No. The lessons in this course are just a small sample of the lessons you’ll find on Jazzedge. Below is an up-to-date and complete list of all lessons Jazzedge members enjoy 24/7. You can use the “find” function of your browser or “Command-F” on Mac or “Ctrl + F” on Windows to search for a particular lesson.
- "Stardust"
- Analysis part 2
- Arrangement part 1
- Drop 2, 3 and 4 voicings part 1
- Drop 2, 3 and 4 voicings part 2 (summary)
- Arrangement part 2 (m. 9)
- Arrangement part 3 (m. 11)
- Arrangement part 4 (half-step resolution)
- Arrangement part 5 (m. 17)
- Arrangement part 6 (m. 23)
- Arrangement part 7 (m. 29)
- Arrangement part 1b (m. 5)
- Introduction to Stardust
- Analysis part 1
- "Stella By Starlight"
- Introduction to Stella By Starlight
- Stella discovery phase
- Stella arrangement pt. 1
- Stella arrangement pt. 2
- Stella arrangement pt. 3
- Stella – comping chords
- Stella – chord voicings for comping
- Stella – elements of comping
- Stella – backing up a singer
- 6 Essential Arpeggio Exercises
- Over The Rainbow
- Introduction
- m 1-2
- m 3-4
- m 5-8
- m 9-14
- m 14-18
- m 18 to end
- Melodic Confusion
- Piano Essentials Key of C
- Major Scale
- Common Triads
- Common 7 Chords
- Natural Minor Scale
- Tensions and Progressions
- Piano Essentials Key of G
- Major Scale
- Common Triads
- Natural Minor Scale
- Chord Tensions
- Progression
- Piano Essentials Key of D
- Key of D
- Piano Essentials Key of A
- Key of A
- Piano Essentials Key of E
- Key of E
- Piano Essentials Key of B
- Key of B
- Piano Essentials Key of F Sharp
- Key of F Sharp
- Piano Essentials Key of D Flat
- Key of D Flat
- Piano Essentials Key of A Flat
- Key of A Flat
- Piano Essentials Key of E Flat
- Key of E Flat
- Piano Essentials Key of B Flat
- Key of B Flat
- Piano Essentials Key of F
- Key of F
- "Somos Novios"
- Introduction
- Transposition pt 2
- Improvisation
- Montuno – easy
- Montuno – advanced pt 1
- Discovery pt 1
- Discovery pt 2
- Chord breakdown 1
- Chord breakdown 2
- Transposition pt 1
- Montuno – advanced pt 2
- "Light My Fire" - The Doors (Vol. 1)
- Song Introduction
- Verse Chorus
- Solo Section 1
- Solo Section 2
- Solo Section 3
- Solo Section 4
- Solo Section 5
- "Light My Fire" - The Doors (Vol. 2)
- Solo Section 6
- Solo Section 7
- Solo Section 8
- Solo Section 9
- Bringing in the Left Hand
- Improvisation Tips
- "Riders On The Storm" - The Doors
- Introduction
- Dorian and bassline
- Falling RH pattern
- The Verse
- Form and Advanced options pt 1
- Form and Advanced options pt 2
- Lick A
- Lick B
- Lick C
- Lick D
- Grouping of 3
- "Break On Through To The Other Side" - The Doors
- Introduction
- The Bassline
- The Verse
- The Solo
- The Solo – part 2
- The Solo – part 3
- Shaping Your Solo
- Playbook Days 1-10
- "My Romance"
- "Besame Mucho"
- Introduction
- Part 5
- Part 6
- Part 7
- Improv ideas part 1
- Part 1
- Part 2
- Part 3
- Part 4
- Part 4 section 2
- Improv ideas part 2
- "Manha De Carnaval"
- Introduction
- Analysis pt1
- Analysis pt2
- Analysis pt3
- Improv part 1
- Bring in the chord
- Chordal improv
- Mini sequences
- Using Motifs
- Harmonizing a line
- Using a montuno pattern
- Going outside of the harmony
- Advanced topics pt 1
- Advanced topics pt 2
- Blues, Basslines, Re-harm, Chords and Comping - Vol. 1
- Introduction
- Bassline pt 1
- Rootless voicings
- Comping
- Comping pt 2 & Practice
- Bassline pt 2
- Blues, Basslines, Re-harm, Chords and Comping - Vol. 2
- Introduction
- Bassline and fingering
- Variation #2
- Comping tips
- Variation #3
- Variation #4 pt1
- Variation #4 pt2
- Mastering Rhythms - The Basics
- Introduction
- Quarter Notes
- Half Notes
- Eighth Notes
- Mixed Rhythms
- Swung Eighth Notes
- Applying Rhythms to Chords
- Time Signature and Meter
- Mastering Rhythms - Vol. 2
- Introduction
- Syncopated #1
- Syncopated #2
- 3/4 rhythms
- 6/8 rhythms
- Two-handed rhythms #1
- Two-handed rhythms #2
- Comping chords (rhythmic ideas)
- Apply rhythm to improvisation scales
- Rhythms and different styles of music
- Mastering Rhythms - Vol. 1
- Introduction
- Review & Quarter Notes
- Half & Whole notes
- Downbeat Upbeat Syncopation
- Eighth notes on downbeat
- Eighth notes on the upbeat
- Eighth notes tied into notes
- Triplets
- Subdividing the beat
- Introduction to My Romance
- Step 1 preparation
- Step 1 (roots & melody)
- Step 2 preparation
- Step 2 (R7 shells)
- Step 3 preparation (Game changer)
- Step 3 (R7 3rd and melody)
- Step 4 preparation
- Step 4 (adding tensions)
- Step 5 (reharms & tensions)
- Step 6 more ideas to try…
- Interpreting a melody
- Chord Essentials - Key of C
- Introduction to Chord Essentials
- Exercise 1
- Exercise 2
- Exercise 3
- Exercise 4
- Exercise 5
- Exercise 6
- Exercise 7
- Exercise 8
- Exercise 9
- Exercise 10
- Only A Paper Moon - The Basics
- Chord Shells Overview
- Lower Interval Limits
- When to switch between shells
- Reducing Chord Symbols
- Harmonic Rhythm of Chords
- Simple Arrangement
- When hands get in the way
- What to practice
- Only A Paper Moon - Stride
- Oom-pahs Phase 1
- Oom-pahs Phase 2
- Oom-pahs Phase 3
- Student Homework
- Practice with metronome on 2+4
- Only A Paper Moon - Full Arrangement
- Special Tips For Beginners
- Complete arrangement
- Complete arrangement (measure 5)
- Complete arrangement (2nd ending)
- The coda and a cool ending
- What to practice this week
- Summertime - Comping & Switching Styles
- The Melody
- Comping pt 1
- Comping pt 2
- Comping pt 3
- Fixing chord charts pt 1
- Fixing chord charts pt 2
- Fixing chord charts pt 3
- Latin version pt 1
- Latin version pt 2
- Latin version pt 3
- Ben's Blues Part 1
- Introduction to Jazz Piano
- Bassline
- Bassline pt 2
- Bassline pt 3
- Bassline pt 4
- Bassline pt 5
- Bassline pt 6
- Ben's Blues Part 2
- About Virtual Keyboard
- Melody
- Melody pt 2
- Melody pt 3
- Melody pt 4
- First Ending
- Bassline with Melody
- Ben's Blues - Melody With Bassline
- Ben's Blues Part 3
- Rootless Chord Voicings
- Building Chords
- Chord Tensions
- A Voicing B Voicing
- Ben’s Blues Chord Voicings
- Syncopation and Comping
- Bassline & Chords m 1-6
- Bassline & Chords m 7-12
- Gaining Freedom with Comping
- Chunking Practice
- Phrase Flow
- Why You Should Sound Bad
- Ben's Blues Part 4
- Play-along Tracks
- Pentatonic Scale
- Blues Scale
- Grace Notes
- Vocalize Rhythms
- Creating Licks
- Scale Blocks
- Minor Pentatonic Licks
- Blues Scale Licks
- 12-Bar Blues Copy/Paste
- Head-Solo-Head
- Playing/Resting
- Conclusion
- Chord Essentials - Key of G
- Exercise 1
- Exercise 2
- Exercise 3
- Exercise 4
- Exercise 5
- Exercise 6
- Exercise 7
- Exercise 8
- Exercise 9
- Exercise 10
- Chord Essentials - Key of D
- Exercise 1
- Exercise 2
- Exercise 3
- Exercise 4
- Exercise 5
- Exercise 6
- Exercise 7
