Song m9-12 (2nd ending)
• Day 17 - Improvisation Licks
• Day 18 - Triad Inversions
• Day 19 - Chord Improvisation
• Day 20 - Major Scale Pattern
• Playbook Days 21-30
• Day 21 - Understanding chord symbols
• Day 22 - 7th chords and chord shells
• Day 23 - My Romance – step 1
• Day 24 - My Romance – step 2
• Day 25 - My Romance – step 3
• Day 26 - My Romance – step 4
• Day 27 - Tritone substitution
• Day 28 - Creating a bass line
• Day 29 - Rootless chords
• Day 30 - Rootless chords with bassline and comping
• Day 1 - Rhythm
• Day 2 - Technique
• Day 3 - Reading Music
• Day 4 - Song “Dunkin’s Blue”
• Day 5 - Song – measures 3-4
• Day 6 - Song – measures 5-8
• Day 7 - How To Improvise
• Day 8 - How to Create a Song Arrangment
• Day 9 - Rhythm
• Day 10 - Broken Triads (technique)
• Slow Blues - Stormy Monday - Vol. 1
• Introduction
• Bassline A
• Bassline B
• Bassline C with practice tips
• Bassline D
• Bassline E the turnaround
• Bassline F ending
• Bassline F alterations
• Blues chords
• Bassline form
• Slow Blues - Stormy Monday - Vol. 2
• Introduction
• Blues Chords
• Augmented 5 Chord Intro
• Measure 7 Hands Together
• Walkup
• Walkup Arrangement Pt 1
• Walkup Arrangement Pt 2
• Jazzy Walkup
• Blues Lick
• Slow, Soulful Blues - Frank's Blues
• Introduction to Soulful Blues
• Left hand accompaniment techniques
• “Jazz” chords – chords with tensions
• Approaches into the next chord
• Left-hand summary
• The Song Part 1 (Franks Blues)
• The Song Part 2 (m. 4)
• The Song Part 3 (m. 8)
• The Song Part 4 (m. 10)
• Walk ups / Walk downs pt 1
• Walk ups / Walk downs pt 2
• Free improvisation
• Wrap Up
• 15 Blues Licks
• Introduction
• Lick 1
• Lick 2
• Lick 3
• Lick 4
• Lick 5
• Lick 6
• Lick 7
• Lick 8
• Lick 9
• Lick 10
• Lick 11
• Lick 12
• Lick 13
• Lick 14
• Lick 15
• Wrap Up
• "O Come All Ye' Faithful"
• The Melody
• Basic Chords Part 1
• Basic Chords Part 2
• Basic Chords Part 3
• Basic Chords Part 4
• Basic Chords Part 5
• Advanced Chords Intro
• Advanced Chords Part 1
• Advanced Chords Part 2
• Advanced Chords Part 3
• Advanced Chords Part 4
• Advanced Chords Part 5
• Advanced Chords Part 6
• Advanced Chords *Tag*
• Arrangement – Three Versions
• Arrangement – Part 1
• Arrangement – Part 2
• Arrangement – Part 3
• Arrangement – Part 4
• Arrangement – Part 5
• Arrangement – Part 6
• Arrangement – Part 7
• Arrangement – Part 8
• Arrangement – Part 9
• Arrangement – Part 10
• "Chestnuts Roasting"
• The Song
• Part 1
• Part 2
• Part 3
• Part 4
• Part 5
• Part 6
• Part 7
• Part 8
• Improv Tips
• Slow, Blues Improvisation - Vol. 1
• Introduction to Slow Blues Improv
• Scale review
• Left-hand accompaniment techniques
• Triplets vs. Swung eighth notes
• Grouping Patterns
• Arrangement part 1
• Arrangement part 2 (m. 3)
• Arrangement part 3 (m. 5)
• Arrangement part 4 (m. 8)
• Arrangement part 5 (m. 10)
• Arrangement part 6 (m. 11) – conclusion
• Slow, Blues Improvisation - Vol. 2
• Introduction
• 16th-note triplet exercise
• 16th-note triplet licks
• Getting the Blues feel
• Adjusting scores for hand size
• Arrangement pt 1 (m1-2)
• Arrangement pt 2 (m3-4)
• Arrangement pt 3 (m5-6)
• Arrangement pt 4 (m7-8)
• Arrangement pt 5 (m9-10)
• Arrangement pt 6 (m11-12)
• Improvisation Ideas
• "Auld Lang Syne" Special Reharmonization - Vol. 1
• Introduction to Reharmonization
• Step 1 – basic I-IV-V
• Step 2 – precede Dom 7
• Step 2 – precede Dom 7 pt2
• Secondary dominants
• Step 3 – replacing chords
• Step 4 – add dominant motion
• Step 5 – tritone substitution
• Step 6 – chord shifting
• Step 7 – alternate bass notes
• "Auld Lang Syne" Special Reharmonization - Vol. 2
• Introduction and pt 1
• Measure 5
• Measure 9
• Measure 15
• Tips pt 1
• Tips pt 2
• Tips pt 3
• Tips pt 4
• Amazing Grace Reharmonization
• Amazing Grace Reharmonization
• Reharmonizations, Progressions and Extensions
• Introduction
• Diatonic harmony
• Dominant motion
• Prog A I-IV-V
• Prog B ii-V-I
• Prog C I-vi-ii-V
• Prog D iii-V7/ii-ii-V
• Prog E IV-iv-bVII7
• Prog F I-IV-iv-I
• Prog G I – #I diminished – ii – #II diminished
• Prog H I – ii_V of vi
• Prog I I – V7/vi – vi
• Prog J Extended dominants
• Wrap Up
• 4-Layer Standards
• 4-Layer Standards
• How to Play Standards
• How to Play Standards
• How to Improvise Over Standards
• How to Improvise Over Standards
• "Cantaloupe Island"
• Introduction
• The Groove pt 1
• The Groove pt 2
• Groove Exploration
• Herbie Groove
• Constant Cross Staff
• Moving Ghost Note
• The Melody
• Scales for Improvisation
• Improvisation Ideas pt 1
• Improvisation Ideas pt 2
• Improvisation Ideas pt 3 (groove)
• Blues n' Boogie - Vol. 4
• Scorch Plug In
• Part 1
• Part 2
• Part 3
• Part 4
• Part 5
• Part 6
• Part 7
• Part 8
• Part 9
• Part 10
• Part 11
• Part 12
• Music Theory - Module 1
• Introduction
• Key Signatures
• Circle of 5ths
• Enharmonic
• Music Theory - Module 2
• Introduction
• Clef Expanation
• Relative and Parallel Minor
• Major and Minor Scales
• Harmonic and Melodic Minor
• Music Theory - Module 3
• Scale Degrees
• Intervals
• Modes Defined
• Modes Alternate Explanation
• Modes Practical Application
• Exercise 1
• Exercise 2
• Exercise 3
• Exercise 4
• Exercise 5
• Exercise 6
• Exercise 7
• Exercise 8
• Exercise 9
• Exercise 10
• Exercise 1
• Exercise 2
• Exercise 3
• Exercise 4
• Exercise 5
• Exercise 6
• Exercise 7
• Exercise 8
• Exercise 9
• Exercise 10
• Music Theory - Module 4
• Chords
• 7th Chords
• Open and closed position
• Chord Symbols
• Chord Scales
• Chord Scales Pt 2
• Music Theory - Module 5
• Introduction
• Diatonic vs Chromatic
• Diatonic Chords
• Diatonic Worksheet
• Harmonic Progressions 2-5-1
• Harmonic Analysis Mozart
• Explanation of Worksheet
• Music Theory - Module 6
• Introduction
• Rhythm Review
• Dotted Rhythms
• Rhythm Sight Reading
• More Rhythmic Values
• "Piano Man" - Billy Joel
• Introduction to Piano Man
• Song Introduction
• First part of song
• The Verse
• Interlude
• The Bridge
• Chorus
• Country Lick
• Improvisation scales
• Piano man improv solo
• Billy Joel lick
• Rock piano improv tips
• "Your Song" - Elton John
• Introduction
• The song
• Step 1 part 1
• Step 1 part 2
• Step 2
• Step 3 pt. 1
• Step 3 pt. 2
• Step 4 pt. 1
• Step 4 pt. 2
• Accompanying others
• Improvisation pt. 1
• Improvisation pt. 2
• "The Way It Is" - Bruce Hornsby
• Song Introduction
• Introduction and Analysis
• Song Introduction m6
• Chorus variations
• Pentatonic scale exercise
• Pentatonic groupings pt 1
• Pentatonic groupings pt 2
• Hornsby Lick #1
• Hornsby Lick #2
• Pentatonic double-stops
• Change lick starting beat
• Putting the song together
• Advanced techniques
• Beginner/Intermediate techniques pt 1
• Beginner/Intermediate techniques pt 2
• "Minute By Minute" - Doobie Brothers
• Introduction
• Intro to the song
• Intro part 2
• With the play along
• The Verse pt 1
• The Verse pt 2
• The Verse pt 3
• Chorus
• The Interlude
• Modulated Chorus
• Modulation To D
• "She's Got a Way" - Billy Joel (Vol. 1)
• Introduction
• Measures 1-6
• Measures 7-11
• Measures 12
• Measures 13-16
• "She's Got a Way" - Billy Joel (Vol. 2)
• M 17-20
• M 21-26
• M 27-32
• M 33-End
• Accompaniment
• "Have I Told You Lately" - Van Morrison
• Introduction
• Song introduction
• Part 1 (m5)
• Part 2 (m9)
• Part 3 (m13)
• Part 4 (m17)
• Part 5 (m21-28)
• Improvisation
• "Every Breath You Take" - The Police (Vol. 1)
• Introduction
• Measure 1-6
• Measure 7-15
• Measure 16-24
• Measure 25-34
• "Every Breath You Take" - The Police (Vol. 2)
• Measure 35-44
• Measure 45-51
• Coda
• Improvisation ideas
• "Paranoid Android" - Radiohead
• Introduction
• Figuring out songs by ear pt 1
• Figuring out songs by ear pt 2
• Song introduction
• A section pt 1
• A section pt 2 (m17)
• B Section
• C Section
• D Section pt 1
• D Section pt 2
• Advanced concepts pt 1
• Advanced concepts pt 2
• Advanced concepts pt 3
• "Layla" - Eric Clapton (Piano Coda)
• Layla Piano Coda Part 2
• Layla Piano Coda Part 1
• "So Far Away" - Carole King
• Introduction
• Intro
• m3 – 5
• m6 – 8
• m9 – 11
• m12 – 17
• m18 – 22
• m23 – 26
• m33 – 40
• m41 – end with improv
• "Bridge Over Troubled Water" - Simon And Garfunkel (Vol. 1)
• Introduction
• Intro to the song
• Measure 5
• Measure 13
• Measure 20
• Measure 25
• Song analysis and practice tips
• "Bridge Over Troubled Water" - Simon And Garfunkel (Vol. 2)
• Introduction
• Measure 28
• Measure 39
• Measure 52
• Measure 58
• Measure 64
• "Smoke On The Water" - Deep Purple
• Introduction
• The Intro
• The Verse
• The Chorus
• Improvisation
• "House Of The Rising Sun" - The Animals
• Introduction
• Song Intro
• Prep A
• Prep B
• The Melody
• 16th note broken chords
• Improv and form
• "Alfie" - Burt Bacarach
• Introduction
• Measure 1
• Measure 7
• Measure 13
• Measure 19
• Measure 25
• Measure 31
• Measure 36
• Jazz & Blues Piano Part 1
• Introduction
• Great Blues Chord Riff
• Playing in a Rock Groove
• Playing in a Shuffle Groove
• Jazz & Blues Piano Part 2
• Advanced Turnaround
• Theory Time
• Playing Dominant 7th Chords
• Practice Ideas to Get You Grooving
• Jazz & Blues Piano Part 3
• Introduction
• Left Hand Bassline
• Building a 2-Handed Groove
• Bassline 2
• Jazz & Blues Piano Part 4
• Building Another Groove
• Right Hand Riff 2
• Combining Parts and Skill
• Comping Practice
• Jazz & Blues Piano Part 5
• Introduction
• Learning the Right Hand Melody
• Left Hand Shell Voicings
• Putting Hands Together
• Jazz & Blues Piano Part 6
• Transposing and Playing at a Faster Tempo
• Creating an Intro
• Classic Blues Ending
• Using Left Hand Basslines
• Jazz & Blues Piano Part 7
• Introduction
• Building Rootless Voicings
• Rootless Voicings for 12-Bar Blues
• Walking Bassline Exercise 1
• Jazz & Blues Piano Part 8
• Walking Bassline Exercise 2
• Walking Bassline Exercise 3
• Walking Bassline Exercise 4
• Walking Bassline Exercise 5
• Jazz & Blues Piano Part 9
• Introduction
• Common Alternate Changes
• More Alternate Changes
• More Advanced Changes
• Jazz & Blues Piano Part 10
• Altered Extensions
• Tritone substitutions
• Working With Basslines
• Jazz & Blues Piano Part 11
• Introduction
• M1-Tritone Substitution
• M4-Tweaking a ii-V-I
• M7-Descending Harmony
• Jazz & Blues Piano Part 12
• M9-Must have blues lick
• M11-Standard ending
• Practice exercises
• Bonus-Descending harmony trick
• Jazz & Blues Piano Part 13
• Introduction
• Scales
• Generating improvisation ideas
• Generating improvisation ideas Pt. 2
• Putting it all together
• Displacing the beat
• Jazz & Blues Piano Part 14
• Introduction
• Concerted Comping
• Another Blues Scale
• 3 Ways to fill space
• Taking it Out in m4
• Boogie Woogie Basics Part 1
• Introduction
• The Basics
• Getting the Groove
• Right Hand Riff
• More Bass Lines
• Boogie Woogie Basics Part 2
• Left and Right Hand Variations
• Create Your Own Riffs
• Riff with Comping
• Intros and Endings
• Intermediate Boogie Woogie Part 1
• Introduction
• Refresher & Basslines
• Riff #1 and #2
• Bassline #2
• Riff #3
• Intermediate Boogie Woogie Part 2
• Riff #3 with bassline
• Riff #4
• Riff #4 with bassline
• Wrap Up
• Advanced Boogie Woogie Part 1
• Introduction
• Bassline Getting the Groove
• Main Lick and Intro
• Practice Habits
• Increasing Speed
• Advanced Boogie Woogie Part 2
• Lick #2 2nd Chorus
• Fast Triplet Line
• A Few Endings Pt 1
• A Few Endings Pt 2
• Real World Cocktail Piano Tips
• Gigging Tips
• Reharmonizations
• Wrap Up
• "I Loves You Porgy" - Gershwin (Part 1)
• Introduction
• Brainstorming the song pt 1
• Passing chords
• Further in the song
• "I Loves You Porgy" - Gershwin (Part 2)
• R-7-3 Shells
• Arrangement pt 1
• Measure 5
• Measure 9
• Measure 13
• What to practice
• "Jordu" - Duke Jordan (Arrangement)
• Lead Sheet
• Arrangement Pt 1
• Arrangement Pt 2
• Improv & Accompaniment
• "Jordu" - Duke Jordan (Improvisation)
• Introduction
• Discovery Phase 1
• Discovery Phase 2
• A section improv 2
• B section improv
• "Moonlight In Vermont" - Arrangement (Part 1)
• Moonlight in Vermont m 1
• Measure 5
• Measure 13
• Measure 21
• What to practice
• "Moonlight In Vermont" - Arrangement (Part 2)
• Moonlight in Vermont B section
• B section m33
• Last A section
• Last A section m45
• What to practice
• Moonlight in Vermont Arrangement
• "All Blues" - Miles Davis (Arrangement)
• Introduction groove
• Song pt 1
• Song m6
• Song m 10
• What to practice
• My All Blues Improvisation Tips
• "As Time Goes By"
• Introduction
• Step 2
• Advanced Arrangement
• Quick Chromaticism
• Pro Tips
• "Unforgettable" - Vol. 1
• Introduction
• The introduction
• For Beginners
• The A Section
• Measure 11
• Measure 17
• Measure 23
• Turnaround and Ending
• "Unforgettable" - Vol. 2
• Introduction
• Fills and Runs
• Fills and Runs 1
• Fills and Runs 2
• Fills and Runs 3
• Fills and Runs 4
• "What A Wonderful World" - Vol. 1 (Arrangement)
• Introduction
• Elements of arrangement
• Part 1 (m1-4)
• Fills
• Part 2 (m5-9)
• Part 3 (m10-m21)
• Part 4 (m22-m33)
• Ending (m34-end)
• "What A Wonderful World" - Vol. 2 (Improvisation)
• Introduction
• Arrangement full speed
• Arrangement-50percent
• Solo-50percent
• Myarrangement-50percent
• "When Sunny Gets Blue"
• Introduction
• Analysis pt1
• Analysis pt2
• Step 1 – mixed shells
• Assignment
• Step 2 – adding the 5th
• Review of accompaniment techniques
• Step 3 – accompaniment rhythms
• Step 4 – song
• Step 4 – sections
• Flourishes
• "Moon River"
• Introduction
• Measures 1-8
• Measures 9-16
• Measures 17-25
• Measures 29-End
• How to practice
• "Summertime"
• Introduction
• Reharm part 1
• Reharm part 2
• Reharm part 3
• Reharm part 4
• Reharm part 5
• Reharm part 6
• Reharm part 7
• Arrangement Introduction
• Arrangement Part 1
• Arrangement Part 2
• Arrangement Part 3
• Arrangement Part 4
• Arrangement Part 5
• Creating Licks Intro
• Creating Licks Part 1
• Creating Licks Part 2
• Creating Licks Part 3
• Creating Licks Part 4
• Creating Licks Part 5
• Creating Licks Part 6
• Creating Licks Part 7
• Creating Licks Part 8
• Creating Licks Part 9
• Creating Licks Part 10
• Creating Licks Part 11
• Creating Licks Part 12
• Creating Licks Part 13
• Improvisation Lick #1
• Improvisation Lick #2
• Improvisation Lick #3
• Improvisation Lick #4
• Improvisation Lick #5
• Improvisation Lick #6
• Improvisation Lick #7
• Improvisation Lick #8
• Improvisation Lick #9
• Free Improv over Chords
• Rock Piano Chords Vol. 1
• Introduction
• Major triads in Root Position
• Minor Triads in Root Position
• Doubling the Root
• Inversions for Major Triads
• Doubling the 3rd and 5th
• Inversions for Minor Triads
• 12 Days of Jazz Standards
• Level 1 - Melody and Melodic Embellishment