- Exercise 8
- Exercise 9
- Exercise 10
- Chord Essentials - Key of F
- Exercise 1
- Exercise 2
- Exercise 3
- Exercise 4
- Exercise 5
- Exercise 6
- Exercise 7
- Exercise 8
- Exercise 9
- Exercise 10
- Chord Essentials - Key of B Flat
- Exercise 1
- Exercise 2
- Exercise 3
- Exercise 4
- Exercise 5
- Exercise 6
- Exercise 7
- Exercise 8
- Exercise 9
- Exercise 10
- Chord Essentials - Key of A
- Exercise 1
- Exercise 2
- Exercise 3
- Exercise 4
- Exercise 5
- Exercise 6
- Exercise 7
- Exercise 8
- Exercise 9
- Exercise 10
- Chord Essentials - Key of E
- Exercise 1
- Exercise 2
- Exercise 3
- Exercise 4
- Exercise 5
- Exercise 6
- Exercise 7
- Exercise 8
- Exercise 9
- Exercise 10
- Chord Essentials - Key of A Flat
- Exercise 1
- Exercise 2
- Exercise 3
- Exercise 4
- Exercise 5
- Exercise 6
- Exercise 7
- Exercise 8
- Exercise 9
- Exercise 10
- Chord Essentials - Key of Eb
- Chord Essentials - Key of B
- Chord Essentials - Key of D Flat
- Exercise 1
- Exercise 2
- Exercise 3
- Exercise 4
- Exercise 5
- Exercise 6
- Exercise 7
- Exercise 8
- Exercise 9
- Exercise 10
- Chord Essentials - Key of F Sharp
- Exercise 1
- Exercise 2
- Exercise 3
- Exercise 4
- Exercise 5
- Exercise 6
- Exercise 7
- Exercise 8
- Exercise 9
- Exercise 10
- Style of James Booker
- Introduction
- Junco Partner Groove
- Runs With Flair
- Alternate End
- The Booker Groove
- Making Your Own Booker Groove
- Classified Groove
- Goodnight Irene
- Style of Gene Harris
- Introduction
- 1 to 4 chord lick
- 10ths – 2-5 lick
- 6ths lick
- Tremolo lick
- Gospel 6-5 resolution
- Style of Otis Spann
- Introduction to Otis Spann style
- Otis Spann basslines
- Otis Spann lick #1
- Big Blues chords
- Otis Spann lick #2
- Lick #3
- Lick #4
- Lick #5
- Lick #6
- Lick #7
- Lick #8
- Lick #9
- “Song” using licks
- Style of Johnny Rivers
- Introduction
- Fill/Break #1
- Fill/Break #2
- Fill/Break #3
- Fill/Break #4
- Combinations
- Simple Groove
- Simple Groove pt 2
- Advanced Groove
- Advanced Groove pt 2
- The Solo
- The Solo pt 2
- Style of Dr. John
- Introduction to New Orleans Piano
- New Orleans bass line
- Beginning New Orleans piano lick
- Easy turnaround – Blues
- Resolution notes – suspensions – tendency tones
- Dr. John – Lick #1
- Dr. John – Lick #2
- Dr. John – Lick #3
- Dr. John – Lick #4
- Dr. John – Lick #5
- Dr. John – Lick #6
- New Orleans piano – lick combinations
- Style of Jerry Lee Lewis
- Introduction
- Song introdution
- Arrangement Left Hand
- Adding the Right Hand
- B Section
- B Section pt 2
- Glissando pt 1
- Glissando pt 2
- Glissando in the Song
- Other Licks pt 1
- Other Licks pt 2
- Jerry Lee Technique pt 1
- Jerry Lee Technique pt 2
- Style of Floyd Cramer
- Introduction to Country Piano
- Country basslines pt1
- Country Basslines pt2
- Country Licks pt1
- Country Licks pt2
- My Last Date arrangement
- Arrangement pt1
- Arrangement pt2
- Arrangement pt3
- Arrangement pt4
- Arrangement pt5
- Create your own country song
- Second Ending
- New Age Piano - Vol. 1
- Introduction
- Diatonic harmony review
- Progression pattern
- Simple melody
- Melodic Ex. 1
- Melodic Ex. 2
- The pedal
- Pentatonic Ex.
- Using 6ths
- 16th note triplets
- Progression A
- Interlude
- Progression B
- New Age Piano - Vol. 2
- Introduction.mp4
- Creating a progression.mp4
- Changing the bass.mp4
- Bass exercises.mp4
- Improvisation exercises.mp4
- New Age Piano - Vol. 3
- Introduction
- Root-5th-9th-3rd/10th pattern
- Descending Bass Pattern
- Pentatonic Scale Pattern
- Chord Arpeggio Pattern
- Whole Tone/Lydian Pattern
- New Age Piano - Vol. 4
- Introduction
- M 1
- M 5
- M 9
- M 13
- M 16
- M 20
- M 26
- Intervals & Chord Tensions
- Chapter 1
- Chapter 2
- Chapter 3
- How To Pick Out Songs By Ear
- Introduction
- Get the bass motion (Sinatra)
- How to find the right chord (Sinatra) Pt 1
- How to find the right chord (Sinatra) Pt 2
- Figuring out top 40 songs (Daft Punk)
- Diatonic with a twist (Green Day)
- Groove based songs (Meters)
- Where to go from here
- Ear Training - Solfege
- Ear Training & Solfege
- Putting Chords to a Simple Melody
- HWWe7 – Putting Chords to a Simple Melody
- 7 Ways To Practice Away From The Piano
- 7 Ways To Practice Away From the Piano
- Step 1 - Shells Arrangement of "Someone To Watch Over Me"
- Introduction
- Melody and Fingering
- Chord Shells
- Filling Out The Arrangement
- Step 2 - Reharmonization
- Reharm Pt 1
- Reharm Pt 2
- Measure 10
- Step 3 - Intros, Endings and Accompaniment
- Song Introduction
- Song Ending
- Ear Training
- Accompanying
- Too High or Too Low
- Preview of Step 4
- Step 4 - Scales For Improvisation
- Improvisation
- Scales for Improv 1
- Scales for Improv 2
- 2nd Ending
- What to Practice
- Step 5 - Building a Solo Over Standards
- Important to remember
- Scale cell exercise pt. 1
- Scale cell exercise pt. 2
- Targeting the 3rd
- Targeting the 5th
- Add rhythm to your line
- Blue Jay
- Blue Jay
- Homework
- Zoeie's Bop
- Zoeie's Bop
- Zoeie's Bop Homework
- Do'h Blues
- Do'h Blues
- Do'h Blues Improvisation
- Improvisation
- Chicken Pox Blues
- Chicken Pox Blues
- Chicken Pox Blues Improvisation
- Chicken Pox Blues Improvisation
- Lesson 1 - Major Scale Harmony & Modes
- Major Scale Harmony & Modes
- Lesson 2 - Triads, 7th Chords, Shells, Tensions & 2-Handed Chords
- Triads, 7th Chords, Shells, Tensions & 2-Handed Chords
- Lesson 3 - Diatonic 7th Chords and Improvising Over the ii-V-I Progression
- Diatonic 7th Chords and Improvising Over the ii-V-I Progression
- Dominant Motion
- Dominant Motion
- Related ii Chords
- Related ii Chords
- Create an Arrangement of "Foggy Day"
- Create an Arrangement
- There Is No Greater Love
- There Is No Greater Love
- Review - "My Ship"
- My Ship
- Upper Structure Triads
- "My Ship" - UST's
- Homework Review #1
- Review #1
- Killer Voicings - "My Ship"
- Killer Voicings
- Homework Review #2
- Review #2
- Summertime - Bassline, Comping and Improvisation
- Creating a bassline pt 1
- Creating a bassline pt 2
- Creating a bassline pt 3
- Rootless, Tritones & Comping pt 1
- Rootless, Tritones & Comping pt 2
- Rootless, Tritones & Comping pt 3
- Improvisation tips pt 1
- Improvisation tips pt 2
- Improvisation tips pt 3
- Creating Cocktail Piano Arrangements
- Brainstorm pt 1
- Brainstorm pt 2
- Arranging-Pedal Tone
- Arranging-1-6-2-5 Stalling
- Arranging-1-b3-b6-b2
- Arranging-Bluesy Groove
- Arranging-Blues Groove pt 2
- Arranging-Hip Groove
- Advanced Reharm pt 1
- Advanced Reharm pt 2
- In The Wee Small Hours of The Morning
- Vocalizing drum grooves
- Wee Small Hours - contemporary pt 1
- Wee Small Hours - contemporary pt 2
- Wee Small Hours - contemporary pt 3
- Wee Small Hours - contemporary pt 4
- Wee Small Hours - contemporary pt 5
- Improv Essentials Introduction
- What is Improvisation?
- What is Improvisation?
- Cycle 4 Motion
- Cycle 4 motion
- Cycle 4 Motion with Improvisation Pattern
- Cycle 4 Motion with Pattern
- ii-V-I Progression and Voicings
- ii-V-I Progression Voicings in all 12 keys
- ii-V-I Progression with Arpeggios
- ii-V-I Progression with Arpeggios
- ii-V-I-V7 of ii Progression with Enclosures
- ii-V-I-V7 of II Progression with Enclosures
- Chord Approaches / Enclosures & Guide Tones
- Chord Approaches, Enclosures & Guide Tones
- Rhythm and Articulation
- Rhythm and Articulation
- Autumn Leaves Part 1 (Major Scale)
- Autumn Leaves Part 1 (Major Scale)
- Autumn Leaves Part 2 (Enclosures & Chord Tones)
- Enclosures & Chord Tones
- Slow Blues Style Improvisation
- Slow Blues Style
- Funk Double-Stops & Bassline
- Funk Double-Stops & Bassline
- Blues Double-Stops & Bassline
- Blues Double-Stops & Bassline
- Rock/Pop Pentatonics
- Rock/Pop Pentatonics
- Creating Improvisation Lines
- Creating Improvisation Lines
- Minor Scales, How And When To Use Them
- Minor Scales, How And When To Use Them
- Piano Essentials Practice Tips
- Piano Essentials Practice Tips
- Putting chords to a lead sheet melody
- Create from a leadsheet
- Shells, Tensions and Left-hand Movement
- Shells, Tensions and Left-hand Movement
- Homework (closed to new entries)
- Bassline Creation
- How to create a bassline
- Homework (closed to new entries)
- Advanced Blues Progressions
- Advanced Blues Progressions
- Homework (closed to new entries)
- Blues Improvisation Over Bassline
- Blues Improvisation Over Bassline
- Homework (closed to new entries)
- Advanced Quartal Chords and Comping
- Quartal Chords and Comping
- Homework (closed to new entries)
- Inner Voice Movement
- Inner Voice Chord Motion
- Homework (closed to new entries)
- Working With a Group
- Working With a Group
- 1-2-3-5 Patterns (Will You Still Love Me Rock Improv)
- 1-2-3-5 Patterns
- Ten ii-V-I Patterns (Part 1)
- 2-5-1 licks part 1
- Ten ii-V-I Patterns (Part 2)
- 2-5-1 licks part 2
- Day 1
- 7 Days of Improvisation – Day 1
- Day 2
- 7 Days of Improvisation – Day 2
- Day 3
- 7 Days of Improvisation – Day 3
- Day 4
- 7 Days of Improvisation – Day 4
- Day 5
- 7 Days of Improvisation – Day 5
- Day 6
- 7 Days of Improvisation – Day 6
- Day 7
- 7 Days of Improvisation – Day 7
- Otis Spann Licks and Runs
- Introduction to Otis Spann Licks
- Left Hand Options
- Lick 1
- Lick 2 Back-End
- Lick 2 Front-End
- Create Otis Spann Style Licks
- Introduction
- Exercise Pattern 1
- Exercise Pattern 2
- Pattern 2 Lick
- Pattern 2 Lick Extension
- Exercise Pattern 3
- Pattern 3 Lick
- Gene Harris Blues Gospel Licks - Vol. 1
- Introduction
- Gene Harris Intro Groove
- Gene Harris Fill #1
- Gene Harris Fill #2
- Gene Harris Fill #3
- Gene Harris Fill #4
- Gene Harris Fill #5
- Gene Harris Blues Gospel Licks - Vol. 2
- The progression
- Introduction
- Analysis-dominant motion
- Using dynamics
- Lick #1
- Lick #2
- Lick #3
- Lick #4
- Next steps
- How To Create Blues Piano Licks
- How To Create Licks
- ABC's of the Blues - Vol. 1
- Introduction to the Blues ABC's
- Blues Accompaniments pt. 1
- Blues Accompaniments pt. 2
- Turns and Chromatics pt. 1
- Turns and Chromatics pt. 2
- Double-stop riffs
- What to practice
- ABC's of the Blues - Vol. 2
- Introduction
- Shuffle song
- Swing song
- Rock song
- Stride song
- Shuffle-Rock intro
- Swing intro
- Stride intro
- Common ending
- Beginning Jazz & Blues Improv 1
- Improvisation Basics 1
- Rhythm in Improvisation
- Fingering and dynamics
- Improvisation Exercise
- Relaxing and Phrasing
- Easy Improvisation Steps
- Beginning Jazz & Blues Improv 2
- New Bassline
- Improvisation
- Creating Lines
- Play And Rest
- Beginning Jazz & Blues Improv 3
- Song pt 1
- Song pt 2
- Song pt 3
- What to practice
- Pain, Tension and Technique
- Introduction
- Pain, soreness and tension
- Centering yourself
- Grab technique
- Dropping the wrists
- Stretches
- Alexander Technique
- Weight training, Yoga, etc.