• Level 2 - Shells (R7) with rhythmic movement
• Level 3 - Shells alternating between R7 and R3
• Level 4 - Shells with chord tone in RH
• Level 5 - Adding tensions
• "You've Got A Friend" - Vol. 1
• Introduction
• Notes about transcription
• Part 1 (m1-m5)
• Part 1 (m1-m5) continued
• Pat 2 (m6)
• Part 3 (m9)
• Part 4 (m16)
• Part 5 (m22)
• Part 6 (m25)
• Part 7 (m30)
• "You've Got A Friend" Improvisation And Groove - Vol. 2
• Intro and Sample Groove
• Thumb Accents
• Pickups And Suspension
• Chords Within The Groove
• Approaches Into The chord
• Combining Approaches
• Pentatonic Double-Stops
• Blues Scale Double Stops
• Left Hand Groove Tricks
• Turnaround
• Rock Piano Chords Vol. 2
• Introduction
• Using Inversions
• Voice Leading
• 7th Chords
• Slash Chords
• Putting It All Together
• 11 Rock Piano Technique Tips
• Introduction
• Tip 1
• Tip 2
• Tip 3
• Tip 4
• Tip 5
• Tip 6
• Tip 7
• Tip 8
• Tip 9
• 11-Tip 10
• 12-Tip 11
• Rock Rhythm Practice 1
• Introduction
• Rhythmic Values
• Examples of Each
• Rhythmic Exercises 1-4
• Rhythmic Exercises 5-8
• Rhythmic Exercises 9-12
• Rock Rhythm Practice 2
• Introduction
• Rhythmic Values
• Rhythm Review
• Rhythmic Exercises 1-4
• Rhythmic Exercises 5-8
• Rhythmic Exercises 9-12
• Adele
• Introduction
• Intro Verse Chorus
• Bridge
• Bonus 1
• Bonus 2
• Bonus 3
• Africa - Toto
• Introduction
• Intro and Keyboard Split
• Bottle Blower Riff
• Verse
• Chorus
• Synth Solo
• Caravan - Van Morrison
• Introduction
• Intro
• Verse
• Chorus
• Don’t Stop Believin - Journey
• Introduction
• Section 1
• Transposition Challenge
• Section 2
• Hey Jude - The Beatles
• Introduction
• Technique
• Rhythm
• Reading
• Theory
• Licks and Fills
• Song Tips
• Human Nature - Michael Jackson
• Introduction
• Intro
• Verse
• Other Ideas For Verse
• Chorus
• Interlude and Outro
• Imagine - John Lennon
• Introduction
• Intro Verse
• Prechorus
• Chorus
• Just The Way You Are - Billy Joel
• Introduction
• Intro
• Verse
• Comping Considerations
• Bridge
• Ending-Coda
• Layla - Eric Clapton
• Introduction
• Intro and Chorus
• Verse
• Piano Outro Coda
• Licks from Jessica - Allman Brothers
• Introduction
• Intro Riff
• Lick 1
• Lick 2
• Lick 3
• Lick 4
• Lick 5
• Lick 6
• Like a Prayer - Madonna
• Introduction
• Finding the right sounds
• Intro and Bridge
• Chorus
• Verse
• Saturday In The Park - Chicago
• Introduction
• Intro and Verse
• Prechorus
• Chorus
• Bridge
• Ending
• My Girl - The Temptations
• Introduction
• Diatonic Chords
• The Intro
• The Verse
• The Chorus
• The Interlude
• The Verse-New Key
• The Chorus-New Key
• The Outro
• Maybe I'm Amazed - Paul McCartney
• Introduction
• Intro
• Verse
• Triads in Different Positions
• Chorus
• Your Smiling Face - James Taylor
• Introduction
• Intro
• Verse Chorus
• Prechorus
• Verse Chorus Transposed
• Verse Chorus Transposed Again
• Tiny Dancer - Elton John
• Introduction
• Intro
• Verse
• Bridge
• Chorus
• Interlude
• New York State of Mind - Billy Joel
• Verse Part 2
• Bridge
• Ending
• Introduction
• Intro
• Verse Part 1
• Rock Piano - Keys To Success
• Session 1
• Session 2
• Session 3
• Funk Keyboard Technique 1
• Introduction
• Synth Vs. Piano
• Electro-Mechanical Keyboard Sounds
• Organ Patches
• Pads
• Funk Keyboard Technique 2
• Lead Sounds
• Pentatonic Scales and Licks
• Brass Instruments
• Stringed Instruments
• Funk Rhythm Training 1
• Introduction
• Rhythmic Review
• More Rhythmic Practice
• Two Handed Practice
• Poly Rhythm Practice
• Funk Rhythm Training 2
• Introduction
• Downbeats and Upbeats
• Practicing with Drum Tracks
• Rhythmic Practice Chord Progression
• Rhythmic Reading Practice
• Reading a Rhythm Chart
• Putting it all Together
• Funk Reading 1
• Introduction
• Survey the Tune
• Rhythm Reading
• Building Chords
• Learning the Prechorus
• Funk Reading 2
• Rhythm Reading Chorus
• Building Chords Chorus
• The Bridge
• Scales for Improvisation
• Sound Selection
• Clavinet Grooves Revealed
• Introduction
• Use Me Main Clavinet
• Use Me Variations
• Superstition
• Superstition Part 2
• Higher Ground
• Higher Ground Part 2
• Comping Ideas For Blues Funk Grooves
• Introduction
• Right Hand Groove Comping
• Adding a Left Hand Bassline
• Adding a Funky Fill
• Using 9 Chords
• 6 Funky Chord Progressions
• Introduction
• Chord Progression 1
• Chord Progression 2
• Chord Progression 3
• Chord Progression 4
• Chord Progression 5
• Chord Progression 6
• 7 Ways to Resolve to a “I” Chord
• Introduction
• V7 to I
• V7 V to I
• Tritone Substitution
• Tritone Sub Combinations
• Backdoor ii V
• Minor Backdoor ii V
• Introduction to Arpeggios
• The Classic
• Skipping
• Outer/Inner
• Five to Four
• Waterfall
• Upper-Structures
• Bonus
• Building a Funk Groove
• Introduction
• Building the Drum Groove
• Building the Bass Groove
• Building the Clavinet Groove
• Lady Bird Changes
• 10 Must-Have Funk Licks 1
• Introduction
• Lick 1
• Lick 2
• Lick 3
• Lick 4
• Lick 5
• 10 Must-Have Funk Licks 2
• Lick 6
• Lick 7
• Lick 8
• Lick 9
• Lick 10
• 5 Scales for Soloing
• Introduction
• Pentatonics
• Blues Scale
• Mixolydian
• Dorian
• Lydian Dominant
• Soloing over the Funk Groove
• Introduction
• Step 1 Building the Blues Scale
• Step 2 Playing Uninterrupted Scales
• Step 3 Randomly Changing Directions
• Step 4 Adding Rhythmic Fluctuations
• Step 5 Skipping Notes
• Step 6 Inventing a Lick
• Step 7 Adding Some LH Comping
• Soon and Very Soon
• Introduction
• Song Introduction
• Measures 9-10
• Walk Up Fills
• The Verse
• Bassline Syncopation
• Interlude
• The Bridge
• The Coda
• "Go Tell It On The Mountain"
• Introduction
• The Melody
• Adding Basic Chords
• Introduction to the arrangement
• I-V chord progression
• I – I7 chord progression
• ii – V chord progression
• iii-vi-ii-V progression
• I – III7 – IV – #ivdim progression
• I – IV7/I progression
• Chord tones vs. Non-chord tones
• Line endpoints
• Accompaniment rhythms
• Bassline creation rules
• Arrangement part 1
• Arrangement Part 2
• Arrangement Part 3
• Shouting Chorus
• Arrangement Part 5
• Arrangement Part 6
• Slow Gospel Feel
• Contemporary Feel
• "This Little Light of Mine"
• Introduction
• The melody
• Apply chords to the melody
• Measure 5
• Walk up
• Finishing the reharm
• Arrangement introduction
• Arrangement Part 1
• Arrangement Part 2
• Arrangement Part 3
• Lick 1
• Lick 2
• Lick 3
• Lick 4
• Lick 5
• Lick 6
• “The Way You Make Me Feel.” - Michael Jackson
• Introduction
• Importance of Groove
• 16th Note Rhythms
• Playing Hands Together
• Playing the Horn Line
• Bonus - The Way You Make Me Feel
• "September" - Earth Wind & Fire
• Introduction
• Establishing the Intro Groove
• Some New Chords
• Variations in Verse Bassline
• Chorus
• “Signed Sealed Delivered” - Stevie Wonder
• Introduction
• Intro
• Verse
• Variations on Verse
• Chorus
• "Will It Go Round in Circles?" - Billy Preston
• Introduction
• Sections of the song
• Scale chords
• Billy Preston Lick #1
• Billy Preston Lick #2
• Billy Preston Lick #3
• Billy Preston Lick #4
• Billy Preston Lick #5
• Billy Preston Lick #6
• "There Will Never Be Another You" - Improvisation
• There Will Never Be Another You Improv
• Student Homework
• Improvisation in 5 Steps
• Step One - Major Scale
• Step Two - Fixing Scales
• Step Three - Guide Tone Lines
• Step Four - Articulation and Dynamics
• Step Five - Special Techniques
• "I Get A Kick Out of You" - Advanced Improv
• I Get A Kick Out of You
• Level 6 - Rootless Voicings
• Level 7 - Root Stomp
• Level 8 - Reharmonization
• Level 9 - Flow Between The Hands
• Level 10 - Intros & Endings
• Level 11 - Switching Styles
• Level 12 - Putting it All Together
• Funky Fender Rhodes Grooves - Vol. 1
• Introduction to Funky Fender Rhodes
• basic groove -(A)
• syncopated chords – (B)
• double stops – (C)
• diads – (D)
• improvisation exercises – (EFG)
• constant 16ths – (H)
• IV to I (I)
• Walkup
• In sync (KL)
• Funky Fender Rhodes Grooves - Vol. 2
• Groove A pt 1
• Introduction
• Groove A pt 2
• Groove B
• Groove C
• Putting together a progression
• Improvisation pt 1
• Improvisation pt 2
• Using effects
• Funky Fender Rhodes Grooves - Vol. 3
• Introduction
• Getting started
• The next chord
• 4 chord progression
• Change the minor chord
• Sus chord and voice-leading
• 15 Funk Grooves
• Groove #1
• Groove #2
• Groove #3
• Groove #4
• Groove #5
• Groove #6
• Groove #7
• Groove #8
• Groove #9
• Groove #10
• Groove #11
• Groove #12
• Groove #13
• Groove #14
• Groove #15
• "Funky Jazz Gospel"
• Introduction
• A Section pt 1
• A Section pt 2
• A Section pt 3
• B Section pt 1
• B Section pt 2
• B Section pt 3
• B Section pt 4
• B Section pt 5
• C Section
• Improvisation pt 1
• Improvisation pt 2
• Improvisation pt 3
• Funky Piano
• Introduction
• Sixteenth-note breakdown
• Harmonic progressions
• Broken sixteenth-note chords
• Bassline motion
• Right-hand chord infusion
• Shifting accents (1)
• Shifting accents (2)
• Triad infusion
• Where to go from here
• Stable Funk - Composition
• Introduction
• Creating a song part 1
• Bullet point tips
• Part 2
• The interlude
• The B section
• Licks
• End of solo section
• Getting out of solo section
• Ending the song
• Melody
• Studio Take 1
• Studio Take 2
• Studio Take 3
• Creating a Funk Groove
• Introduction
• Two-measure phrase intro pt 1
• Two-measure phrase intro pt 2
• A section (m3-m4)
• A section (m3-m4) pt 2
• A section (m5)
• B section Funkadiddle
• Solo Section Groove
• Solo Section Groove pt 2
• Turnaround – Ending
• "Misty - Erroll Garner
• Introduction/Reharm – part 1
• [1] Reharm – part 2
• [1] Reharm – part 3
• [1] Reharm – part 4
• [2] Arrangement part 1
• [2] Arrangement part 2
• [2] Arrangement part 3
• [2] Arrangement part 4
• [2] Arrangement part 5
• [2] Arrangement part 6
• [2] Arrangement part 7
• [2] Arrangement part 8
• [3] Improv part 1
• [3] Improv part 2
• [3] Improv part 3
• [3] Improv part 4
• [3] Improv part 5
• "Take 5" - Dave Brubeck Quartet
• Introduction
• The B section
• B section chords
• End of B section
• A section bassline
• The A section melody
• Fill out A section with chords
• The ending
• A section improvisation
• B section improvisation
• Advanced improv and reharm pt 1
• Advanced improv and reharm pt 2
• "Fly Me To The Moon"
• Introduction
• The melody
• Melody with chord shells
• Filling out the chord shells
• Add in chord tensions
• Add in chord tensions (2)
• Root fifth third accompaniment
• More fills and flourishes
• Chromatic scale fills
• Endings
• "In The Wee Small Hours Of The Morning"
• Introduction
• Analysis pt 1
• Analysis pt 2
• Step 1-Roots
• Step 2-RH chords pt 1
• Step 2-RH chords pt 2
• Step3-Arrangement pt 2
• Step3-Arrangement pt 1
• "Some Day My Prince Will Come" - Vol. 1
• Introduction
• M1-4
• M5-8
• M9-12
• M13-16
• M17-20
• M21-24
• Jazz Waltz Style
• "Some Day My Prince Will Come" - Vol. 2
• Introduction
• M 1-4
• M 5-8
• M 9-12
• M 13-16
• M 17-20
• M 21-24
• M 25-31
• Modulating Minor 3rd
• Reharmonized Ending
• "All of Me" Arrangement - Vol. 1A
• Introduction
• Song Intro measures 1-8
• Measures 9-12
• Measures 13-16
• Measures 17-20
• Measures 21-24
• "All of Me" Arrangement - Vol. 1B
• Measures 25-32
• Measures 33-36
• Measures 37-40
• Harmonic Analysis
• Confusion on M 2
• "All of Me" The Improvisation - Vol. 2A
• Introduction
• Different ways to play melody
• Rhythmically varying the melody
• 2 note cell
• 3 note cell
• "All of Me" The Improvisation - Vol. 2B
• 5-note-cell
• 5-note-cell-with-rhythmic-variety
• 5-note-cell-to-create-improv-idea
• summary
• "The Shadow Of Your Smile"
• Introduction
• Rhythm Of The Chords
• The Chords
• The Melody
• Hands Together Pt 1
• Hands Together Pt 2
• Hands Together Pt 3
• Hands Together Pt 4
• Advanced Tips
• "Tequila"
• Introduction
• The introduction groove
• A Section (m7)
• B Section (m15) Boogie groove
• Finishing the B section
• Lick #1
• Lick #2
• Lick #3
• Lick #4
• Creating an improvisation pt1
• Creating an improvisation pt2
• "La Cumparsita"
• Introduction
• Arrangement Part 1
• Arrangement Part 2
• Arrangement Part 3
• Arrangement Part 4
• Arrangement Part 5
• Arrangement Part 6
• The Entire Arrangement
• Improvisation
• "The Girl From Ipanema" - Vol. 1
• Introduction
• Part 1
• Part 2
• Part 3
• Part 4
• Part 5
• Part 6
• Part 7
• Part 8
• Bossa Rhythm
• Scales for improvisation
• Applying the scales
• Chord montuno
• "The Girl from Ipanema" Improv & Analysis - Vol. 2
• Introduction
• Analysis pt 1
• Analysis pt 2
• Analysis pt 3
• Analysis Wrap Up
• Reharmonization pt 1
• Reharmonization pt 2
• Improvisation with Arpeggios
• Improvisation with Arpeggios pt 2
• Improvisation with Arpeggios pt 3
• "The Peanut Vendor"
• Introduction
• Intro Groove in G
• Intro Groove (part A)
• Filler Groove (part B)
• Melody pt 1 (part C)
• Melody pt 2 (part D)
• Improv lick 1 (part E)
• Improv lick 2 (part F)
• Improv lick 3 (part G)
• Advanced chords pt 1
• Advanced chords pt 2
• In the Style of "Corcovado"
• Corcovado Intro
• Song introduction
• Corcovado measures 7-15
• Corcovado measures 15-27
• Corcovado measures 27-35
• Corcovado measures 35-end plus endings
• Corcovado improvisation
• Corcovado improvisation scales
• Corcovado improvisation scales pt. 2
• "Wave"
• Introduction
• Part 1
• Part 2 (m. 5)
• Part 3 (m. 8)
• Part 4 (m. 12)
• Part 5 (2nd ending)
• Part 6 (m. 20)
• Part 7 (m. 23)
• Part 8 (m. 29)
• Part 9 (endings continued)
• "Wave" Improvisation
• Introduction to Wave Improvisation
• Scales for improv pt. 1
• Scales for improv pt. 2
• Improvisation basics
• The Solo (at tempo)
• Wave Improvisation pt 1
• Wave Improvisation pt 2
• Wave Improvisation pt 3
• Wave Improvisation pt 4
• Wave Improvisation Tips 1
• Wave Improvisation Tips 2
• "Amazing Grace"
• Amazing Grace Introduction
• Harmonization techniques – lead 1
• Harmonization techniques – lead 2
• Transition chords
• ii-V-I add on progressions
• Harmonize using any chord
• Available tensions for chords
• Lead 4 – Dominant motion
• Move between re-harm variations
• Amazing Grace arrangement 1
• Amazing Grace arrangement 2
• Amazing Grace arrangement 3
• Amazing Grace arrangement 4
• Amazing Grace arrangement 5
• Fills Runs & Improv pt. 1
• Fills Runs & Improv pt. 2
• Fills Runs & Improv pt. 3
• "The Old Rugged Cross"
• Melody and Time feel
• Introduction
• 6/8 Groove exercise
• Analysis
• Diminished Exercise
• Arr. m1 – Fill in the groove
• Arr. m2 – Precede w/ Dom7
• Arr. m3 – Scale chords
• Arr. m4 – IV over I
• Arr. m5 – Change quality of IV
• Arr. m6 – Diminished harmony
• Arr. m7 – Walk ups
• Arr. m8 – Reharm
• Arr. m10 – Delayed resolution
• Arr. m11 – ii-V of I
• Arr. m14 – IV chord to minor
• I to IV groove
• Improvisation?