- Practicing the piano
- Introduction
- Goal Setting
- Practicing Technique
- C major scale HT 2 octaves
- Practical Technique
- Creating Exercises pt 1
- Creating Exercises pt 2
- Effective Practice – Scale ideas
- Effective Practice – Staying Active
- Effective Practice – How long to practice
- Faster Fingers - Vol. 1
- Introduction
- Push Vs. Grab Technique
- 5 finger Major Scale
- 5 finger Minor Scale
- Contrary Major/Minor
- Two Hand Fluidity
- Chromatic Mixture
- Major/minor Triads
- Triad/Scale Mixture
- Chromatic Exercises
- Two Hand Scales
- Speed Up The Cross
- Faster Fingers - Vol. 2A - Arpeggios
- Introduction
- Arpeggio Technique pt 1
- Arpeggio Technique pt 2
- Key of C
- Key of Db
- Key of D
- Key of Eb
- Key of E
- Key of F
- Key of Gb
- Faster Fingers - Vol. 2B - Arpeggios
- Key of G
- Key of Ab
- Key of A
- Key of Bb
- Key of B
- Summary & Plan
- Jazz and BeBop Exercises
- Introduction
- Broken 3rds
- Free Play
- Scale Neighbors
- Scale Neighbor Examples
- Bebop scales
- Half-whole diminished
- Metronome on 2 and 4
- Diminished arepeggios
- Jazz Improvisation with Approaches
- Introduction
- Approaches pt 1
- Approaches pt 2
- Approaches practice
- Advanced approaches pt 1
- Advanced approaches pt 2
- Melodic shells pt 1
- Melodic shells pt 2
- ii-V-I scale secrets
- Voicing options
- Creating Improvisation Lines
- Introduction
- Four-note cells
- Elongation patterns
- Arpeggios & Scales filler
- Line using filler material
- Patterns over different chords
- Dominant 7th lick
- 2-5-1-6-pattern
- Chromatic approachs 6th chord
- More licks
- Beginning Jazz & Blues Improv 4
- Minor progression with shells
- Two-hand chords
- IV Chord progression
- Making an arrangement
- Beginning Jazz & Blues Improv 5
- Rhythm
- Lead sheet
- 7th chords
- Shells
- Bassline
- Beginning Jazz & Blues Improv 6
- Blues Bassline
- Right hand chords
- Hands together
- Some tricks
- What to practice
- Beginning Jazz & Blues Improv 7
- Lick #1
- Lick 1b (m5)
- Lick #2
- Lick #3
- Beginning Jazz & Blues Improv 8
- Melody
- Add chords
- Blues bass
- Intro and ending
- Wrap up
- Int/Adv Jazz & Blues Improv 1
- Improvisation Basics
- Rhythm in Improvisation
- Fingering and dynamics
- Improvisation Exercise
- Relaxing and Phrasing
- Creating Lines
- Clave and Montunos
- Introduction to Latin Piano
- Introduction to the Clave
- Playing the Clave
- The Pulse
- Clave with the Pulse
- Typical Montuno Rhythm
- Montuno Rhythm over C chord
- Montuno in Harmony
- Montuno with the Pulse
- Adding the Tumbao
- Tumbao with the Montuno
- C6 Montuno with Tumbao
- C6 Montuno in Inversion
- Montuno in Octaves
- C-F-G progression
- C-F6-G progression
- C-F6-G progression (3-2 Clave)
- 3-2 Clave alternate start
- 3-2 Clave alternate montuno
- C-F6-G progression in Octaves
- C-F-G montuno in OCTAVES Alternate
- C-F-G montuno in OCTAVES Alternate 2
- C-F-G montuno Alternate 2 in triads
- Outer-Inner Triads/Octaves
- Alternate Montuno with Arpeggio
- Montuno with Arpeggio in Octaves
- Montuno with Arpeggio in Octaves 2
- Montunos and Progressions
- Introduction
- 3-2 clave I chord
- 3-2 clave V7 chord
- Combining I and V7 chords (3-2)
- 6 to 5 resolution on Major
- 4 to 3 resolution on Dominant
- 7 to 1 resolution on Dominant
- I-V7 progression #1
- I-V7 progression #2
- Changing Clave Direction
- Basic minor chord montuno
- Minor montuno in octaves #1
- Minor montuno in octaves #2
- ii-V7 montuno (2-3)
- ii-V7 montuno (3-2)
- ii-V7 montuno descending ex. 1
- ii-V7 montuno descending ex. 2
- ii-V7 montuno descending (3-2)
- ii-V7 Alternate montuno
- Conclusion
- Quick Latin Grooves
- Introduction
- Groove #1: ii-V
- Groove #2: minor
- Groove #3: sus4
- Groove #4: harmony
- Groove #5: minor line
- Groove #6: I7 to IV7
- Groove #7: bluesy latin
- Groove #1: tricks
- Groove #2: tricks
- Merengue Piano
- Introduction to Merengue Piano
- Basic V-I Pattern
- Basic V-I Pattern w/ bassline
- V-I Alteration
- Chordal Pattern
- Pattern #2
- Pattern #2 chordal
- Octave Exercise
- Octave Pattern #1
- Octave Pattern #2
- Triadic Pattern w/ new rhythm
- Triadic harmony
- Traditional Merengue Pattern
- Intros and Endings - Vol. 1
- Introduction
- Ballad Intro pt 1
- Ballad Intro pt 2
- Ballad Intro pt 3
- Swing Pedal Tone
- Short & Bluesy
- Slow minor intro
- The Last 8
- Cool Latin intro
- Intros and Endings - Vol. 2
- Introduction
- Down from the #IV pt 1
- Down from the #IV pt 2
- Fast blues ending pt 1
- Fast blues ending pt2
- Rock ballad ending
- Rock Ballad pt 2 (Gospel flavor)
- From the flat 7 pt 1
- From the flat 7 pt 2
- Descending blues scale
- Blues double stops edning
- Blues chordal ending
- Jazz Song Introductions
- Jazz Song Introductions
- Piano Lesson Variety
- #1 [Triads]
- #2 [Posture]
- #3 [Seventh chords]
- #4 [Triad inversions]
- #5 [Slash chords]
- #6 [Chord shells]
- #7 [Using Chord Shells]
- #8 [Shells and Melody]
- #9 [Tensions]
- #10 [Guide Tones]
- #11 [Rootless Chords]
- #12 [2-5-1 with Rootless Chords]
- #13 [Turnarounds & Endings]
- #14 [Blues Progressions]
- #15 [Approaches]
- #16 [Bass Lines]
- #17 [Major & Natural Minor & Modes]
- #18 [Scales for Improvisation]
- #19 [Playing Different Styles]
- #20 [Wrap Up and More Stuff!]
- #21 [Basic Harmonization]
- #22 [4th Quartal Voicings]
- #23 [Four Funky Grooves]
- #24 [Altered and Lydian b7]
- #25 [Easy 2-5-1]
- Piano Chords - Vol. 1
- Intervals
- Major 7th Chords
- Types Of Playing
- Minor 7th Chords
- Dominant 7th Chords
- Sus Chords
- Magic Chords part 1
- Magic Chords part 2
- Real World Examples
- Wonder Chord
- Piano Chords - Vol. 2
- Upper Structure Triads
- 2-5-1 & Upper Structure Triads
- Tri-Tone Substitutions
- Other Chords
- Chord Gems
- Real World Examples
- Comping
- Improvise in 30
- Improv Introduction
- Improv – Sounding Bad!
- Improv – What is a lick?
- Improv – Lick Tonality
- Improvisation pg 4 licks
- Moving licks around
- Improv – Play/Rest
- Improv in 30!
- Improvisation pg 8 licks
- Improvisation pg 12 licks
- Improv – Exercises
- Improv – Triads
- Improvisation pg 16 licks
- Improvisation pg 20 licks
- Improvisation pg 24 licks
- A few tips & conclusion
- Blues n' Boogie - Vol. 1
- Scorch Plug In
- Introduction
- The Blues Form
- The Blues Form pt 1
- The Blues Form pt 2
- The Blues Form pt 3
- Scales Used For Improv
- Triads Sevenths and Inversions
- Suspensions and Slash Chords
- Sliding Crushing & Rolling Notes
- Neighbor Chords
- Adding The Left Hand
- Grooves
- Groove With Licks
- Where To Go From Here
- Blues n' Boogie - Vol. 2
- Scorch Plug In
- Scales
- Rhythm
- Basic Shuffle Groove
- Common Shuffle Groove
- Seven Shuffle Grooves pt. 1
- Seven Shuffle Grooves pt. 2
- Boogie Bass
- Jimmy Yancey Groove
- Blues n' Boogie - Vol. 3
- Scorch Plug In
- New Orleans Style
- Boogie In Octaves
- Turnarounds
- Endings
- Extra Grooves
- Five Licks
- Putting It Together
- Jazz and Blues Made Easy
- 12 Bar blues progression
- Rhythm
- Chord Voicings
- Blues Bassline
- Bassline Approaches
- Comping Chords
- Improvising Over The Blues
- Creating Licks
- Coupling Exercises
- Licks HT With Bassline
- Creating Your Own Composition
- Fills Runs Endings
- Putting It All Together
- Jazz Piano Improvisation - Vol. 1
- Introduction
- What is Improvisation?