• "Precious Lord, Take My Hand"
• Introduction
• The melody
• Figuring out the key (Major or minor)
• Important chords within the key
• Chords for Precious Lord
• A basic accompaniment
• Discovery phase
• Discovery…measure 9 on…
• Arrangement Part 1
• Arrangement Part 2 (m. 5)
• Arrangement Part 3 (m. 9)
• Arrangement Part 4 (m. 13)
• Funky Phat Chords
• Introduction
• Minor 7 (add 9) chord
• Minor 7 (add 11) chord
• *mini* Clusters
• The *wide* minor
• Breaking up the *wide* minor
• No-fifth minor
• Minor scales
• Groove on minor scales
• Funky minor 6
• Altered Dominants
• Beefed Up Triad
• Major 7 (add 9) chord
• Putting it all together
• Funkadiddles
• Funkadiddles Introduction
• Funkadiddle #1
• Funkadiddle #2
• The “Add On”
• Funkadiddle #2 with the “Add on”
• Funkadiddle #3
• Funkadiddle #4
• Funkadiddle #4 with pickups
• Funkadiddle #5
• Funkadiddle #6
• Funkadiddle #5 + #6 put together
• Creating your own funkadiddle
• Funk Fluidity
• Introduction
• Beat Shifting
• Syncopated Shift
• Improvised Lines
• Chromatic Shift
• Shift With Improv
• Quartal Shift
• Chromatic Quartals
• Quartal Anticipation
• Target Note Exercise pt 1
• Target Note Exercise pt 2
• B3 Organ Techniques
• The Drawbars
• Introduction
• Dealing with No Sustain
• Role of the Organ & Pad pt 1
• Role of the Organ & Pad pt 2
• Bass Line Tips
• Progression Chords
• Solo Concepts pt 1
• Solo Concepts pt 2
• Organ A Flat Shout
• Introduction
• Intro Chords
• Basslines for LH
• Two Main Chords
• Hands Together – Intro Chords
• Hands Together-Main Chords
• Intro Through Chorus
• Bonus Ending
• Advanced Organ Shout
• Introduction
• Intro Chords
• Scales to riff improv
• Chord riffing over Ab Bb
• Chords to add without changes
• Adding actual chord changes
• Outro chords
• Closing
• Hammond Organ Basics
• Introduction
• Start Run Expression Pedal
• Drawbars
• Presets
• Foot Pedals
• Switches
• Leslie
• Basic Setup
• 6 Must-Have Organ Sounds
• Introduction to Organ Sounds
• Jazz Setting
• Classic Rock Setting
• Gospel Settings
• Pop Settings
• Funk Settings
• Left Hand Concepts
• "Stormy Weather"
• Discovery phase pt. 1
• Discovery phase pt. 2
• Discovery phase pt. 3
• Arrangement Played
• Arrangement Part 1
• Arrangement Part 2 (m.4)
• Arrangement Part 3 (m.5)
• Arrangement Part 4 (m.10)
• Arrangement Part 5 (m.11)
• Arrangement Part 6 (m.17)
• Arrangement Part 7 (m.25)
• Improvisation Part 1
• Improvisation Part 2
• "Georgia On My Mind"
• Introduction
• Reharm Part 1
• Reharm Part 2
• Reharm Part 3
• Reharm Part 4
• Reharm Part 5
• Reharm Part 6
• Reharm Part 7
• Arrangement Introduction
• Arrangement Part 1
• Arrangement Part 2
• Arrangement Part 3
• Arrangement Part 4
• Arrangement Part 5
• Arrangement Part 6
• Arrangement Part 7
• Creating Licks Part 1
• Creating Licks Part 2
• Creating Licks Part 3
• Creating Licks Part 4
• Creating Licks Part 5
• Creating Licks Part 6
• Creating Licks Part 7
• Creating Licks Part 8
• Creating Licks Part 9
• Creating Licks Part 10
• Creating Licks Part 11
• Learn the licks intro – part 1
• Learn the licks 2
• Learn the licks 3
• Learn the licks 4
• Learn the licks 5
• Learn the licks 6
• Learn the licks 7
• Learn the licks 8
• Learn the licks 9
• Learn the licks 10
• "All Blues" Techniques
• Introduction
• The Groove
• V7 Chords pt 1
• V7 Chords pt 2
• Improv Fluidity Exercise pt 1
• Improv Fluidity Exercise pt 2
• Create Improv Lines
• Willie Improv pt 1
• Willie Improv pt 2
• Advanced Ideas pt 1
• Advanced Ideas pt 2
• "Bebop Blues"
• Introduction
• The Bassline
• Chorus 1 (m1-6)
• Chorus 1 (m7-12)
• Chorus 2 (m13-18)
• Chorus 2 (m19-24)
• Chorus 3 (m25-30)
• Chorus 3 (m31-36)
• Endings
• How to practice this piece
• Blues and Boogie Piano
• Blues and Boogie Piano
• Unlocking the 9 Secrets of the Blues
• Introduction
• Use Blues Scale
• Simple Left Hand
• Important Chords and Form
• Rhythm Driven Licks
• 3 Licks and Repeat
• Slide and Crush Notes
• Swing or Straight
• Break Down
• Int/Adv Jazz & Blues Improv 2
• Blues For Alice Changes
• Exercise #1
• Exercise #2
• Exercise #3
• Int/Adv Jazz & Blues Improv 3
• Left Hand Exercise
• Rhythm of the melody
• Limiting choices
• What to practice
• Int/Adv Jazz & Blues Improv 4
• Left hand rootless exercise
• Adding a melody
• Creating your arrangement pt 1
• Creating your arrangement pt 2
• What to practice
• Int/Adv Jazz & Blues Improv 5
• Root-chord
• Rhythmic fills
• Fills in 10ths
• Tritone approach
• Chordal improv
• Int/Adv Jazz & Blues Improv 6
• Left hand pt 1
• Left hand pt 2
• Right hand pt 1
• Right hand pt 2
• What to practice
• Int/Adv Jazz & Blues Improv 7
• Groupings of 4
• Turnaround
• Groupings of 5
• What to practice
• Int/Adv Jazz & Blues Improv 8
• Intention
• Intentional Lines
• Longer lines with rhythm
• Analysis and criticism
• Go crazy!
• Diminished Harmony 1
• Introduction
• Diminished Scales
• Diminished Symmetry
• Chord Tones & Tensions
• Dominant & Diminished Motion
• How Diminished Chords Work
• Diminished Resolution
• Diminished Resolution (Ascending)
• Drop 2 Voicings
• V7 flat 9 chord
• part 2….
• Diminished Harmony 2
• Replace diminished chord with V7
• Example: I Could Write A Book
• Example: Have You Met Miss Jones?
• Diminished Chord improv
• Diminished Chord…chords!
• How diminished chords work
• vii diminished to I
• Diminished Approach in Major
• Diminished Approach in minor
• Example: Days of Wine And Roses
• Diminished Harmony 3
• Introduction
• Diminished chord reharmonization
• Spotting wrong chord symbols
• Harmonizing lines
• Drop 2 diminished approach example
• Half Whole Diminished Scale
• Diminshed Chords
• Transform Diminished Chords
• Advanced Improvisation Techniques 1
• Upper Structure
• Example lick 1
• Example lick 2-4
• Modified pentatonic
• What to practice
• Advanced Improvisation Techniques 2
• What makes a good target?
• Chromaticism and targets
• Application part 1
• Application part 2
• What to practice
• Advanced Improvisation Techniques 3
• Whole Tone Scale
• Sequences
• Shorter Sequences
• Whole Tone Blues
• Advanced Improvisation Techniques 4
• Intro
• Everything Happens To Me
• Part 1 (m1)
• Part 2
• Part 3 (m5)
• What To Practice
• Advanced Improvisation Techniques 5
• Chapter 1
• Chapter 2
• Chapter 3
• Chapter 4
• Advanced Improvisation Techniques 6
• Killer Joe Scales
• Scalar Vs. Angular Playing
• B Section
• Advanced Improvisation Techniques 7
• Accents and Grab Technique
• Down/Upbeat Accents
• Three and Four-note groupings
• Shifting Accents
• Student Input
• Advanced Improvisation Techniques 8
• Week 8
• "My Funny Valentine"
• My Funny Valentine Pt. 1
• My Funny Valentine Pt. 2
• My Funny Valentine Pt. 3
• My Funny Valentine Pt. 4
• My Funny Valentine Pt. 5
• My Funny Valentine Pt. 6
• My Funny Valentine Pt. 7
• My Funny Valentine Pt. 8
• My Funny Valentine Pt. 9
• "When I Fall In Love"
• The arrangement
• Introduction to When I Fall in Love
• The Song Part 1
• The Song Part 2
• The Song Part 3
• The Song Part 4
• The Song Part 5
• The Song Part 6
• Reharm Part 1
• Reharm Part 2
• Reharm Part 3
• Reharm Part 4
• Reharm Part 5
• Reharm Part 6
• Improv Part 1
• Improv Part 2
• Improv Part 3
• Final Improv/Conclusion
• "The Nearness of You"
• Introduction
• Step 1
• Step 2
• Step 3 Section 1
• Questions on Step 3 Section 1
• Step 3 Section 2
• Questions on Step 3 Section 2
• Step 3 Section 3
• Questions on Step 3 Section 3
• Step 3 Section 4
• Questions on Step 3 Section 4
• Step 4 Section 5
• Questions on Step 4 Section 5
• Step 4 Section 6
• Step 4 Section 7
• Questions on Section 6 and 7
• Step 4 Section 8
• Questions on Step 4 Section 8
• "How High The Moon"
• Introduction
• Discovery phase
• Discovery phase pt. 2
• Discovery phase pt. 3
• The Arrangement
• Arrangement Part 2
• Arrangement Part 3
• Arrangement Part 4
• The Entire Arrangement
• Endings
• "Ain't Misbehavin" - Vol. 1
• Introduction
• Left Hand
• Song Introduction
• Measure 5
• Measure 7
• Measure 10
• Measure 13
• Measure 15
• Measure 19
• "Ain't Misbehavin" - Vol. 2
• Introduction
• Measure 23
• Measure 25
• Measure 27
• Measure 31
• Ending
• Jelly Roll Morton "The Crave" - Vol. 1
• Introduction
• Measures 1-4
• Measures 5-8
• Measures 9-12
• Jelly Roll Morton "The Crave" - Vol. 2
• Measures 13-20
• Measures 21-28
• Measures 29-36
• Measures 37-45
• Measure 45-End
• "Autumn Leaves"
• The Solo (at tempo)
• Analysis Pt. 1
• Analysis Pt. 1-2
• Analysis Pt. 1-3
• Analysis Pt. 2-1
• Analysis Pt. 2-2
• Analysis Pt. 2-3
• Analysis Pt. 3-1
• Analysis Pt. 3-2
• Analysis Pt. 4-1
• Analysis Pt. 4-2
• Analysis Pt. 4-3
• Analysis Pt. 5-1
• Analysis Pt. 5-2
• Analysis Pt. 5-3
• Analysis Pt. 6-1
• Analysis Bass Pt. 1
• Analysis Bass Pt. 2
• Analysis Bass Pt. 3
• Analysis Bass Pt. 4
• Analysis Bass Pt. 5
• Analysis Bass Pt. 6
• Chords pt. 1
• Chords pt. 2
• Chords pt. 3
• Chords pt. 4
• Chords pt. 5
• Comping pt. 1
• Comping pt. 2
• Comping pt. 3
• Practice Tips pt. 1
• Practice Tips pt. 2
• Practice Tips pt. 3
• "Green Dolphin Street" Improvisation
• Introduction
• Analysis pt 1
• Analysis pt 2
• Analysis pt 3
• Making improv lines pt 1
• Making improv lines pt 2
• Master class
• "Green Dolphin Street" Master Class
• Mark
• Response to Mark
• Donna
• Response to Donna
• Bill
• Response to Bill
• Jack
• Response to Jack
• Thierry
• Response to Thierry
• Horace Silver - "Song For My Father"
• Song For My Father – Intro
• The arrangement part 1
• The arrangement part 2
• Scales for improvisation
• Lick #1
• Lick #2
• Delayed resolution
• Borrowed chord from Phyrigian
• Phyrigian mode
• Phyrigian progression and bassline
• Structured improv over phyrigian
• Improvisation ideas
• "Giant Steps" - Vol. 1
• Introduction
• Practice Method 1 & 2
• Practice Method 3 & 4
• Practice Method 5 & 6
• Practice Method 7 & 8
• "Giant Steps" - Vol. 2
• Practice method 1
• Practice method 2
• Practice method 3
• Practice method 4
• Solo M 1
• Solo M 5
• Solo M 9
• Solo M 13
• “This Can’t Be Love” - Melody & Comping - Vol. 1
• 01-Lead Sheet
• 02-Piano Arrangement
• 03-Piano Comping
• 04-Scales for Improvisation
• “This Can’t Be Love” With The Band Vol. 2
• This Can’t Be Love With The Band
• "So What" - Vol. 1
• Introduction
• Learning the song
• Dorian mode theory
• Comping voicings in the left-hand pt. 1
• Comping voicings in the left-hand pt. 2
• "So What" - Vol. 2
• Patterns (triads and 7ths) pt. 1
• Patterns (triads and 7ths) pt. 2
• Pentatonics pt 1
• Pentatonics pt 2
• "So What" - Vol. 3
• Introduction
• M. 1-8
• M. 9-16
• M. 17-24
• M. 25-32
• Advanced Scalar Lick
• Improvising Over "Georgia On My Mind"
• Improvising Over “Georgia On My Mind”
• "Have You Met Miss Jones" 10 Tips
• Introduction to the lesson
• Chord Tones & Arpeggios pt 1
• Chord Tones & Arpeggios pt 2
• Rhythm & Syncopation
• Chunking
• Bridge 2-5-1
• Bebop improvisation turns
• Turns extended
• Advanced ideas pt 1
• Advanced ideas pt 2
• Advanced ideas pt 3
• "Have You Met Miss Jones" Improvisation Tips (Part 2)
• Introduction
• Start With Chord Tones
• Upbeats and triplets
• Are your lines one-directional?
• Scales from chord tones
• Master class message
• "Waltz For Debby" - Vol. 1
• Introduction
• Measure 1
• Measure 5
• Measure 9
• Measure 13
• What to Practice
• "Waltz For Debby" - Vol. 2
• Introduction
• Part 1 (m17)
• Part 2 (m26)
• Part 3 (B Section)
• Part 4 (m41)
• Section Breakdown
• Scales in 3rds
• "The Days of Wine and Roses" - Vol. 1
• Introduction
• Sketch of the tune
• Chromatic Walkdown (m. 1)
• Inserting a ii-V (m. 3-4)
• Quartal Voicings (m. 5-8)
• "The Days of Wine and Roses" - Vol. 2
• reharmonization-m9-12
• reharmonization-m13-15
• modulation-m16
• bebop-harmony-m25-26
• Subdominants (Tritone Introduction)
• Hang #11: Subdominants
• Melodic Minor Harmony - Vol. 1
• Introduction
• What are modes?
• Mode 1 – minor Major 7
• Mode 2 – sus4 flat 9
• Melodic minor Improv Tips
• Mode 3 – Lydian Augmented
• Mode 4 – Lydian flat 7
• Mode 5 – slash chord
• Mode 6 – Locrian Natural 9
• Mode 7 – Altered scale
• Melodic Minor Harmony - Vol. 2
• Introduction
• Scales of Minor ii-V
• Minor voicings
• ii-V to minor
• ii-V to Major
• Sequences and Parallelism
• Creating a sequence pt 1
• Creating a sequence pt 2
• Chords of Melodic minor
• Applying melodic minor to song
• Tritones and Phat Chords
• Introduction
• What is a tritone?
• What is a substitution?
• Chords that use tritone subs
• Tritones and the bass
• V7 to I example bII7 to I
• ii – V7 – I example ii – bII7 – I
• Dominant vs. Tritone resolution
• Available tensions on Dom 7
• Voicings with quartals
• Inverting quartals
• Tensions that work well together
• Voicings with U.S.T.
• Using the U.S.T chart
• Using the quartals chart
• Applying to Abide With Me
• Upper Structure Triads Explained
• HWWe6 – Upper Structure Triads
• Upper Structure Triads
• 01-Dominant Upper Structure Triads
• 02-Minor and Major Upper Structure Triads
• 03-Misty Example
• 04-My Ship Example
• 05-Prelude To A Kiss Answers
• Boot Camp For Lovers Week 1
• Chapter 1
• Chapter 2
• Chapter 3
• Chapter 4
• Chapter 5
• Chapter 6
• Chapter 7
• Chapter 8
• Boot Camp For Lovers Week 2
• Chapter 1
• Chapter 2
• Chapter 3
• Chapter 4
• Chapter 5
• Chapter 6
• Chapter 7
• Chapter 8
• Chapter 9
• Boot Camp For Lovers Week 3
• Chapter 1
• Chapter 2
• Chapter 3
• Chapter 4
• Chapter 5
• Chapter 6
• Chapter 7
• Boot Camp For Lovers Week 4
• Chapter 1
• Chapter 2
• Chapter 3
• Chapter 4
• Chapter 5
• Chapter 6
• Chapter 7
• Chapter 8
• Chapter 9
• Blues Piano Improvisation 101 - 1
• Root-5-7 Bassline
• Swing-Jazz Bassline
• Swing – Less Tension
• Shuffle pattern
• Funk bass
• Bassline Alterations
• What to practice
• Blues Piano Improvisation 101 - 2
• Triplet bassline
• 3-5 triplet lick
• Free form blues scale
• Triplet turns
• Licks and Accents
• Blues Piano Improvisation 101 - 3
• Basic Progression
• Quick Four
• Two Five to Four
• Jazz
• Licks
• Lick Application
• Blues Piano Improvisation 101 - 4
• Left-hand pattern
• Right hand licks pt 1
• Right hand licks pt 2
• What to practice
• Blues Piano Improvisation 101 - 5
• I to IV and IV to I walkups
• Walkup chords
• Example progression
• I chord motion
• Passing IV chord and Progression
• Blues Piano Improvisation 101 - 6
• Bluesy Song with Riffs pt. 1
• Song measure 3
• Song measure 5
• Song measure 7
• What to practice
• Blues Piano Improvisation 101 - 7
• Blues from snippets
• Blues turnarounds pt. 1
• Blues turnaround and ending
• What to practice
• Blues Piano Improvisation 101 - 8
• 8-Bar Bluesy Progression
• Getting the Blues Feel
• Simple Improv – The Feel pt. 2
• Course Wrap Up
• How To Create A Blues
• Introduction
• Basic Blues
• Basics Blues lines
• Gospel-like Blues pt 1
• Gospel-like Blues pt 2
• Gospel-like Blues pt 3
• Improv section left hand
• Improv section right hand pt 1
• Improv section right hand pt 2
• Creating your blues pt 1
• Creating your blues pt 2
• Rhythm Changes - Vol. 1
• Introduction
• Basic Changes pt1
• Basic Changes pt2
• V7 Changes
• Diminished Changes
• Bluesy/Gospel Changes
• Two-five of IV Changes
• My Typical Changes
• Sub V7 Changes
• Outside Changes
• Rhythm Changes - Vol. 2
• The B Section
• B section tri-tone substitutions
• Chords and comping techniques pt 1
• Chords and comping techniques pt 2
• Guide-tone voicings pt 1
• Guide-tone voicings pt 2
• B section neighbor chords pt 1
• B section neighbor chords pt 2
• Rhythm Changes Improvisation - Vol. 1
• Introduction
• Left-hand chords
• Ex1 – Major scale
• Ex2 – Whole tone and altered
• Using cells
• How to play fast
• Rhythm Changes Improvisation - Vol. 2
• Introduction
• Ex. 4 – Approaches pt 1
• Ex. 4 – Approaches pt 2
• Ex. 5 – Small Moves pt 1
• Ex. 5 – Small Moves pt 2
• Two-handed chords pt 1
• Two-handed chords pt 2
• Bassline in 10ths pt 1
• Bassline in 10ths pt 2
• Arrangement ideas
• CorePiano™ - Easy Piano Basics
• Introduction
• Notes of the piano
• Low and high notes
• The musical alphabet
• Finger numbers
• How to sit at the piano
• The grab technique
• Five finger scale
• G clef guideposts
• Steps and skips
• Half and whole-steps
• Higher and lower on staff
• The F clef
• The grand staff
• Barlines and measures
• Time signatures
• Ties
• Slurs
• The Pedals
• Repeats
• Playing hands together
• Sharps and flats
• Natural symbol
• Playing hands together pt 2
• Reading notes in groups and intervals
• Legato and staccato
• Major 5 finger scale
• Minor 5 finger scale
• Chords major and minor triads
• Chord symbols
• Key signatures
• Basic rhythms
• Outro
• Technique Builder Vol. 1
• Introduction
• Building the Scale Pt 1
• Building the Scale Pt 2
• Hands Together Pt 1
• Hands Together Pt 2
• Minor Mode Theory
• Using Process on A Min
• Using Process on A Minor Pt 2
• Excellent Rhythm Exercise
• Technique Builder Vol. 2
• F Major
• D Minor
• Bb Major
• G Minor
• Eb Major
• C Minor
• Technique Builder Vol. 3
• Ab Major
• F Minor
• Db Major
• Bb Minor
• Gb Major
• Eb Minor
• B Major
• Technique Builder Vol. 4
• A major
• E major
• D major
• B minor
• G major
• E minor
• G# minor
• C# Minor
• F# Minor
• "Minuet" Mozart - Vol. 1
• Introduction
• Surveying the tune
• M 1-4 Hands separately
• M 1-4 Hands together
• M 5-8 Hands separately
• M 5-8 Hands together
• "Minuet" Mozart - Vol. 2
• M 9-12 Hands separately
• M 9-12 Hands together
• M 13-16 Hands separately
• M 13-16 Hands together
• Musical details
• "Miniature Rondo" - Vol. 1
• Introduction
• Surveying the tune
• M 1-4 Hands separately
• M 1-4 Hands together
• M 5-8 Hands separately
• "Miniature Rondo" - Vol. 2
• M 5-8 Hands together
• M 9-16
• M 17-20
• M 21-24
• Musicality details
• "Minuet" Bach - Vol. 1
• Introduction
• Surveying the music
• M 1-4
• M 5-8
• M 9-12
• "Minuet" Bach - Vol. 2
• M 13-16
• M 17-20
• M 21-24
• M 25-28
• M 29-32
• "Fur Elise" - Vol. 1
• Introduction
• Surveying the music
• M 1-4
• M 5-8
• M 9-12
• "Fur Elise" - Vol. 2
• M 13-16
• M 16-19
• M 20-24
• Interesting tidbit
• Slow Minor Blues - Vol. 1
• Introduction
• Minor Blues Chords and Analysis
• Basic minor chord groove
• Progression 1 bassline
• Progression 1 chords
• Progression 2
• Progression Combinations
• Progression 3 pt 1
• Progression 3 pt 2
• 6/8 Basic blues pt 1
• 6/8 Basic blues pt 2
• 6/8 Extended blues pt 1
• 6/8 Extended blues pt 2
• Slow Minor Blues - Vol. 2
• Introduction
• Bassline and chords
• Adding tensions to the chords
• Scales for Improvisation
• 16th-note improvisation
• Scale chords
• Blues notes
• Crushed notes & double-stops
• Trills and trilling
• Turns
• Rhythmic cell improvisation
• Rhythmic cell comping
• Rhythmic cell exercises
• Slow Minor Blues - Vol. 3
• Introduction
• Basic Stride Pattern
• Octave Stride Double Stops
• Minor Stride Progression
• Minor Stride Blues pt 1
• Minor Stride Blues pt 2
• Minor Stride Blues pt 3
• Minor Stride Blues pt 4
• Minor Stride Blues pt 5
• Slow Bluesy Ragtime
• Introduction to Slow Bluesy Ragtime
• Scales and fingerings
• Left hand ragtime techniques
• Ragtime composition brainstorm
• Ragtime arrangement part 1
• Ragtime arrangement part 2 (m.13)
• Ragtime arrangement part 2 (m.13) #2
• Ragtime arrangement solo section
• Bb scales for improvisation
• Using the Bb blues scale over the improv section
• Making a simple Bb improvisation & wrapup
• Slow Gospel Blues
• Introduction
• The Basic Progression
• Dominant Motion
• Bass Motion
• I to vi Progression
• Building the Jazzy 7-3-6 Progression
• Tritone Substitution
• Bullet points of lesson
• Gospel Grooves
• Introduction
• A mixolydian scale chords
• 16th-note 2-hand exercises
• Groupings of 3
• Creating your own alterations
• D mixolydian scale chords
• IV mixolydian over the root
• I to IV walk up
• Minor 9th – Rise Up groove
• Gospel Piano Riffs - Vol. 1
• Introduction
• Get The Feel For a New Key
• Easy Bassline
• Drop Bassline
• Bassline And Chords
• Extended Bassline
• Easy Bassline in Octaves
• Drop Bassline in Octaves
• Extended Bassline in Octaves
• Extended Bassline Groove
• Gospel Piano Riffs - Vol. 2
• Introduction
• Chord Preparation Exercise
• Progression m1
• Progression m3
• Progression m7
• Progression m9
• Progression m13
• Jazz Neo Soul Chords and Arrangement
• Neo Soul Lesson
• Arrangements For Small Hands [HangWithWillie]
• Arrangements For Small Hands
• Left Hand Accompaniment Techniques
• Introduction
• Octaves and 5ths
• Block chord stabs
• Chord shells
• Broken shells
• Basslines
• Ostinato
• Melodic left-hand
• Rootless voicings
• Change the style
• Left to right mix
• Transposing Swing Baseline With Rootless Chords
• Hang #22
• Stride Piano and Pedaling Techniques
• Introduction
• Using the pedal pt 1
• Using the pedal pt 2
• Using the pedal pt 3
• Left hand chord variations pt 1
• Left hand chord variations pt 2
• Add right hand lick
• Moving to the IV chord
• My Simple Stride pt 1
• My Simple Stride pt 2
• Basic Stride Piano Techniques
• Introduction
• Basic Stride Progression
• C Major Pentatonic Scale
• Stride Pattern with Scale
• Descending Pentatonic
• Descending Pentatonic Together
• Progression Options
• Improvisation Patterns pt 1
• Improvisation Patterns pt 2
• Stride, Reggae, Funk and more! (Willie Answers)
• I Cant Get Started – analysis pt 1
• I Cant Get Started – analysis pt 2
• Reharmonization and melody conflicts
• Diatonic Walk ups
• Bill Withers – Use Me pt 1
• Bill Withers – Use Me pt 2
• Reggae grooves pt 1
• Reggae grooves pt 2
• Stride piano exercise
• Creating Contemporary Arrangements
• Introduction
• Change Dom7 to sus4
• Upper Structure Triads pt 1
• Upper Structure Triads pt 2
• Precede Dom 7 chords pt 1
• Precede Dom 7 chords pt 2
• Tritone Substitution
• Chord Tensions Inversions & Voicings
• Voicings pt 2
• Arrangement
• Harmonizing ANY melody note!