- Elements of improvisation
- Choose the right element for the moment
- The Major scale and Major chords
- Swing rhythm and the Major scale
- Getting creative with the Major scale
- In points and target notes
- Adding space to your solo
- Comping chords
- Chord tones & available tensions
- Strong beats and weak beats
- Common Triplet Pattern
- Expanding Your Chords
- Tips & Wrap up
- Jazz Piano Improvisation - Vol. 2
- Introduction
- Chord tensions chart
- Creating scales from tones and tensions
- Scale blocks and four-note patterns
- Chord tones and four-note patterns
- Take-off and landing notes
- Tension and release in the line
- Approaches into target notes
- Simplifying chord voicings
- Form / Rhythm / Notes
- Rhythmic segmenting
- Arpeggiating the chord
- Arpeggiating chord tones (2 examples)
- Adding the 9th to improv
- Adding the 11th to improv
- Blue Bossa Ex. 1
- Blue Bossa Ex. 2
- Blue Bossa Ex. 3
- Blue Bossa Ex. 4
- Bonus Concepts (advanced)
- Jazz Piano Improvisation - Vol. 3
- Introduction
- Bebop Scales
- How to swing the scales
- Bebop scales in different keys
- The descending bebop scale V-I and ii-V-I
- Descending 1/2-whole diminished
- Diminished chord built on the b9
- Diminished arpeggios with 4-note blocks
- Sequencing diminished arpeggios
- Leaping fourth in Major
- Leaping third in minor
- 4-note approaches (delayed resolution)
- Common bebop line
- Common bebop line (ii-V-I)
- Two-measure ii-V-I ex. 1
- Two-measure ii-V-I ex. 2
- Two-measure ii-V-I ex. 3
- (3) one-measure ii-V-I examples
- Tips & Wrap up
- Jazz Piano Improvisation - Vol. 4
- Scales and Modes Intro
- Modes of the Major scale
- Modes with block chords
- Mode usage
- Ionian Mode
- Dorian mode
- Phyrgian
- Lydian mode
- Mixolydian
- Aeolian mode (Blue Bossa)
- Locrian mode
- Using modes…Here is That Rainy Day
- Commonality between modes
- Here is That Raining Day…Improv
- Creating chord scales
- Advanced Jazz and Blues - Vol. 1
- Adv. Jazz & Blues 1 Introduction
- F blues progression 1
- F blues progression 1 – playalong
- F blues progression 2
- F blues progression 2 – playalong
- F blues progression 3
- F blues progression 3 – playalong
- F blues progression 4
- F blues progression 4 – playalong
- A/B forms of rootless chords
- The song – Swingin Blues (F Blues)
- Approaches into Guide Tones
- Advanced Scales for Improvisation
- Advanced Scales for Improvisation pt. 2
- Advanced Comping Techniques
- Creating a Bassline (F Blues)
- Piano Chords - Vol. 3
- Introduction
- Major Seventh Chords Form A
- Major Seventh Chords Form B
- Minor Seventh Chords
- Dominant Seventh Chords
- All A+B Forms pt 1
- All A+B Forms pt 2
- A&B forms correction (quartals) pt 1
- ii-V-I Rootless chords pt 1
- A&B forms correction (quartals) pt 2
- ii-V-I Rootless chords pt 2
- ii-V-I in 6 keys
- ii-V-I-vi Progression
- ii-V-I-vi in 6 Keys
- Altered ii-V-I
- Song Examples pt 1
- Song Examples pt 2
- More Adventures in Jazz *Bonus*
- "Over The Rainbow"
- Over The Rainbow – Chapter 1a
- Over The Rainbow – Chapter 1b
- Over The Rainbow – Chapter 1c
- Over The Rainbow – Chapter 1d
- Over The Rainbow – Chapter 1e
- Over The Rainbow – Chapter 2
- Over The Rainbow – Chapter 3b
- Over The Rainbow – Chapter 3a
- Over The Rainbow – Chapter 4a
- Over The Rainbow – Chapter 4b
- Over The Rainbow – Chapter 4c
- Over The Rainbow – Chapter 5a – Improv pt 1
- Over The Rainbow – Chapter 5b
- Basics of Improvisation
- Introduction
- Rhythm
- Songs we are covering
- Style
- Chords And Their Inversions
- Comping Chords
- Improvising Using the RH pt1
- Improvising Using the RH pt2
- What To Do In The Left Hand?
- Left Hand Rhythms
- Pseudo Bass Line
- Putting Hands Together
- Beyond Chord Tones pt1
- Beyond Chord Tones pt2
- Approaches
- Licks With Approaches
- Lick Exercises
- 1-6-2-5 Exercises
- Jam With The Band
- Play-a-long 1
- Play-a-long 2
- Accompanying a Vocalist/Instrument
- DVD601 Introduction
- Singers And Their Books
- Intros And Endings
- Cueing
- Tag Ending
- Bullet Points
- Duke Ending
- I-vi-ii-V turnaround
- I-vi-ii-V turnaround bassline
- Comping & Voicings
- The Melody
- Phrasing
- Chord Review
- Review
- 1st Time
- 2nd Time
- 3rd Time
- 4th Time
- Vocal Cues
- No Band
- Time Shift
- Mixing Concepts
- Merging Personalities
- Soloing Concepts
- Playalong 1
- Playalong 2
- Playalong 3
- About Tish
- Blues Basics
- Intro – What is the Blues?
- Understanding I-IV and V
- Basic Blues chords
- A basic blues progression
- Blues rhythm
- Types of chordal accompaniments
- Transposing to new keys
- The Blues scale
- Rhythmic cells
- Breaking down scales into chunks
- Combine chunks and rhythmic cells
- Putting the hands together
- Modulation Techniques
- Modulations introduction
- What is a modulation?
- Key centers vs. modulation
- Dominant motion for modulation
- Diminished to dominant sequences
- Diminished to dominant C to Bb
- Diminished to dominant to relative min.
- Dominant chord modulation
- Pivot chord modulation – introduction
- Common keys and finding pivot chords
- Amazing Grace – F to C
- Amazing Grace – F to Bb
- Borrowed minor key chords
- Amazing Grace – F to Ab (borrowed)
- Amazing Grace – F to Db (sus4)
- Amazing Grace – F to Eb
- Diminished to ii-V sequence
- Amazing Grace – F to Ab (create pivot)
- Amazing Grace – F to Ab (diminished)
- Scales, Fills and Runs
- Introduction
- Dominant 7th scales
- Major pentatonics over Dom 7 (inside)
- Major pentatonics over Dom 7 (outside)
- minor Pentatonics over Dom 7
- minor Pentatonics over minor 7
- One-measure fill rhythms
- One-measure fill ex. 1
- One-measure fill ex. 2
- My favorite fills #1
- My favorite fills #2
- Flat 9 run
- Quartal run
- Pentatonic run
- Funk Bass Grooves
- Introduction
- Bassline with Chords
- Lick #1
- Lick #2
- Lick #3 (going outside)
- Lick #4 (groove lick)
- Lick #5 (32nd notes)
- The Chicken Pick
- Outside Chord
- Bass line quarter-note triplets
- Bassline Line Alterations
- Free Improv
- Composing A Groove
- Part 1 – creating a groove
- Part 2 – bassline w/ chord
- Part 3 – triad passing chords
- Part 4 – triad passing chords 2
- Part 5 – sus passing chord
- Part 6 – create the bridge
- Part 7 – putting it together
- Part 8 – Improv 1
- Part 9 – Improv 2
- Part 10 – Improv 3
- Groove Extension And Improvisation
- Introduction
- Lower Dominant Neighbors