• Original Composition Techniques
• Introduction
• The song
• A Section
• B Section
• Improvisation pt 1
• Improvisation pt 2
• Ending and form
• Locked Hand Style over Georgia Bridge
• Georgia Bridge – Locked Hand Style
• "His Eye Is On The Sparrow"
• Introduction to Sparrow
• Analysis part 1
• Analysis part 2
• Creating a simple arrangement
• Contemporize discovery
• Discovery pt. 2 (m.9)
• Arrangement part 1
• Arrangement part 2 (m. 9)
• Arrangement part 3 (m. 12)
• Arrangement part 4 (m. 21)
• Improvisation part 1
• Improvisation part 2
• "Wade In The Water"
• Easy arrangement
• Discovery phase pt. 1
• Discovery phase pt. 2 (m. 9)
• Arrangement Part 1
• Arrangement Part 2 (m. 5)
• Arrangement Part 3 (m.9)
• Arrangement Part 4 (m.13)
• Contemporary Discovery phase pt 1
• Contemporary Discovery phase pt 2
• Wrap Up
• "Swing Low, Sweet Chariot" - Vol. 1
• Introduction
• Part 1
• Part 2 (m2)
• Part 3 (m5)
• Part 4 (m7)
• Part 5 (m9)
• Part 6 (m13)
• Ending
• "Swing Low, Sweet Chariot" Improvisation - Vol. 2
• Introduction
• Broken chords
• Feeling 3 against 2
• Step 2 – mixed chord tones
• Step 3-Passing tones
• Step 4 – Rests and rhythm
• Step 5 – bluesy
• Wrap up
• O Lamb of God
• Introduction
• The melody
• The chords
• Filling out the progression 1
• Filling out the progression 2
• Filling out the progression 3
• Each chord broken down
• Shout Chorus
• Improvising over the sequence
• Advanced improvisation
• Final tips
• "Thank You Lord"
• Introduction
• Part One
• Part Two – Dominant motion
• Part Three – Measure 5
• Sus Sound…continuing the song
• Passing chords
• Passing chords (review)
• Creating richer chords
• Measure 13
• Cool Turnaround
• Walk Downs
• I Wish I Knew How It Would Feel To Be Free
• Introduction
• Intro m1-5
• Intro m5-8
• Intro m9-12
• Intro m13-16
• The Verse pt 1
• The Verse pt 2
• Verse and Analysis
• Coda and Improv Ideas
• "Danny Boy" - Londonderry Air
• Introduction
• Danny Boy – the melody
• Applying I-IV-V chords to melody
• More interesting triad accompaniments
• Adding dominant motion to chords
• Preceding dominant chords w/related ii
• Precede related ii with dominant
• Precede dominant with related ii (ext.)
• Using tritones to add color
• Getting ideas from other lead sheets
• Explaining the Arrangement
• Disc 2 Intro
• Arrangement Part 1
• Arrangement Part 2
• Arrangement Part 3
• Arrangement Part 4
• Arrangement Part 5
• Danny Boy Improv Part 1
• Danny Boy Improv Part 2
• Danny Boy Improv Part 3
• "Don't Know Why" - Norah Jones - Vol. 1
• Introduction
• Creating an accompaniment
• Being aware of the melody
• Left-hand fluidity
• What to practice
• "Don't Know Why" - Vol. 2
• Introduction
• Pop Left Hand
• Minor Pentatonic
• Solo Pt 1
• Solo Pt 2
• Solo Pt 3
• Rock Piano Articulation
• "In A Sentimental Mood"
• Introduction
• Analysis pt 1
• Analysis pt 2
• Analysis pt 3
• Analysis pt 4
• Easy Arrangement Steps
• Reharmonization pt 1
• Reharmonization pt 2
• Reharmonization pt 3
• Arrangement pt 1
• Arrangement pt 2 (m7)
• Arrangement pt 3 (m10)
• Arrangement pt 4 (Bridge)
• Arrangement pt 5 (coda)
• "Blessed Assurance"
• Blessed Assurance Introduction
• Blessed Assurance pt. 1 – Easy (triads)
• Blessed Assurance pt. 2 (broken chords)
• Creating a drum beat
• Blessed Assurance – discovery pt. 1
• Blessed Assurance – discovery pt. 2
• Blessed Assurance – discovery pt. 3
• Blessed Assurance – discovery pt. 4
• Blessed Assurance – arrangement pt. 1
• Blessed Assurance – arrangement pt. 2
• Blessed Assurance – arrangement pt. 3
• Piano Hand Coordination
• Introduction
• Willie’s story
• Shuffle confusion
• Shuffle Exercise
• Fingering matters!
• Straight – New Orleans
• Funk sectioning
• Getting Focused (Audio Lesson)
• Chapter 1
• Chapter 2
• Chapter 3
• Insights for Practice
• Insights for Practice
• "Black Orpheus" Improvisation (Manha De Carnaval)
• Introduction
• Arrangement m1-3
• Quintuplets m4
• Arrangement m5
• Arrangement m7
• Arrangement m8
• Arrangement m13
• Flourishes And Simple Arpeggios
• Arrangement m17
• Arrangement m23
• Tips
• "Body and Soul" - Vol. 1
• Introduction
• Original Melody and Harmony
• Bebop Scale Harmony and Flurry Passage
• Reharmonizing Measure 2
• Melodic Embellishment and Reharm
• Harmonizing Measure 5
• Using Reharm to Create Motion
• Reharmonizing Measure 7
• Inserting a Minor ii Chord
• "Body and Soul" - Vol. 2
• Introduction
• Learning the Original Melody
• Harmonizing and Melodic Embellishment
• Harmonizing M 19-20
• Using Diminished Scale Theory
• Creating Internal Motion
• Melodic Embellishment M 22
• Melodic Embellishment M 23
• Playing Extreme Registers
• "Don't Get Around Much Anymore"
• Introduction
• Active Listening
• Importance of Form
• Bebop Scale Theory
• Harmonizing Bebop
• Planning Technique
• Another Bebop Scale
• "Don't Get Around Much Anymore" Vol. 2
• Using Unisons and 10ths M6
• Filling Space M7
• Stride Technique M21
• Stride Technique M17
• Filling Space in M16
• Creating an Intro
• Creating an Ending
• "Blue Bossa" - Vol. 1
• 00-Introduction
• 01-Harmonizing in 6ths
• 02-I minor 6 chord
• 03-Bonus material
• 04-Inserting a V chord
• "Blue Bossa" - Vol. 2
• inserting-a-chord-bar-4
• chromatic-walkup
• tritone-sub-in-bar-10
• turnaround
• Playing a montuno
• Fingering, Arpeggios and Chords
• Piano Fingerings pt1
• Piano Fingerings pt2
• Piano Fingerings pt3
• Piano Fingerings pt4
• Creating & Practicing Arpeggios pt 1
• Creating & Practicing Arpeggios pt 2
• Creating & Practicing Arpeggios pt 3
• Creating & Practicing Arpeggios pt 4
• Arpeggios & Fills pt 1
• Arpeggios & Fills pt 2
• Arpeggios & Fills pt 3
• Apply chords to a simple melody pt 1
• Apply chords to a simple melody pt 2
• Apply chords to a simple melody pt 3
• Apply chords to a simple melody pt 4
• Triad Primer
• Introduction
• What Are Chords
• Forming Triads by Scale
• Forming Triads by Interval
• Minor Triads
• Chord Progressions
• Easier Movement with Inversions
• Exercises
• Rock Piano Basics
• Introduction
• Triad basics / Major triads
• Root-position minor triads
• Triad Inversions
• When To use Triad Inversions
• Seventh chords and usage in Rock
• Putting chords to a melody
• Rock accompaniment techniques (Piano man)
• Rock accompaniment ex. A
• Rock accompaniment ex. B
• Rock accompaniment ex. C
• Rock accompaniment ex. D
• Conclusion – Slash Chords
• Rock Soloing Techniques
• Introduction to Rock Soloing
• Trills
• 32nd note chromatic
• Upbeat double-stop
• Passing IV to I
• Suspension w/ minor
• Double-stop Grit
• 32nd note Upbeat
• Sextuplets
• Sextuplet Grooving
• Building your solo
• Suzuki Workshop - Easy Rock and Blues Grooves
• Chapter 1
• Chapter 2 – oom pahs and easy blues song
• Chapter 3 (change)
• Chapter 4 (Red group)
• Chapter 5 (Blue group)
• Chapter 6 (Orange group-Advanced)
• Chapter 7 (Advanced accompaniments)
• Rock Groove Concepts
• Introduction
• Basic Rock Comping and Inversions
• Ghosting with 1/8th notes
• Ghosting with 1/16th notes
• Filling groove dead spots
• Rock Groove #1
• Rock Groove #2
• Create your own fills Exercise 1
• Outer/inner exercise
• Back to root exercise
• Rock Groove #3
• "Feelin' Alright"
• Introduction
• Intro Groove
• Intro Groove Alterations
• Lick A
• Scales
• Lick B
• Lick C
• Lick D
• Ending Groove
• "Use Me" - Vol. 1
• Introduction
• Keyboard licks part 1
• Keyboard licks part 2
• Pad voicings pt 1
• Pad voicings pt 2
• Safe chords
• Minor pentatonic
• Syncopated licks
• Scale sequences pt 1
• Scale sequences pt 2
• "Use Me" - Vol. 2
• Introduction
• 3 note grouping run
• Improv scales
• Dorian chord run
• 16th note triplets
• 32nd note arpeggios
• Dorian block chords
• Phat chord stabs
• Taking it outside
• Organ drawbars
• "Superstition" - Stevie Wonder
• Introduction
• The Basic Line
• Fill out the line
• Horn Line
• The Bridge/Interlude
• Descending Horn Line
• Minor Diatonic Triads
• Minor harmony clarification
• Harmonizing the horn line
• Diatonic Triad Scale
• Improv 1 – Intro & 5 note groupings
• Improv 2 – 3 note groupings
• Improv 3 – random quartals
• The math of groupings
• Richard Tee - Tribute
• Introduction
• Blues secrets
• Blues secrets pt 2 (articulation)
• The introduction
• The introduction pt2
• Section A (m5)
• Section A pt 2 (right hand)
• Section B (m9)
• Coda section
• Groove Improvisaiton
• "Chameleon" Bass Lines w/ Improvisation
• Introduction
• Chameleon Bass line
• Four note groupings
• 4-note groupings going up scale
• Groove #1 over bassline
• Groove #2 over bassline
• 1/2-whole diminished pattern #1
• 3- and 4-note groupings
• 3-note grouping pattern
• Cool chord patterns
• Creating a funk composition
• "I Wish" - Stevie Wonder
• I Wish Introduction
• A section part 1
• A section part 2
• B section
• C section
• Section D
• Beginner improvisation ideas
• Advanced improvisation ideas
• Chordal pattern improv
• B section improvisation
• 5-note grouping improvisation
• Combination of groupings
• Bassline alterations
• "Mercy, Mercy, Mercy"
• Measure 1
• Measure 9
• Measure 13
• Measure 16
• Tips and Tricks
• Improvisation
• Improv pt 2
• Improv pt 3
• "The Chicken" - Pee Wee Ellis
• Introduction
• Chapter 1
• Chapter 2
• Chapter 3
• Chapter 4
• Chapter 5
• Chapter 6
• "The Chicken" Vol. 2 - Improvisation
• Introduction
• Rootless Chords
• Improvisation Exercise
• The Solo Pt 1
• The Solo Pt 2
• The Solo Pt 3
• The Solo Pt 4
• The Solo Pt 5
• The Solo Pt 6
• "Blackbird"
• Introduction
• Part 1
• Part 2
• Part3
• Part 4
• Part 5
• Creating Your Style pt1
• Creating Your Style pt2
• Fluidity
• Improv pt 1
• Improv pt 2
• "Moondance" - Song - Van Morrison
• Introduction
• Bassline
• Verse 1st Part – pt 1
• Verse 1st Part – pt 2
• Verse 2nd Part – pt 1
• Verse 2nd Part – pt 2
• Chorus pt 1
• Chorus pt 2
• Ending
• "Moondance" Improvisation
• Introduction
• Triplet Triads Lick
• Triplet Triad Octaves Lick
• Double-Stop Lick
• Triplet Tritone Lick
• Tritone Floyd Cramer Lick
• Broken Chord Lick
• Repeated Note Lick
• Triplet Grouping Lick
• Octave Grouping Lick
• Descending Minor Lick
• "Every Breath You Take" - Jazz Reharm Part 1
• Introduction
• Measure 1-6
• Measure 7-15
• Measure 16-24
• "Every Breath You Take" - Jazz Reharm Part 2
• Measure 24-34
• Measure 35-44
• Coda
• Solo over the vamp
• "Sunny" Smooth Jazz Version
• Introduction
• Groove Intro With Quartal Chords
• Smooth Jazz Chords pt 1
• Smooth Jazz Chords And Voicings
• Smooth Jazz Chords And Voicings pt 2
• "Sunny" Smooth Jazz Improvisation
• Introduction
• Analysis, chords and form
• Chords in the right hand
• Jam 1
• Jam 2
• Jam 3
• Jam 4
• Advanced Jazz and Blues - Vol. 2A
• Introduction
• Part 1 (m1)
• Part 2 (m6)
• Part 3 (m9)
• Part 4 (m13)
• Part 5 (m18)
• Target Notes
• Part 6 (m21)
• Scales for improvisation
• Sprints – Getting faster
• Advanced Jazz and Blues - Vol. 2B
• How do the MIDI files work?
• Blues voicings
• pt 1-Choosing notes for improv
• pt 2-Target notes
• pt 3-Play anything exercise
• Chromatic exercise pt 1
• Chromatic exercise pt 2
• Octave linking
• Bb minor pentatic exercise
• Bb blues scale
• What Child Is This
• 00-Introduction
• 01-M 1-4 A Section Easy
• 02-M 5-8 A Section Easy
• 03-M 9-12 A Section Adv
• 04-M 13-16 A Section Adv
• 05-M 17-20 B Secion Easy
• 06-M 17-24 B Section Easy
• 07-M 17-20 Adv
• 08-M 29-32 B Section Adv
• PianoWithWillie Live 12/3/13
• PianoWithWillie Live 12/3/13
• PianoWithWillie Live 12/17/13
• PianoWithWillie Live 12/17/13
• PianoWithWillie Live 1/7/14
• PianoWithWillie Live 1/7/14
• PianoWithWillie Live 1/21/14
• PianoWithWillie Live 1/21/14
• PianoWithWillie Live 2/4/14
• PianoWithWillie Live 2/4/14
• PianoWithWillie Live 2/11/14
• PianoWithWillie Live 2/11/14
• PianoWithWillie Live 2/25/14
• PianoWithWillie Live 2/25/14
• PianoWithWillie Live 3/7/14
• PianoWithWillie Live 3/7/14
• PianoWithWillie Live 3/11/14
• PianoWithWillie Live 3/11/14
• PianoWithWillie Live 3/25/14
• PianoWithWillie Live 3/25/14
• PianoWithWillie Live 3/19/14
• PianoWithWillie Live 3/19/14
• Students' Questions Answered (Willie Answers)
• Question 1 part 1 (Outside ii-V-I)
• Question 1 part 2 (Outside ii-V-I)
• Question 2 (Turnaround Rule)
• Question 3 (Arpeggio Fingering)
• Question 4 part 1 (Approaching Target Chords)
• Question 4 part 2 (Approaching Target Chords)
• Question 5 part 1 (More Approaching Target Chords)
• Question 5 part 2 (More Approaching Target Chords)
• Accompaniment Toolkit
• Introduction
• Intros part 1
• Intros part 2
• Intros part 3
• Melodic Voicings - Comping
• Swing Comping
• Ballad Comping
• Endings
• Accompaniments and Turnarounds
• Introduction
• #1 Boogie Shuffle
• #2 Shuffle
• #3 Boogie Octaves
• #4 Jazz
• #5 Country
• #6 Tango
• #7 New Orleans
• #8 Funk
• Applying patterns to the Blues (1)
• Applying patterns to the Blues (2)
• Master Class 1-11-2013
• class-1-11-2013
• Improvisation With Chords and Inversions - Vol. 1
• Why use chord tones for improv?
• Diatonic triads and seventh chords
• Common chord progressions
• Creating your own chord progression
• Using chords outside the diatonic scale
• Inverting Chords
• The flat VII chord
• Flat II III VI chords
• Harmonic motion (chord rhythm)
• Diminished passing chords
• Dominant motion
• Slash passing chords
• Breaking up the chords: arpeggios+
• Adding the 9th
• Suspended chords and grace notes
• Creating a chord improvisation
• Improvisation Using Chords and Inversions - Vol. 2
• Introduction
• Diatonic clustering
• Non-diatonic cluster
• ii-V-I cluster
• Clustering wrapup
• Slash sus and diminished
• Guide tone improv
• Jazz/Gospel Progression
• Filling out guide tone lines
• Pentatonic lick pt 1
• Pentatonic lick pt 2
• Jazz and Gospel Exercises
• Scorch Plug In
• Gospel Ex. A
• Gospel Ex. B
• Gospel Ex. B pt. 2
• Gospel Ex. C
• Gospel Ex. D
• Gospel Ex. E
• Gospel Ex. F
• Gospel Ex. G
• Gospel Ex. H
• Gospel Ex. I
• Jazz Intro
• Jazz 2-5-1 Ex. A
• Jazz 2-5-1 Ex. B
• Jazz 2-5-1 Ex. C
• Jazz 2-5-1 Ex. D
• Jazz 2-5-1 Ex. E
• Jazz 2-5-1 Ex. F
• Jazz 2-5-1 Ex. G
• Jazz 2-5-1 Ex. H
• Jazz 2-5-1 Ex. I
• Jazz 2-5-1 Ex. J
• Jazz 2-5-1-V7 Ex. K pt. 1
• Jazz 2-5-1-V7 Ex. K pt. 2
• Jazz 2-5-1-V7 Ex. K pt. 3
• Jazz Hands Together
• Hanon Mastery
• Scorch Plug In
• Core Concepts pt.1
• Core Concepts pt.2
• Core Concepts pt.3
• Hanon Exercise #1
• Hanon Exercise #2
• Hanon Exercise #3
• Hanon Exercise #4
• Hanon Exercise #5
• Hanon Exercise #6
• Hanon Exercise #7
• Hanon Exercise #8
• Hanon Exercise #9
• Hanon Exercise #10
• Chord Straddles pt.1
• Chord Straddles pt.2
• Chord Straddles pt.3
• Musical Hanon pt.1
• Musical Hanon pt.2
• Musical Hanon pt.3
• Musical Hanon pt.4
• Musical Hanon pt.5
• Musical Hanon pt.6
• Musical Hanon pt.7
• Musical Hanon pt.8
• Musical Hanon pt.9
• Musical Hanon pt.10
• All 12 Major Scales 2-hands
• Two Minute Piano
• Introduction Blues Riff
• Improvisation starting note
• Choosing improvisation scales
• Quartal 2-5-1 voicings
• 2-5-1 lick in E
• 2-5-1 lick in E altered
• Gospel country groove
• Latin intro/ending groove
• Octave Blues Riff
• Blues lick
• Jazz lick #1
• Chord Tips
• Chord Tips
• Improvisation Techniques for All levels
• Introduction
• Practical elements of improvisation
• What notes do I play?
• What rhythm do I use?
• Avoiding fingering problems
• Starting small…a few measures
• Starting with chord tones
• Spice it up with upbeats
• Using Approaches
• Chord guide tones and usage
• Chord/scale relationship
• Arpeggios and their usage
• Fluid Improvisation Exercises
• Essential Scale Tricks - How To Learn Scales Faster
• Introduction
• Major chord scales pt 1
• Major chord scales pt 2
• Minor chord scales
• Dominant chord scales
• Creating your own scales
• Lydian flat 7
• Finding Scale Secrets
• Finding Scale Secrets
• Dominant Bebop Scale
• Dominant Bebop Scale
• Diatonic Chords - Vol. 1
• Introduction
• What is a Scale Degree
• Stacking 3rds to Create Triads
• Using Roman Numerals
• Stacking 3rds to Create 7th Chords
• Diatonic Chords - Vol. 2
• Using Roman Numerals (7th chords)
• Harmonic Analysis
• Roman Numeral Formula
• Transposition Practice
• Mini Lessons
• i-Scale fingerings on other notes
• i-Fly Me ballad to swing pt 1
• i-Fly Me ballad to swing pt 2
• Mini Lesson: Creating Jazz Chords
• Creating Jazz Chords
• HangWithWillie - Nov. 29th Session - Beginner
• Chapter 1
• Chapter 2
• Chapter 3
• HangWithWillie - Nov. 29th Session - Advanced
• Chapter 1
• Chapter 2
• Chapter 3
• HangWithWillie - Nov. 27th Session
• Chapter 1
• Chapter 2
• Chapter 3
• "You Don't Know Me"
• Introduction
• The introduction
• m4 A section
• m8 First Ending
• m8 Second ending
• m16 Bridge
• Form and modulation
• The end tag
• Improv tips pt 1
• Improv tips pt 2
• "Blue In Green"
• Step 1 – Easier / Less Motion
• Step 2 – Adding Motion and Substitutions
• Step 3
• Step 4 – Ending
• "That's Life" - Vol. 1
• Introduction
• The entire arrangement
• The intro
• Measures 5-8
• Measures 9-20
• Measures 21-28 bridge
• Measures 29-36
• The coda
• "That's Life" - Vol. 2 (improvisation)
• Chapter 1
• Chapter 2
• Chapter 3
• "Look of Love"
• Introduction
• Arranging Steps
• Song Intro
• Measure 5-12
• Measure 13-20
• Measure 21-30
• Measure 31-End
• Accompanying Yourself
• "What A Difference A Day Made"
• What A Difference A Day Made – Intro
• The Melody
• Discovery phase pt. 1
• Discovery phase pt. 2 (m. 17)
• Arrangement Part 1
• Arrangement Part 2 (m.9)
• Arrangement Part 3 (m.24)
• Chords you can take out for improv
• Three note improvisation pt. 1
• Three note improvisation pt. 2
• "Will You Still Love Me Tomorrow" - Carole King
• The Arrangement
• "Ring of Fire" - Ray Charles
• Intro
• Verse
• Chorus
• Chorus Pt 2
• Fill Idea 1
• Fill Idea 2
• Improvisation Ideas
• Horn Line Intro
• "I Heard It Through The Grapevine" - Marvin Gaye
• Introduction
• Intro-section
• Verse
• Pre-chorus
• Chorus
• Interlude
• Outro
• "In My Life" - Vol. 1
• Introduction
• Intro, Measures 1-4
• Measures 5-7
• Measures 8-10
• Measures 11-14
• "In My Life" - Vol. 2
• Measures 15-17
• Measures 18-20
• Solo Measures 21-28
• Measures 29-43
• "Ain't No Mountain High Enough"
• introduction
• verse-a-section
• verse-b-section
• chorus-section
• bridge-section
• verse-a1-section
• verse-b1-section
• chorus-1-section
• "Don't Stop Believin'" - Journey
• Part 1
• Part 2
• Part 3
• "Isn't She Lovely" - Stevie Wonder
• Introduction
• Chord Rhythm
• Chords of the Song
• Add Chords to the Melody
• Scales for Improvisation
• Building a Solo
• "New York State Of Mind" - Billy Joel
• Introduction
• Intro
• Verse Part 1
• Verse Part 2
• Bridge
• Ending
• "I Want You Back"
• Jackson 5 – I Want You Back – Introduction
• Errata – A section fix…
• A section groove
• A section groove analysis
• New analysis of fixed A section
• B section
• B2 section – quiz
• C section
• C2 and D section
• Want you back – improv pt 1
• Want you back – improv pt 2
• Want you back – improv pt 3
• "Man in the Mirror" - Michael Jackson
• Introduction
• The Intro
• Pg 1, Line 2
• Pg 1, Line 3
• Pg 1, Line 4
• Pg 1, Line 5
• Pg 2, Line 1
• Pg 2, Line 2
• Chorus
• Pg 2, Line 5
• Ending
• The 80's - Vol. 1
• Introduction
• How Will I Know Pt 1
• How Will I Know Pt 2
• How Will I Know Pt 3
• How Will I Know Pt 4
• How Will I Know Pt 5
• The 80's - Vol. 2
• Billie Jean Pt 1
• Billie Jean Pt 2
• Time of My Life Pt 1
• Time of My Life Pt 2
• Time of My Life Pt 3
• Time of My Life Pt 4
• Time of My Life Pt 5
• "I Feel Good"
• Introduction to I Feel Good
• Bassline for part 1
• Creating new basslines
• Interlude/Shout Chorus
• Last chorus with tag
• Comping techniques
• Comping part 2
• Improvisation part 1
• Sixteenth note improv part 1
• Sixteenth note improv part 2
• "This Is My Last Affair" - The Meters
• Introduction
• Basslines pt 1
• Basslines pt 2
• Melody pt 1
• Melody pt 2
• Improv – Scales
• Blues scale
• Holds and Double Stops
• Working licks – plus Ending
• But I play piano!
• "Tipitina" - As Played By Dr. John
• Introduction
• Measure 1
• Measure 2
• Measure 3
• Measure 4
• Measure 5
• Measure 6
• Measure 7
• Measure 8
• "Someone Like You" - Adele
• Introduction
• Part 1 Verse
• Part 2 Interlude
• Part 3 Chorus
• Part 4 Interlude
• Bridging the Gap
• Advanced Concepts
• Improvising Over Standards in 5 Steps
• Introduction
• Original melody
• Melodic embellishment
• Guide tones
• Chord tones
• Approaches
• Chord scale relationship
• Chord scale exercise
• Improvisation Over Basslines
• Improvisation over bassline pt 1
• Improvisation over bassline pt 2
• Improvisation over bassline pt 3
• Improvisation over bassline pt 4
• Improvisation Cells
• Hang #5: Improvisation Cells
• Using Quartals in Your Improvisation
• Using quartals pt 1
• Using quartals pt 2
• Using quartals pt 3
• Improvising Lines Over Songs
• Hang #10: Improvising Lines Over Songs
• Classic Jazz Piano Endings Part 1
• Intro
• A Train Ending
• Basie Ending
• Boogie Woogie Style
• Ladybird-Changes
• I-VI-II-V Ending
• Classic Jazz Piano Endings Part 2
• Orange colored sky
• Amen Ending
• Stevie Ray Vaughan Blues
• Up a minor 3rd
• Chromatic Walk-down
• 10 Jazz and Blues Licks
• Lick 1
• Lick 2
• Lick 3
• Lick 4
• Lick 5
• Lick 6
• Lick 7
• Lick 8
• Lick 9
• Lick 10
• "A Mid-Summer Session"
• Introduction
• Part 1
• Part 2
• Part 3
• Part 4
• Part 5
• Part 6
• Part 7
• Creating The Song pt. 1
• Creating The Song pt. 2
• Creating The Song pt. 3
• Playing Around
• Conclusion
• 5 Must Have Rhythms
• Hang #7: 5 Must Have Rhythms
• Chord Essentials Tips
• Chord Essentials Tips
• Hand Coordination Technique for Improv
• Step 1 – Start With Simple Bass Pattern
• Step 2 – Add A Lick
• Step 3 – Repurpose A Lick Rhythm
• Step 4 – Make Small Bassline Changes
• Scary Halloween Music
• Scary Piano Music
• "Summer Samba"
• Introduction to Bossa Nova
• Basic Bossa version
• Basic Bossa version m7
• Bassline with anticipation
• Adding fills to Bossa groove
• Chromatic Fills & 6ths
• Bossa bassline fills
• Bossa tag/turnaround
• Bossa ending
• "Jolly Ol' Saint Nick"
• Jolly Old St. Nick pt 1
• Jolly Old St. Nick pt 2
• Jolly Old St. Nick pt 3
• Jolly Old St. Nick pt 4
• Jolly Old St. Nick pt 5
• Jolly Old St. Nick pt 6
• Jolly Old St. Nick pt 7
• Jolly Old St. Nick pt 8
• Jolly Old St. Nick pt 9
• Arranging Christmas Songs - The First Noel
• Chapter 1
• Chapter 2
• Chapter 3
• Chapter 4
• Secondary and Extended Dominants
• Secondary & Ext. Dominants pt 1
• Secondary & Ext. Dominants pt 2
• Secondary & Ext. Dominants pt 3
• Fixing Chord Progressions
• Introduction to Fixing Chord Progressions
• Natural Minor Scale
• Natural Minor Diatonic Chords
• Harmonic Minor & chords
• V7 or V-7? V7 chord in minor
• Minor chord progression
• Step 1) Chord quality
• Step 2) Harmonic rhythm
• Step 3) Listen for Odd chords
• Progression part 2/3
• Chord accompaniment
• Big Chords, Progressions & Fills
• Introduction to Big Chords
• Chord Tensions
• Big Sounding Chord Secrets
• Big Sounding Chord Secrets 2
• Good and Poor Chord choices
• Basic Progression
• Basic Progression with Broken Chords
• Contemporize a Progression
• Flowing Left Hand
• Adding Re-harm to Contemporary Progression
• Chord Progression Fills
• Easy Gospel Basics
• Introduction
• Basic I-IV groove and lick
• Adding Grace Notes
• Passing IV chord
• I-IV-V7-vi progression
• Diminished passing chords
• V7sus slash chord
• Diminished Fill
• Popular Cadence Pattern
• Jazz Gospel Chord Progression
• Jazz Gospel Chord Progression
• Easy Gospel Bass - Ethel Caffie-Austin
• Introduction
• One chord bassline
• Scale chords
• Tri-tone shells
• Common Walkup
• Pentatonic Gospel
• Walkup with progression
• Preacher Chords
• Preacher Chords Intro
• Major scales
• Scale chords – diatonic chords
• Alternate inversion of scale chords
• G7 groove
• Eb7 groove
• Basic “preaching” progression
• Adding the grace note
• IV chord scale groove
• Diminished chords in tenths
• “Phat” V7 chords with neighbors
• “House Raising”
• Putting these concepts together
• My Yiddishe Momme
• Introduction
• Measure 1-4
• Measures 5-8
• Measures 9-14
• Measures 15-20
• Measures 21-26
• Measures 27-31
• Coda Part 1
• Coda Part 2
• Analysis
• "Salsa Bop"
• Introduction
• The song – piano roll
• Part 1
• Part 2
• Part 3
• Part 4
• Part 5 – B Section
• Part 6 – different montuno
• Part 7
• Improvisation scales
• Improv licks part 1
• Improv licks part 2
• Advanced Warm Up Exercises For Piano
• Hang #9: Advanced Warm Up Exercises For Piano
• "Every Prayer"
• Introduction
• Figuring out the song Part 1
• Figuring out the song Part 2
• Figuring out the song Part 3
• Figuring out the song Part 4
• The Song Part 1
• The Song Part 2
• The Song Part 3
• The Song Part 4
• Improvisation Part 1
• Improvisation Part 2
• Warmups and Improvisation
• Scorch Plug In
• Introduction
• 5-finger scale & technique
• Major Scale exercises
• Major Scale Improv
• Minor scales
• Quartal Exercises
• Free Quartals
• Quartal grooves
• Arpeggios
• Diminished *rack*
• Chromatic scale
• Overview of my warmup routine
• Stretching to warmup
• Rootless Chords Exposed
• 01-Rootless Chord Confusion pt 1
• 02-Rootless Chord Confusion pt 2
• 03-Rootless Chord Confusion pt 3
• 04-Moon River Example
• 05-Rootless Chord Improvisation
• 06-Modified Rootless Chords
• 07-How to Practice Rootless Chords
• 50's Blues Rock Piano
• Hang #16
• Rock Piano Arranging
• Rock Piano Arranging
• Rock Soloing with Pentatonics
• Hang #12: Rock Soloing with Pentatonics
• How to Improvise Over Rock Songs
• Hang #18
• 12/8 Piano Grooves
• Hang #15
• "Les Miserable" Improvising
• Mis
• Exercises in 7/8 (Willie Answers)
• Exercise in 7 pt 1
• Exercise in 7 pt 2
• Exercise in 7 pt 3
• Exercise in 7 pt 4
• Exercise in 7 pt 5
• Exercise in 7 pt 6
• Exercise in 7 pt 7
• Exercise in 7 pt 8
• Suzuki Piano Institute 2012 Lesson
• Introduction
• Beginner
• Intermediate
• Advanced
• Filling Out Chord Progressions
• Filling Out Chord Progressions
• 5 Ways To “Lock In” Chords At The Piano
• Hang #14
• Understanding Chords
• Hang #17
• Creating Modal Chords
• Hang #23
• Walking Bass At The Piano
• Episode #1: Walking Bass At The Piano
• Ear Training 1 Boot Camp - Lesson 1
• Ear Training 1 Bootcamp - Lesson 1
• Ear Training 1 Boot Camp - Lesson 2
• Ear Training 1 Bootcamp - Lesson 2
• Ear Training 1 Boot Camp - Lesson 3
• Ear Training 1 Bootcamp - Lesson 3
• Ear Training 1 Boot Camp - Lesson 4
• Ear Training 1 Bootcamp - Lesson 4
• Ear Training 1 Boot Camp - Lesson 5
• Ear Training 1 Bootcamp - Lesson 5
• Ear Training 2 Boot Camp - Lesson 1
• Ear Training 2 Bootcamp - Lesson 1
• Ear Training 2 Boot Camp - Lesson 2
• Ear Training 2 Bootcamp - Lesson 2
• Ear Training 2 Boot Camp - Lesson 3
• Ear Training 2 Bootcamp - Lesson 3
• Ear Training 2 Boot Camp - Lesson 4
• Ear Training 2 Bootcamp - Lesson 4
• Session 1
• Session 1
• Session 2
• Session 2
• Session 3
• Session 3
• Session 4
• Session 4
• Adv. Improv Session 1
• Session 1
• Adv. Improv Session 2
• Session 2
• Adv. Improv Session 3
• Session 3
• Adv. Improv Session 4
• Session 4
• Tech. Builder Boot Camp Session 1
• Session 1
• Tech. Builder Boot Camp Session 2
• Session 2
• Tech. Builder Boot Camp Session 3
• Session 3
• Tech. Builder Boot Camp Session 4
• Session 4
• Tech. Builder Boot Camp Session 5
• Session 5
• Piano Challenges #1-10
• Challenge #1 - STRONGER Fingers Fills Exercise in 3rds
• Challenge #2 - Coolest Minor Chord Voicing And Progression
• Challenge #3 - Jazz & Blues Piano Lick Broken Down
• Challenge #4 - Ed Sheeran Perfect Piano Tips
• Challenge #5 - Get Smooth Piano Chords
• Challenge #6 - Country Rock Piano Style
• Challenge #7 - Rootless Jazz Piano Chords Part 1
• Challenge #8 - Funky Bass Lines!!