- Upper Dominant Neighbors
- Major and minor
- Stevie Wonder – Superstitious
- Chordal Scale
- Chordal Groove
- Slash chords
- Advanced Slash Chords
- Advanced Slash Chord Improv
- Bebop scale
- Funk Master Class 1
- Introduction
- Pockets of Space
- The One Drop
- One Drop part 2
- Line after bass one drop
- minor 6 (-7) funk chord
- Locking in a groove
- Working through substitutions
- Funk chord voicings
- Reharming the progression
- Single-note grooves
- Entry points
- Funk Master Class 2
- Section 2 Part 1
- Section 2 Part 2
- Section 2 Part 3
- Section 2 Part 4
- Section 2 Part 5
- Section 2 Part 6
- Jam Track
- Funk Improvisation - Vol. 1
- Funk Improv Intro
- Chord voicings (dom 7 and min 7)
- Adding inner motion to the chords
- How to comp chords
- How to comp chords (extra)
- Scales for improv – minor pentatonic
- The Blues Scale
- The Altered Scale
- Learning your neighbor scales
- Creating phrases elements of a phrase
- Conditioning Rhythms – part 1
- Conditioning Rhythms – part 2
- Conditioning Rhythms – part 3
- Improv part 2 sneek peek
- Funk Improvisation - Vol. 2
- Introduction
- Lick #1
- Lick #2 – sixteenth notes
- Lick #3 – altered scale
- Lick #4 and #5
- Lick #6 – sixteenth note triplets
- Lick #7 and #8 – sixteenth note groupings
- Lick #9 – 32nd notes
- Lick #10
- Summary
- Funk Improvisation - Vol. 3
- Introduction
- 4-note patterns
- Sequencing patterns
- Creating longer phrases
- Starting on different beats
- Double stops
- Using thirds
- Adding space to the solo
- Interaction between hands
- Interaction between hands part 2
- Extract clusters from the scale
- Extract quartals from the scale
- 3-note patterns
- Quartal and cluster lines
- Funk Improvisation - Vol. 4
- Introduction
- Using the MIDI files
- One chord vs. multi-chord grooves
- Scales and key centers pt 1
- Scales and key centers pt 2
- Using voicings to lead a solo pt 1
- Using voicings to lead a solo pt 2
- Inside/outside quartals pt 1
- Inside/outside quartals pt 2
- Using quartals in improv pt 1
- Using quartals in improv pt 2
- Using quartals in improv pt 3
- Voicings improv pt 1
- Voicings improv pt 2
- Wrap Up
- Quartals Game Plan
- Essential Comping Techniques Part 1
- Introduction
- Ballad style
- Ballad style with fills
- Oom-pah style
- Oom-pah singing
- Bassline and comping
- Summary
- Essential Comping Techniques Part 2
- Bassline comping
- Bassline comping pt 2
- Bassline comping pt 3
- Group chordal comping pt 1
- Group chordal comping pt 2
- Group improv comping
- Walking Bassline And Comping - Vol. 1
- Introduction
- Progression and Usage
- Measure 1
- Measure 7
- Measure 13
- Measure 19
- Measure 23 and Tips
- Walking Bassline And Comping - Vol. 2
- Introduction
- Before Starting
- Starting notes
- Ending notes
- Section 2 A-7
- What to practice
- "Alice in Wonderland" Fakebook Comping - Vol. 1
- Comping Pt 1
- "Alice in Wonderland" Fakebook Comping - Vol. 2
- Introduction
- Comping Part 2
- Play Piano For Hours #1
- Play Piano For Hours #1
- Play Piano For Hours #2
- Play Piano For Hours #2
- Play Piano For Hours #3
- Play Piano For Hours #3
- Play Piano For Hours #4
- Play Piano For Hours #4
- Play Piano For Hours #5
- Play Piano For Hours #5
- Play Piano For Hours #6
- Play Piano For Hours #6
- Play Piano For Hours #7
- Play Piano For Hours #7
- Play Piano For Hours #8
- Play Piano For Hours #8
- Play Piano For Hours #9
- Play Piano For Hours #9
- Play Piano For Hours #9 Student Questions
- Play Piano For Hours #9 Student Questions
- Happy Birthday
- Basic arrangement
- Blues/Rhumba feel
- Arrangement with fills
- Swing bass line
- Jazz re-harmonization arrangement pt 1
- Jazz re-harmonization arrangement pt 2
- "It Had To Be You"
- Step 1
- Step 2
- Step 3
- Step 4
- "On The Sunny Side Of The Street"
- Step 1
- Step 2
- Step 3
- Step 4
- Easy Jazz Piano Lesson
- Introduction
- Song part 1
- Song part 2
- Song part 3
- Song part 4
- Hands together part 1
- Hands together part 2
- Hands together part 3
- Hands together part 4
- Head-Solo-Head
- Comping and Basslines
- Scales
- Solo Patterns 1
- Solo Patterns 2
- Licks
- Putting it together
- Not ready?
- Now together
- Conclusion
- Rhythm Foundations
- 01-Vocalizing/Subdivision
- 02-Rhythmic Vocalization List
- 03-Examples Of Rhythmic Vocalization
- 04-How To Get Better At Rhythm
- Foundations For Beginners – Technique
- Why Technique is Important
- Grab vs Push
- 5 Finger Scales
- How To Get Better
- Reading Music Foundations
- Reading Music
- Reading Music Basics - Vol. 1
- Introduction
- Guideposts
- Ex. 1 – Quarter note guideposts
- Ex. 2 – High and low guideposts
- Ex. 3 – Playing hands together
- Ex. 4 – Double-stops
- Ex. 5 – Flowing between hands
- Ex. 6 – Direction shifts
- Reading Music Basics - Vol. 2
- Ex. 7 – Guidepost Neighbors
- Ex. 8 – A Little Tune
- Ex. 9 – Slurs and Eighths
- Ex. 10 – Watch out!
- Ex. 11 – Repeats and Accidentals
- Ex. 12 – Key signatures and Chords
- Ex. 13 – Pickups and Broken chords
- Ex. 14 – Name this song
- Where to go from here
- Critical Song Analysis
- Progression A
- Progression B
- How to Memorize & Analyze Songs 1
- Memorization & Analysis pt 1
- Memorization & Analysis pt 2
- Memorization & Analysis pt 3
- How to Memorize & Analyze Songs 2
- Introduction
- Breaking down a piece
- Theory vs muscle memory
- Finding new measures
- 5 Elements to practice
- Stealing away time
- Analysis, Memorization and Transposition
- Analysis Introduction
- Diatonic harmony
- Analysis Symbols
- Deceptive Resolution
- Tritone resolution
- Analyze the song (1)
- Analyze the song (2)
- Analyze the song (3)
- Transposing to a new key
- All The Things You Are – analysis
- Memorizing the song
- I Could Write a Book – analysis
- Transpose I Could Write A Book
- Improvisation Scales
- Memorizing Jazz Tunes "It Could Happen To You" - Vol. 1
- Introduction
- Prep Work
- Starting with harmony
- The melody
- Solo piano approach
- Memorizing Jazz Tunes "It Could Happen To You" - Vol. 2
- Review and Fried Bananas
- Harder unfamiliar keys
- Writing a solo
- Transcription-Sonny Stitt solo
- Organ Licks and Chords
- Introduction
- 1-6-2-5 Turnaround
- Gimme Some Lovin
- Smoke on the Water
- Creating Motion Triads
- Funk Tune Groove
- Funk Tune Setting
- Green Onions
- Rock Organ Tour
- Introduction
- Why rock organ?