• Challenge #9 - Super Funky Piano Chord Pattern and Riff
• Challenge #10 - Rootless Jazz Piano Chords Explained Part 2
• Piano Challenges #11-20
• Challenge #11 - 3 Must Have 2-5-1 Chord Voicings for Jazz Piano Players
• Challenge #12 - 4 EASY Left Hand Piano Tips, Part 1 of 2
• Challenge #13 - 4 EASY Left Hand Piano Tips, Part 2 of 2
• Challenge #14 - Slick Dominant 7th Chord Voicings
• Challenge #15 - Bebop 2-5-1 Lick Piano Tutorial
• Challenge #16 - Bebop Piano Lick part 2
• Challenge #17 - Funky Piano Progression and Lick with Sheet Music
• Challenge #18 - Write Your Own Song with This Minor Chord Progression!
• Challenge #19 - Killer Jazz Piano Lick Part 1
• Challenge #20 - Killer Jazz Piano Lick Part 2
• Piano Challenges #21-30
• Challenge #21 - Bill Evans Major 7th Lick
• Challenge #22 - Really Cool Jazz Ending
• Challenge #23 - Rock Piano Octaves Part 1
• Challenge #24 - Rock Piano Octaves Part 2
• Challenge #25 - Slick Jazz Minor Quartal Groove Progression
• Challenge #26 - Minor Pentatonic Improvisation Lick
• Challenge #27 - Hip Minor Piano Chord Voicing
• Challenge #28 - Hip Dominant Piano Chord Voicing
• Challenge #29 - Hip Major 7th Piano Chord Voicing
• Challenge #30 - Cool Piano Improv Lick and Chords with Backing Track
• Piano Challenges #31-40
• Challenge #31 - Dr. John New Orleans Piano Lick
• Challenge #32 - Dr. John New Orleans Blues Licks with Bassline
• Challenge #33 - Blues Piano Shuffle Lick
• Challenge #34 - Play FASTER Piano Scales and Improvisation
• Challenge #35 - Jazz Piano Chords and Comping
• Challenge #36 - Playing with Hand Injuries
• Challenge #37 - Easy Slow Blues Piano Part 1
• Challenge #38 - Easy Slow Blues Piano Part 2
• Challenge #39 - Easy Slow Blues Piano Part 3
• Challenge #40 - Easy Slow Blues Piano Part 4
• Piano Challenges #41-48
• Challenge #41 - Easy Slow Blues Piano Part 5
• Challenge #42 - Polyrhythms at the Piano
• Challenge #43 - Easy 9th Chords For Jazz and Blues
• Challenge #44 - Fast Lick For Jazz and Blues #1
• Challenge #45 - Fast Lick For Jazz and Blues #2
• Challenge #46 - Advanced Lick For Jazz and Blues
• Challenge #47 - Jazz and Blues Improv Combinations
• Challenge #48 - Octave Bell Tones for Fatter Chords
• Scale Accents
• Scale Accents
• Student Questions
• 8 Scales you MUST know for Improvisation
• 8 Scales Lesson
• Student Questions
• Mastering Your Scales
• Master Scales
• Student Questions
• Improvising Over Progressions
• Improv Over Progressions
• Student Questions
• Switching Styles
• Change Styles
• Student Questions
• Working With Other Musicians
• Working With Others
• How To Play From Fakebooks
• How To Play From Fakebooks
• How To Improvise Over Fakebooks
• Improv over Leadhseets
• Student Questions
• BF16 Live Training "November Webinar"
• Blues Notes
• Bluesy Stride
• Slow Blues
• Switching Styles
• Create Your Own Music
• Improvisation 1
• Improvisation 2
• Improvisation 3
• Advanced improvisation
• Rock Piano Improv
• Rock Piano Improv 2
• Vital Comping Techniques
• Effortless Minor Improvisation
• Intro and 5 Questions
• Part 2 - rhythm and scales
• Part 3 - Q&A
• A section improv 1
• Anyone Can Improvise in 3 Easy Steps (For Beginners)
• Introduction
• Accompany Yourself Using This Simple Pattern
• 4 Rhythms EVERY Improviser Needs To Know
• 8 Blues Scale Licks For Beginners
• Licks Condensed Version
• NBGJP Prep Lesson
• Beginner Prep
• Advanced Prep
• Master Every Chord At The Piano Using This Exercise
• Master Every Chord
• Episode #1 - Green Dolphin Street Locked Hand Style
• Willie playing Green Dolphin Street
• Green Dolphin Street Locked-Hand Style
• *PRACTICE SESSION* Guide Tones & Rootless Chords
• Guide Tones and Rootless Chords
• Lesson #1 - 3 Basic Rhythms
• 3 Basic Rhythms
• Lesson #1 - Guide Tones and Blues Chords
• Guide Tones and Blues Chords
• Lesson #2 - 12 Bar Blues Form and Chords
• 12 Bar Blues Form and 7th Chords
• Lesson #2 - Guide Tones with Added 9th Rootless Chords
• Guide Tones with Added 9th
• Lesson #3 - Anyone Can Play The 12-Bar Blues
• 12-Bar Blues with 7th Chords
• Lesson #3 - Simplified Rootless Jazz Chords
• Rootless Jazz Chords
• Lesson #4 - Chord Shells
• Chord Shells
• Lesson #5 - Comping Chords
• Comping Chords
• Lesson #4 - Jazz Comping Made Easy
• Comping Chords
• Lesson #5 - Minor Pentatonic and Blues Scales
• Minor Pentatonic and Blues Scales
• Lesson #6 - How To Create Jazz Licks
• How To Create Jazz Licks
• Lesson #6 - Comping & Rhythmic Improvisation
• Comping & Rhythmic Improvisation
• Lesson #7 - Improvising Over The Blues Part 1
• Improvising Over the Blues Part 1
• No Bull Piano Webinars
• April 2020 Webinar-How Do I ACTUALLY Learn Jazz Piano
• Lesson #8 - Improvising Over The Blues Part 2
• Improvising Over The Blues Part 2
• Lesson #9 - Blues Fills and Turns Part 1
• Turns Part 1
• Lesson #10 - Blues Fills and Turns Part 2
• Turns Part 2
• Lesson #11 - Blues Fills and Turns Part 3
• Turns Part 3
• Lesson #7 - Jam Over The Blues
• Jam over the blues
• Lesson #8 - The Blues Scale Demystified
• The Blues Scale Demystified
• Lesson #9 - How To Improvise Over The Blues
• How To Improvise Over The Blues
• Lesson #10 - How To Improvise Over The Blues Part 2
• How To Improvise Over The Blues Part 2
• Lesson #11 - Blues Notes and Licks Part 1
• Blues Notes and Licks Part 1
• Lesson #12 - Blues Notes and Licks Part 2
• Blues Notes and Licks Part 2
• Lesson #13 - Blues Triplet Rhythm
• Blues Triplet Rhythm
• Lesson #14 - Blues Rolls, Tremolos and Grace Notes
• Blues Rolls, Tremolos and Grace Notes
• Lesson #15 - Blues Double Stops
• Blues Double Stops
• Lesson #12 - Blues Improvisation Guide Tones
• Blues Improvisation Guide Tones
• Lesson #13 - Neighbor Tones & Enclosures
• Neighbor Tones & Enclosures
• Lesson #14 - How To Use Enclosures for Improv
• How To Use Enclosures for Improv
• Lesson #15 - Blues Bebop Improvisation
• Blues Bebop Improvisation
• Lesson #16 - Latin Jazz / Swing Blues
• Latin Jazz / Swing Blues
• Lesson #17 - How To Play Jazz & Blues Basslines
• How To Play Jazz & Blues Basslines
• Lesson #18 - Jazz Piano Quartal Comping
• Jazz Piano Quartal Comping
• Lesson #19 - Improvise Using Chord Cells Part 1
• Chord Cells Part 1
• Minor Blues Progression with Rootless Chords
• Lesson #16 - Minor Blues Progression with Rootless Chords
• Minor Blues With Rootless Chords
• Lesson #17 - How To Play a Easy Bass Line for Minor Blues
• Minor Bass
• Lesson #18 - How to Improvise Over Minor Blues
• Minor Blues Improv
• Lesson #19 - Alternate Minor Blues Bassline
• Alternate Minor Bassline
• Lesson #20 - Rhythms To Make Your Improv Sound Advanced
• Rhythms
• Lesson #20 - Improvise Using Chord Cells Part 2
• Chord Cells Part 2
• How To Play Blues For Hours
• Webinar
• Episode #2 - Enclosures
• Episode #3 - Diminished Chord Tricks
• Diminished Tricks
• Enclosures
• Lesson #21 - Altered And Diminished Scales for Improvisation
• Altered And Diminished Scales
• Lesson #22 - Altered and Diminished Scale Cells
• Altered and Diminished Scale Cells
• Lesson #23 - Mixolydian and Diminished Jazz Etude
• Jazz Etude
• Lesson #24 - Three Advanced Blues Intros
• Three Advanced Blues Intros
• Lesson #25 - Three Advanced Blues Endings
• Blues Endings
• Lesson #26 - Blues Turnaround Progressions
• Blues Turnaround Progressions
• Lesson #21 - Jazz Walking Bass Made Easy
• Jazz Walking Bass
• Lesson #22 - Easy Boogie-Woogie Bass
• Boogie-Woogie Bass
• Lesson #23 -Boogie-Woogie Bass With Licks
• Boogie-Woogie With Licks
• Lesson #24 -Three Easy Blues Intros
• Blues Intros
• Lesson #25 -Three Easy Blues Endings
• Blues Endings
• Lesson #26 - 5 Blues Improvisation Scales
• 5 Scales for Improv
• Lesson #27 - Upper Structure Chord Voicings Part 1
• Upper Structures Part 1
• Lesson #28 - Upper Structure Chord Voicings Part 2
• Upper Structures Part 2
• Lesson #29 - 5 Ideas to Improve Your Jazz Solos
• 5 Ideas For Better Solos
• Lesson #27 - 5 Killer Blues Licks Part 1
• 5 Licks Part 1
• Lesson #28 - 5 Killer Blues Licks Part 2
• 5 Licks Part 2
• Lesson #29 - Easy Blues Piano Pentatonic Licks
• Easy Blues Piano Pentatonic Licks
• Lesson #30 - How To Use All That You've Learned in This Course
• Using What You've Learned in NBGJP
• Slow Blues Form
• Slow Blues 1
• Left-Hand Techniques
• Left-Hand Techniques
• Reharmonization Part 1
• Reharmonization Pt. 1
• 6 Slow Blues Accompaniments
• 6 Accompaniments For Slow Blues
• Articulations, 3rd & 7ths
• Articulations, 3+7ths
• Episode #4 - Altered Chords and Scales
• PRW Episode 4
• The Bridge
• Bridge
• Jam #1 - Easy C Blues
• Jam #1
• Performance
• Tennille's Blues Part One
• Tennille's Blues Part 1
• Tennille's Blues Part Two
• Tennille's Blues Part 2
• Jam #3 - Funk
• Jam #3 - Lesson
• Video Jam Track
• Jam #2 - Bossa Nova
• Jam #2 - Lesson
• Jam #2 - Playalong
• Student Performances
• Tennille's Blues Part Three
• Tennille's Blues Part 3
• Tennille's Blues Part Four
• Last A Section
• 5 Blues Endings
• 5 Endings (High Def)
• 5 Endings (Live Version - Lower Resolution)
• Tennille's Blues Part Five
• Tennille's Blues Part 5
• 4 Blues Intros
• 4 Blues Intros
• Episode #5 - Basslines
• Episode 5
• Tennille's Blues Bassline
• Tennille's Blues Bassline
• How to Upload Your Video
• Beginner's Guide
• Beginner's Guide
• Analysis and Starting Improv
• Easy Living Analysis and Improv 1
• Altered and 1/2 Whole Diminished Scales
• Altered and 1/2 Whole Dim
• Episode #6 - Scale Slipping
• Scale Slipping
• Chord-Tone Boulders
• Chord Tone Boulders
• Play and Rest
• Play And Rest
• Targeting
• Targeting Notes
• Rhythmic Improvisation Map
• Rhythmic Map
• Fingering And Flow
• Fingering / Flow
• Chords and Accompaniment
• Accompaniment Options
• Improvising Over A New Standard From Scratch
• Improv From Scratch
• My Romance Improv Part 1
• My Romance Solo Part 1
• My Romance Improv Part 2
• Improv Part 2
• Just The Way You Are - Part 1
• Solo Part 1
• Just The Way You Are - Part 2
• Solo Part 2
• Wrap Up and Student Questions
• Last Session
• Entire solo
• Getting Started With Lead Sheets
• Introduction
• Blueberry Hill
• Blueberry Hill Arrangements
• Blueberry Hill Q&A
• We've Only Just Begun
• The Song
• Q&A
• Dock of the Bay
• Song - Dock of the Bay
• Just The Way You Are
• Live lesson
• Intermediate Arrangement
• Q&A Part 1
• Q&A Part 2
• Backfilling Harmony (Back Fill Progressions)
• Bye Bye Blackbird
• Bye Bye Blackbird
• Bye Bye Blackbird Q&A
• Blue Moon
• Blue Moon Arrangements
• Blue Moon Q&A
• Comping Bossa chords
• Exercise #4 Quiz
• How the Program Works
• Announcement Webinar
• TCI - Exercise #1
• Exercise #1 Quiz
• TCI - Exercise #2
• Exercise #2
• Ex. 3 Coming Soon
• Ex. 4 Coming Soon
• Exercise #2 Quiz
• Exercise #3 Quiz
• How the program works
• Exercise #1
• Exercise #1 (Inspiration)
• TCI - Exercise #3
• TCI - Exercise #4
• Ep. 1 - Endless Improvisation Lines
• Exercise #2 (Inspiration)
• Ep. 2 - Mastering Your Chords
• Exercise #3
• Exercise #3 (Inspiration)
• Ep. 3 - Improvisation Targets
• Exercise #4
• Exercise #4 (Inspiration)
• Ep. 4 - Play & Rest
• JazzKids Level 1
• JazzKids Level 1
• JazzKids Level 2
• JazzKids Level 2
• JazzKids Level 3
• JazzKids Level 3
• JazzKids Level 4
• JazzKids Level 4
• Mr. Grinch - Christmas Classic
• Mr. Grinch
• TCI - Exercise #5
• Exercise #5
• Exercise #5 (Inspiration)
• TCI Practice Guides
• Rhythm Practice Guide
• Scales Practice Guide
• Exercise #5 Quiz
• TCI - Exercise #6
• Exercise #6
• No Bull Guide To Arranging Jazz Standards
• Session Part 1
• Session Part 2
• Accompaniment Practice Guide
• Exercise #6 (Inspiration)
• Ep. 6 - The Key To Killer Licks
• Ep. 5 - Articulation
• TCI - Exercise #7
• Exercise #7
• Exercise #7 (Inspiration)
• Exercise #6 Quiz
• Ep. 7 - Practice Session - Triads
• TCI - Exercise #8
• Exercise #8
• Exercise #8 (Inspiration)
• Exercise #7 Quiz
• Exercise #8 Quiz
• Ep. 8 - Comping Chords
• TCI - Exercise #9
• Exercise #9
• Exercise #9 (Inspiration)
• Exercise #9 Quiz
• Ep. 9 - Three Easy Jazz Endings
• TCI - Exercise #10
• Exercise #10
• Exercise #10 (Inspiration)
• Ep. 10 - “Big Three” Seventh Chords
• Mixing Exercises
• TCI - Exercise #11
• Exercise #11
• Exercise #11 (Inspiration)
• Ep. 11 - Switching Styles in Music
• TCI - Exercise #12
• Exercise #12
• Exercise #12 (Inspiration)
• Ep. 12 - Piano Mindset
• TCI - Exercise #13
• Exercise #13
• Exercise #13 (Inspiration)
• SBTD-1: The Days of Wine And Roses
• How Standards by the Dozen™ Works
• SBTD Quick Start
• SBTD1 Where is the Lesson Video?