- Steve Winwood glassy sound
- Goldy McJohn – Steppenwolf
- John Lord (Deep Purple)
- John Evan (Jethro Tull)
- Gregg Rolie (Santana, Journey)
- Wrap Up
- Style of Jimmy Smith for Pianists
- Introduction
- Intro to organ controls
- Jimmy Smith Settings
- Jimmy Jazz comping
- Full organ comping
- Jimmy jazz basslines
- Jimmy jazz blues licks
- Jimmy funky comping
- Outro
- "Hush" - Vol. 1
- Introduction
- Song Intro
- Funk Organ Groove pt 1
- Funk Organ Groove pt 2
- Apply groove to other sounds
- The form pt 1
- The form pt 2
- Organ fills behind vocal
- Creating a part
- Assignment
- "Hush" - Vol. 2
- Introduction
- Transcribing
- Tremolo
- Passing IV groove pt 1
- Passing IV groove pt 2
- Quartals
- Hold Note
- 16th note lines
- Cocktail Piano Basics - Vol. 1
- Introduction
- Intros-Swing
- Intros-Ballad
- Intros-Latin
- Accom-Shells
- Accom-Rootless
- Accom-Rag
- Accom-Ballad
- Accom-Latin
- Accom-Bassline
- Cocktail Piano Basics - Vol. 2
- Introduction
- Soloing-Root-9th-3rd
- Soloing-Chord Tones
- Soloing-neighbor tones
- Soloing-active-left-hand
- Soloing-cells and rootless voicings
- Ending 1
- Ending 2
- Ending-Outside in
- Ending-chromatic
- Cocktail Success
- Week 1
- Week 2
- Week 3
- Week 4
- Week 5-8
- "Night and Day" - Vol. 1
- Introduction
- Line 1 – Option 1
- Line 1 – Option 2
- Line 1 – Option 3
- Line 2 – Option 1
- Line 2 – Option 2
- Line 2 – Option 3
- Line 3 – Option 1
- Line 3 – Option 2
- Line 3 – Option 3
- Line 4 – Option 1
- Line 4 – Option 2
- Line 4 – Option 3
- "Night and Day" - Vol. 2
- Introduction
- Line 5 – opt. 1
- Line 5 – opt. 2
- Line 5 – opt. 3
- Line 6 – opt. 1
- Line 6 – opt. 2
- Line 6 – opt. 3
- Line 7 – opt. 1
- Line 7 – opt. 2
- Line 7 – opt. 3
- Line 8 – opt. 1
- Line 8 – opt. 2
- Line 8 – opt. 3
- Night & Day – Endings
- 2-5-1 Essentials
- Introduction
- Diatonicism and ii-V-I
- Chord tones vs. tensions
- Chord shells
- Creating cool ii chord voicings
- Creating cool V7 chord voicings
- Creating cool I chord voicings
- Voice leading
- Arpeggios, 2-5-1's and Tritones
- Arpeggios, 2-5-1’s and Tritones
- 2-5-1 Major Licks
- Introduction
- Lick 1
- Lick 2
- Lick 3
- Lick 4
- Lick 5
- Lick 6
- Lick 7
- Lick 8
- 2-5-1 Minor Licks
- Introduction
- Lick 1
- Lick 2
- Lick 3
- Lick 4
- Lick 5
- Lick 6
- Lick 7
- Lick 8
- Two-Hand Chord Voicings for Piano Part 1
- Introduction
- II-V-I Theory Origins
- 4 way close position rootless voicings
- II-V-I progression
- II-V-I progression Pt 2
- Two-Hand Chord Voicings for Piano Part 2
- Dominant Chord Extensions
- Autumn Leaves Example
- Two-handed Comping
- Two-handed Comping Pt 2
- Advanced Pentatonics
- Introduction
- Guideposts and blocks
- 4-note patterns
- Left-hand McCoy style
- Pattern A
- Pattern B
- Pattern C
- Pattern D
- Pattern E
- Pattern F and G
- Advanced Pentatonics and Quartals - Vol. 1
- Introduction
- Step 1 – 24 bar Minor Blues
- Step 2 – Minor Chord Quartals
- Step 3 – Constant 16th Notes Exercise Over Minor
- Step 4 – Constant 16th Notes Exercise Over Sus
- Step 5 – Constant 16th Notes Exercise Over Altered
- Step 6 – Quartal 16ths Over Minor
- Step 7 – Quartal 16ths Over Sus
- Step 8 – Quartal 16ths Over Altered
- Advanced Pentatonics and Quartals - Vol. 2
- Step 1-Stepping and Skipping
- Step 2-Missing Scale Tone
- Step 3-Pentatonics and Arpeggios
- Step 4-Pentatonics and Arpeggios
- Quartals and Pentatonic Improvisation
- Scorch Plug In
- Introduction
- What are Quartals?
- Quartals over chords
- Quartal accompaniments
- Making richer voicings
- Going outside pt1
- Minor pentatonics
- Easy F Blues with quartals
- Adv. F Blues with quartals
- Playbook Days 11-20
- Day 11 - Reading Dynamics
- Day 12 - Song
- Day 13 - Song m3-4
- Day 14 - Song m5-6
- Day 15 - Song m7-8
- Day 16 - Song m9-12 (2nd ending)
- Day 17 - Improvisation Licks
- Day 18 - Triad Inversions
- Day 19 - Chord Improvisation
- Day 20 - Major Scale Pattern
- Playbook Days 21-30
- Day 21 - Understanding chord symbols
- Day 22 - 7th chords and chord shells
- Day 23 - My Romance – step 1
- Day 24 - My Romance – step 2
- Day 25 - My Romance – step 3
- Day 26 - My Romance – step 4
- Day 27 - Tritone substitution
- Day 28 - Creating a bass line
- Day 29 - Rootless chords
- Day 30 - Rootless chords with bassline and comping
- Day 1 - Rhythm
- Day 2 - Technique
- Day 3 - Reading Music
- Day 4 - Song “Dunkin’s Blue”
- Day 5 - Song – measures 3-4
- Day 6 - Song – measures 5-8
- Day 7 - How To Improvise
- Day 8 - How to Create a Song Arrangment
- Day 9 - Rhythm
- Day 10 - Broken Triads (technique)
- Slow Blues - Stormy Monday - Vol. 1
- Introduction
- Bassline A
- Bassline B
- Bassline C with practice tips
- Bassline D
- Bassline E the turnaround
- Bassline F ending
- Bassline F alterations
- Blues chords
- Bassline form
- Slow Blues - Stormy Monday - Vol. 2
- Introduction
- Blues Chords
- Augmented 5 Chord Intro
- Measure 7 Hands Together
- Walkup
- Walkup Arrangement Pt 1
- Walkup Arrangement Pt 2
- Jazzy Walkup
- Blues Lick
- Slow, Soulful Blues - Frank's Blues
- Introduction to Soulful Blues
- Left hand accompaniment techniques
- “Jazz” chords – chords with tensions
- Approaches into the next chord
- Left-hand summary
- The Song Part 1 (Franks Blues)
- The Song Part 2 (m. 4)
- The Song Part 3 (m. 8)
- The Song Part 4 (m. 10)
- Walk ups / Walk downs pt 1
- Walk ups / Walk downs pt 2
- Free improvisation
- Wrap Up
- 15 Blues Licks
- Introduction
- Lick 1
- Lick 2
- Lick 3
- Lick 4
- Lick 5
- Lick 6
- Lick 7
- Lick 8
- Lick 9
- Lick 10
- Lick 11
- Lick 12
- Lick 13
- Lick 14
- Lick 15
- Wrap Up
- "O Come All Ye' Faithful"
- The Melody
- Basic Chords Part 1
- Basic Chords Part 2
- Basic Chords Part 3
- Basic Chords Part 4
- Basic Chords Part 5
- Advanced Chords Intro
- Advanced Chords Part 1
- Advanced Chords Part 2
- Advanced Chords Part 3
- Advanced Chords Part 4
- Advanced Chords Part 5
- Advanced Chords Part 6
- Advanced Chords *Tag*
- Arrangement – Three Versions
- Arrangement – Part 1
- Arrangement – Part 2
- Arrangement – Part 3
- Arrangement – Part 4
- Arrangement – Part 5
- Arrangement – Part 6
- Arrangement – Part 7
- Arrangement – Part 8
- Arrangement – Part 9
- Arrangement – Part 10
- "Chestnuts Roasting"
- The Song
- Part 1
- Part 2
- Part 3
- Part 4
- Part 5
- Part 6
- Part 7
- Part 8
- Improv Tips
- Slow, Blues Improvisation - Vol. 1
- Introduction to Slow Blues Improv
- Scale review
- Left-hand accompaniment techniques
- Triplets vs. Swung eighth notes
- Grouping Patterns
- Arrangement part 1
- Arrangement part 2 (m. 3)
- Arrangement part 3 (m. 5)
- Arrangement part 4 (m. 8)
- Arrangement part 5 (m. 10)
- Arrangement part 6 (m. 11) – conclusion
- Slow, Blues Improvisation - Vol. 2
- Introduction
- 16th-note triplet exercise
- 16th-note triplet licks
- Getting the Blues feel
- Adjusting scores for hand size
- Arrangement pt 1 (m1-2)
- Arrangement pt 2 (m3-4)
- Arrangement pt 3 (m5-6)
- Arrangement pt 4 (m7-8)
- Arrangement pt 5 (m9-10)
- Arrangement pt 6 (m11-12)
- Improvisation Ideas
- "Auld Lang Syne" Special Reharmonization - Vol. 1
- Introduction to Reharmonization
- Step 1 – basic I-IV-V