• Ep. 13 - How to Create Flowing Jazz Improvisation Lines
• TCI - Exercise #14
• Exercise #14
• Exercise #14 (Inspiration)
• Ep. 14 - How to Create and Use an Inspiration Journal
• SBTD1 How the Course is Structured
• SBTD1 Section 1 - Lead Sheet
• SBTD1 Section 1 - Lead Sheet Q&A
• SBTD1 Section 2 - Shells
• SBTD1 Section 2 - Shells Q&A
• SBTD1 Section 3 - Bassline
• SBTD1 Section 3 - Bassline Q&A
• SBTD1 Section 4 - Rootless Chords
• SBTD1 Section 4 - Rootless Chords Q&A
• SBTD1 Section 5 - Two-Handed Comping
• SBTD1 Section 5 - Two-Handed Comping Q&A
• SBTD1 Section 6 - Improvisation
• SBTD1 Section 6 - Improvisation Q&A
• SBTD1 What is Next?
• SBTD1 Q&A Session
• TCI - Exercise #15
• Exercise #15
• Exercise #15 (Inspiration)
• Ep. 15 - 2-5-1 Progression Deciphered
• TCI - Exercise #16
• Exercise #16
• Exercise #16 (Inspiration)
• SBTD1 GEMS - Days of Wine and Roses
• SBTD-2: Autumn Leaves
• SBTD-3: Misty
• SBTD-4: The Way You Look Tonight
• SBTD-5: All The Things You Are
• SBTD-6: My Funny Valentine
• SBTD-7: On Green Dolphin Street
• SBTD-8: New York State of Mind
• SBTD-9: Blue Monk
• SBTD-10: Song For My Father
• SBTD-11: Almost Like Being in Love
• SBTD-12: Bewitched, Bothered and Bewildered
• How Does SBTD Work?
• Ep. 16 - 2-5-1 Quiz #1
• TCI - Exercise #17
• Exercise #17
• Exercise #17 (Inspiration)
• How the Course is Structured
• SBTD2 Section 1 - Lead Sheet
• SBTD2 Section 1 - Lead Sheet Q&A
• SBTD2 Section 2 - Shells
• SBTD2 Section 2 - Shells Q&A
• SBTD2 Section 3 - Bassline
• SBTD2 Section 3 - Bassline Q&A
• SBTD2 Section 4 - Rootless Chords
• SBTD2 Section 4 - Rootless Chords Q&A
• SBTD2 Section 5 - Two-Handed Comping
• SBTD2 Section 5 - Two-Handed Comping Q&A
• SBTD2 Section 6 - Improvisation
• SBTD2 Section 6 - Improvisation Q&A / Wrap up
• TCI - Exercise #18
• Exercise #18
• Exercise #18 (Inspiration)
• Ep. 17 - Diatonic 7th Chords
• Ep. 18 - 2-5-1 Quiz #2
• TCI - Exercise #19
• Exercise #19
• Exercise #19 (Inspiration)
• SBTD2 Q&A Session
• Ep. 19 - The Altered Scale
• SBTD2 GEMS - Autumn Leaves
• TCI - Exercise #20
• Exercise #20
• Exercise #20 (Inspiration)
• Ep. 20 - Becoming a Confident Improviser
• SBTD3 Section 1 - Lead Sheet
• SBTD3 Section 1 - Lead Sheet Q&A
• SBTD3 Section 2 - Shells
• SBTD3 Section 2 - Shells Q&A
• SBTD3 Section 3 - Bassline
• SBTD3 Section 3 - Bassline Q&A
• SBTD3 Section 4 - Rootless Chords
• SBTD3 Section 4 - Rootless Chords Q&A
• SBTD3 Section 5 - Two-Handed Comping
• SBTD3 Section 5 - Two-Handed Comping Q&A
• SBTD3 Section 6 - Improvisation
• SBTD4 - Where is the rest of the Lesson?
• SBTD4 - How does SBTD work?
• SBTD5 - Where is the rest of the Lesson?
• SBTD5 - How does SBTD work?
• TCI - Exercise #21
• Exercise #21
• Exercise #21 (Inspiration)
• TCI Podcast
• Ep. 21 - Bebop Improvisation
• Ep. 22 - Bill Evans Voicings - Rootless Chords Pt. 1
• SBTD3 - Q&A Session
• SBTD3 - GEMS
• Ep. 23 - Bill Evans Voicings - Rootless Chords Pt. 2
• TCI - Exercise #22
• Exercise #22
• Exercise #22 (Inspiration)
• Ep. 24 - Chick Corea Celebration Band Interview
• SBTD4 - Lead Sheet
• SBTD4 - Shells
• SBTD4 - Bassline
• SBTD4 - Bassline Q&A
• SBTD4 - Rootless Chords
• SBTD4 - Rootless Chords Q&A
• SBTD4 - Comping
• SBTD4 - Comping Q&A
• SBTD4 - Improv & Analysis
• Ep. 25 - Enclosures
• TCI - Exercise #23
• Exercise #23
• Exercise #23 (Inspiration)
• Ep. 26 - Three-note Rootless Chords
• Ep. 27 - Why Do We Use Target Notes?
• SBTD4 - Q&A Session
• SBTD4 - GEMS
• TCI - Exercise #24
• Exercise #24
• Exercise #24 (Inspiration)
• Ep. 28 - 8 Scales You MUST Know for Improvisation
• Ep. 29 - Core Practice Material for Improvisers
• SBTD5 - Lead Sheet
• SBTD5 - Shells
• SBTD5 - Bassline
• SBTD5 - Rootless Voicings
• SBTD5 - Comping
• SBTD5 - Improvisation & Analysis
• TCI - Exercise #25
• Exercise #25
• Exercise #25 (Inspiration)
• Ep. 30 - Jazz Piano Improvisation Part 1 of 4 - Accompaniment Patterns
• SBTD5 - GEMS
• TCI - Exercise #26
• Exercise #26
• Exercise #26 (Inspiration)
• Ep. 31 - Jazz Piano Improvisation Part 2 of 4 - Scales
• Ep. 32 - Jazz Piano Improvisation Part 3 of 4 - Rhythm
• PACE Pattern #1 (Triads and Inversions)
• PACE Pattern #1 Lesson
• Ep. 33 - Jazz Piano Improvisation Part 4 of 4 - Adv Improv
• Where is the lesson for SBTD6?
• TCI - Exercise #27
• Exercise #27
• Exercise #27 (Inspiration)
• Ep. 34 - Are you a T-Shape Practicer?
• SBTD6 - Lead Sheet
• SBTD6 - Shells pt. 1
• SBTD6 - Shells pt. 2
• SBTD6 - Bassline
• SBTD6 - Rootless Chords
• SBTD6 - Comping (two-hand voicings)
• SBTD6 - Improvisation
• PACE Pattern #2 (Slash Chords & Broken Triads)
• PACE Lesson #2
• TCI - Exercise #28
• Exercise #28
• Exercise #28 (Inspiration)
• SBTD6 - GEMS
• PACE Pattern #3 (Seventh Chords)
• PACE Lesson #3
• Ep. 35 - A New Rootless Jazz Chords Trick
• Ep. 36 - An Easier Way To Learn Scales
• Ep. 37 - Seriously, How Do I Get Flow in My Improv?
• TCI - Exercise #29
• Exercise #29
• Exercise #29 (Inspiration)
• SBTD7 - Lead sheet
• SBTD7 - Shells
• SBTD7 - Bassline
• SBTD7 - Rootless Chords
• SBTD7 - Comping
• SBTD7 - Improvisation & Analysis
• PACE Pattern #4 (Mixing Triad & Seventh Chords)
• PACE Lesson #4
• TCI - Exercise #30
• Exercise #30
• Exercise #30 (Inspiration)
• Ep. 38 - Dominant Motion
• Ep. 39 - When To Use Alt Chords
• SBTD7 - GEMS
• PACE Pattern #5 (Chord Tensions & Flow Between The Hands)
• PACE Lesson #5
• PACE Lesson #5 (Inspiration)
• TCI - Exercise #31
• Exercise #31
• Exercise #31 (Inspiration)
• Ep. 40 - Easy Jazz Piano Improvisation Rhythm
• Ep. 41 - How To Improvise Over Dominant Chords Part 1
• PACE Pattern #6 (How to Create Fills & Riffs)
• PACE Lesson #6
• PACE Lesson #6 (Inspiration)
• SBTD8 - Lead Sheet
• SBTD8 - Shells
• SBTD8 - Rootless chords
• SBTD8 - Arrangement
• SBTD8 - Comping (backing a singer)
• TCI - Exercise #32
• Exercise #32
• Exercise #32 (Inspiration)
• Ep. 42 - Improvise Over Dominant Chords With Advanced Upper Structures
• SBTD8 - GEMS
• PACE Pattern #7 (Accompaniment Fluidity)
• PACE Lesson #7 - Exercises
• PACE Lesson #7 - Patterns
• PACE Lesson #7 (Inspiration)
• Ep. 44 - New Tritone Substitution Mastery Jazz Piano Techniques Mini Course - Part 1 of 3
• Ep. 43 - Advanced Improvisation Using 
Quartals Over Dominants
• Ep. 45 - New Tritone Substitution Mastery Jazz Piano Techniques Mini Course - Part 2 of 3
• TCI - Exercise #33
• Exercise #33
• Exercise #33 (Inspiration)
• PACE Pattern #8 (Fills Within The Accompaniment)
• PACE-8 Exercise
• PACE-8 Patterns
• PACE-8 Inspiration
• Ep. 46 - New Tritone Substitution Mastery Jazz Piano Techniques Mini Course - Part 3 of 3
• Ep. 47 - Blues Piano Tritone Substitutions
• Ep. 48 - HUGE CHORD Blues Piano Tritone Substitutions
• Ep. 49 - A NEW Blues Improvisation Trick
• Ep. 50 - PRO-SOUNDING Blues Piano Improvisation
• SBTD9 - Lead Sheet
• SBTD9 - Shells
• SBTD9 - Bassline
• SBTD9 - Rootless chords
• SBTD9 - Comping
• SBTD9 - Improvisation
• SBTD9 - GEMS
• TCI - Exercise #34
• Exercise #34
• Exercise #34 (Inspiration)
• PACE Pattern #9 (Let It Be Accompaniment)
• PACE 9 - Exercise
• PACE 9 - Patterns
• PACE 9 - Inspiration
• Ep. 51 - Chromatic Chord Tone Targeting
• Ep. 52 - EXTENDED Chromatic Chord Tone Targeting
• Ep. 53 - Diatonic Chord Extensions For Improv Part 1
• SBTD10 - Lead
• SBTD10 - Shells
• SBTD10 - Bassline
• SBTD10 - Rootless
• SBTD10 - Comping
• TCI - Exercise #35
• Exercise #35
• Exercise #35 (Inspiration)
• SBTD10 - GEMS
• SBTD11 - Lead Sheet
• SBTD11 - Shells
• SBTD11 - Bassline
• SBTD11 - Rootless
• SBTD11 - Comping
• PACE Pattern #10 (Chord Mastery)
• PACE 10 - Exercise
• PACE 10 - Patterns / Inspiration
• SBTD11 - Improv / GEMS
• TCI - Exercise #36
• Exercise #36
• Exercise #36 (Inspiration)
• Quick Reference - Key of C
• Key of C
• Quick Reference - Key of G
• Key of G
• Quick Reference - Key of D
• Key of D
• Quick Reference - Key of A
• Key of A
• Quick Reference - Key of E
• Key of E
• SBTD12 - Lead
• SBTD12 - Shells
• SBTD12 - Bassline
• SBTD12 - Rootless
• SBTD12 - Comping
• Quick Reference - Key of F
• Key of F
• Quick Reference - Key of B Flat
• Key of B Flat
• PACE Pattern #11 (Style Mastery)
• Quick Reference - Key of E Flat
• Key of E Flat
• Quick Reference - Key of A Flat
• Key of A Flat
• PACE 11 - Exercise
• PACE 11 - Patterns
• PACE 11 - Inspiration
• SBTD12 - GEMS
• Quick Reference - Key of D Flat
• Key of D Flat
• Quick Reference - Key of B
• Key of B
• Quick Reference - Key of F Sharp
• Key of F Sharp
• Quick Reference Tips (Checklist)
• Quick Reference Tips
• TCI - Exercise #37
• Exercise #37
• Exercise #37 (Inspiration)
• PACE Pattern #12 (Rhythm Mastery Part 1)
• PACE 12 - Exercise
• PACE 12 - Patterns
• PACE 12 - Inspiration
• Ep. 54 - Diatonic Chord Extensions For Improv Part 2
• TCI - Exercise #38
• Exercise #38
• Exercise #38 (Inspiration)
• SBTD22-1: You Are The Sunshine of My Life
• Introduction - You Are The Sunshine of My Life
• Listening
• Lead Sheet
• Song Intro
• Chorus
• Verse Part 1
• Verse Part 2
• Modulation
• SBTD22-2: Ain't No Sunshine
• SBTD22-3: Round Midnight
• SBTD22-4: Desafinado
• SBTD22-5: Lullaby of Birdland
• SBTD22-6: Sunny
• SBTD22-7: For Once in My Life
• SBTD22-8: Just The Two of Us
• SBTD22-9: Linus and Lucy
• SBTD22-10: I Left My Heart in San Francisco
• SBTD22-11: Can’t Take My Eyes Off Of You
• SBTD22-12: Fire And Rain
• PACE Pattern #13 (Rhythm Mastery Part 2)
• PACE 13 - Exercise
• PACE 13 - Patterns & Inspiration
• PACE Pattern #14 (Pop/Rock Accompaniment)
• PACE 14
• Getting Started - Ain't No Sunshine
• Introduction - Ain't No Sunshine
• Measures 1-8
• Measures 8-12 (drop 2)
• Measures 12-15
• Measures 16-21
• Measures 22-38
• TCI - Exercise #39
• Exercise #39
• Exercise #39 (the bassline)
• Exercise #39 (Inspiration)
• PACE Pattern #15 (Jazz Accompaniment /while Singing)
• PACE 15 - Exercise
• Getting Started - Round Midnight
• Intro
• m. 1-4
• m. 5-8
• m. 9-10
• m. 17-20
• m. 21-24 and final measure
• Getting Started
• Intro
• m. 1-8
• m. 9-16
• m. 17-24
• m. 25-32
• m. 33-40
• m. 41-48
• m. 49-56
• m. 57-60
• Lullaby of Birdland - Intro
• LOBL - m.1-4
• LOBL - m.5-8
• LOBL - m.9-12
• LOBL - m.13-16
• LOBL - m.17-20
• LOBL - m.21-24
• LOBL - m.25-28
• LOBL - m.29-32
• Sunny - Intro
• Sunny - m1
• Sunny - m2-5
• Sunny - m6-9
• Sunny - m10-13
• Sunny - m14-15
• Sunny - m16-19
• Sunny - m 20-27
• Sunny - m28-31
• Sunny - m32-33
• Sunny - m34-37
• Sunny - Improvisation practice
• Introduction to FOIML
• FOIML (m. 1-6)
• FOIML (m.7-10)
• FOIML (m.11-14)
• FOIML (m. 15-18)
• FOIML (m.19-22)
• FOIML (m.23-26)
• FOIML (m.27-30)
• FOIML (m.31-34)
• FOIML (m.35-41)