- Step 2 – precede Dom 7
- Step 2 – precede Dom 7 pt2
- Secondary dominants
- Step 3 – replacing chords
- Step 4 – add dominant motion
- Step 5 – tritone substitution
- Step 6 – chord shifting
- Step 7 – alternate bass notes
- "Auld Lang Syne" Special Reharmonization - Vol. 2
- Introduction and pt 1
- Measure 5
- Measure 9
- Measure 15
- Tips pt 1
- Tips pt 2
- Tips pt 3
- Tips pt 4
- Amazing Grace Reharmonization
- Amazing Grace Reharmonization
- Reharmonizations, Progressions and Extensions
- Introduction
- Diatonic harmony
- Dominant motion
- Prog A I-IV-V
- Prog B ii-V-I
- Prog C I-vi-ii-V
- Prog D iii-V7/ii-ii-V
- Prog E IV-iv-bVII7
- Prog F I-IV-iv-I
- Prog G I – #I diminished – ii – #II diminished
- Prog H I – ii_V of vi
- Prog I I – V7/vi – vi
- Prog J Extended dominants
- Wrap Up
- 4-Layer Standards
- 4-Layer Standards
- How to Play Standards
- How to Play Standards
- How to Improvise Over Standards
- How to Improvise Over Standards
- "Cantaloupe Island"
- Introduction
- The Groove pt 1
- The Groove pt 2
- Groove Exploration
- Herbie Groove
- Constant Cross Staff
- Moving Ghost Note
- The Melody
- Scales for Improvisation
- Improvisation Ideas pt 1
- Improvisation Ideas pt 2
- Improvisation Ideas pt 3 (groove)
- Blues n' Boogie - Vol. 4
- Scorch Plug In
- Part 1
- Part 2
- Part 3
- Part 4
- Part 5
- Part 6
- Part 7
- Part 8
- Part 9
- Part 10
- Part 11
- Part 12
- Music Theory - Module 1
- Introduction
- Key Signatures
- Circle of 5ths
- Enharmonic
- Music Theory - Module 2
- Introduction
- Clef Expanation
- Relative and Parallel Minor
- Major and Minor Scales
- Harmonic and Melodic Minor
- Music Theory - Module 3
- Scale Degrees
- Intervals
- Modes Defined
- Modes Alternate Explanation
- Modes Practical Application
- Exercise 1
- Exercise 2
- Exercise 3
- Exercise 4
- Exercise 5
- Exercise 6
- Exercise 7
- Exercise 8
- Exercise 9
- Exercise 10
- Exercise 1
- Exercise 2
- Exercise 3
- Exercise 4
- Exercise 5
- Exercise 6
- Exercise 7
- Exercise 8
- Exercise 9
- Exercise 10
- Music Theory - Module 4
- Chords
- 7th Chords
- Open and closed position
- Chord Symbols
- Chord Scales
- Chord Scales Pt 2
- Music Theory - Module 5
- Introduction
- Diatonic vs Chromatic
- Diatonic Chords
- Diatonic Worksheet
- Harmonic Progressions 2-5-1
- Harmonic Analysis Mozart
- Explanation of Worksheet
- Music Theory - Module 6
- Introduction
- Rhythm Review
- Dotted Rhythms
- Rhythm Sight Reading
- More Rhythmic Values
- "Piano Man" - Billy Joel
- Introduction to Piano Man
- Song Introduction
- First part of song
- The Verse
- Interlude
- The Bridge
- Chorus
- Country Lick
- Improvisation scales
- Piano man improv solo
- Billy Joel lick
- Rock piano improv tips
- "Your Song" - Elton John
- Introduction
- The song
- Step 1 part 1
- Step 1 part 2
- Step 2
- Step 3 pt. 1
- Step 3 pt. 2
- Step 4 pt. 1
- Step 4 pt. 2
- Accompanying others
- Improvisation pt. 1
- Improvisation pt. 2
- "The Way It Is" - Bruce Hornsby
- Song Introduction
- Introduction and Analysis
- Song Introduction m6
- Chorus variations
- Pentatonic scale exercise
- Pentatonic groupings pt 1
- Pentatonic groupings pt 2
- Hornsby Lick #1
- Hornsby Lick #2
- Pentatonic double-stops
- Change lick starting beat
- Putting the song together
- Advanced techniques
- Beginner/Intermediate techniques pt 1
- Beginner/Intermediate techniques pt 2
- "Minute By Minute" - Doobie Brothers
- Introduction
- Intro to the song
- Intro part 2
- With the play along
- The Verse pt 1
- The Verse pt 2
- The Verse pt 3
- Chorus
- The Interlude
- Modulated Chorus
- Modulation To D
- "She's Got a Way" - Billy Joel (Vol. 1)
- Introduction
- Measures 1-6
- Measures 7-11
- Measures 12
- Measures 13-16
- "She's Got a Way" - Billy Joel (Vol. 2)
- M 17-20
- M 21-26
- M 27-32
- M 33-End
- Accompaniment
- "Have I Told You Lately" - Van Morrison
- Introduction
- Song introduction
- Part 1 (m5)
- Part 2 (m9)
- Part 3 (m13)
- Part 4 (m17)
- Part 5 (m21-28)
- Improvisation
- "Every Breath You Take" - The Police (Vol. 1)
- Introduction
- Measure 1-6
- Measure 7-15
- Measure 16-24
- Measure 25-34
- "Every Breath You Take" - The Police (Vol. 2)
- Measure 35-44
- Measure 45-51
- Coda
- Improvisation ideas
- "Paranoid Android" - Radiohead
- Introduction
- Figuring out songs by ear pt 1
- Figuring out songs by ear pt 2
- Song introduction
- A section pt 1
- A section pt 2 (m17)
- B Section
- C Section
- D Section pt 1
- D Section pt 2
- Advanced concepts pt 1
- Advanced concepts pt 2
- Advanced concepts pt 3
- "Layla" - Eric Clapton (Piano Coda)
- Layla Piano Coda Part 2
- Layla Piano Coda Part 1
- "So Far Away" - Carole King
- Introduction
- Intro
- m3 – 5
- m6 – 8
- m9 – 11
- m12 – 17
- m18 – 22
- m23 – 26
- m33 – 40
- m41 – end with improv
- "Bridge Over Troubled Water" - Simon And Garfunkel (Vol. 1)
- Introduction
- Intro to the song
- Measure 5
- Measure 13
- Measure 20
- Measure 25
- Song analysis and practice tips
- "Bridge Over Troubled Water" - Simon And Garfunkel (Vol. 2)
- Introduction
- Measure 28
- Measure 39
- Measure 52
- Measure 58
- Measure 64
- "Smoke On The Water" - Deep Purple
- Introduction
- The Intro
- The Verse
- The Chorus
- Improvisation
- "House Of The Rising Sun" - The Animals
- Introduction
- Song Intro
- Prep A
- Prep B
- The Melody
- 16th note broken chords
- Improv and form
- "Alfie" - Burt Bacarach
- Introduction
- Measure 1
- Measure 7
- Measure 13
- Measure 19
- Measure 25
- Measure 31
- Measure 36
- Jazz & Blues Piano Part 1
- Introduction
- Great Blues Chord Riff
- Playing in a Rock Groove
- Playing in a Shuffle Groove
- Jazz & Blues Piano Part 2
- Advanced Turnaround
- Theory Time
- Playing Dominant 7th Chords
- Practice Ideas to Get You Grooving
- Jazz & Blues Piano Part 3
- Introduction
- Left Hand Bassline
- Building a 2-Handed Groove
- Bassline 2
- Jazz & Blues Piano Part 4
- Building Another Groove
- Right Hand Riff 2
- Combining Parts and Skill
- Comping Practice
- Jazz & Blues Piano Part 5
- Introduction
- Learning the Right Hand Melody
- Left Hand Shell Voicings
- Putting Hands Together
- Jazz & Blues Piano Part 6
- Transposing and Playing at a Faster Tempo
- Creating an Intro
- Classic Blues Ending
- Using Left Hand Basslines
- Jazz & Blues Piano Part 7
- Introduction
- Building Rootless Voicings
- Rootless Voicings for 12-Bar Blues
- Walking Bassline Exercise 1
- Jazz & Blues Piano Part 8
- Walking Bassline Exercise 2
- Walking Bassline Exercise 3
- Walking Bassline Exercise 4
- Walking Bassline Exercise 5
- Jazz & Blues Piano Part 9
- Introduction
- Common Alternate Changes
- More Alternate Changes
- More Advanced Changes
- Jazz & Blues Piano Part 10
- Altered Extensions
- Tritone substitutions
- Working With Basslines
- Jazz & Blues Piano Part 11
- Introduction
- M1-Tritone Substitution
- M4-Tweaking a ii-V-I
- M7-Descending Harmony
- Jazz & Blues Piano Part 12
- M9-Must have blues lick
- M11-Standard ending
- Practice exercises
- Bonus-Descending harmony trick
- Jazz & Blues Piano Part 13
- Introduction
- Scales
- Generating improvisation ideas
- Generating improvisation ideas Pt. 2
- Putting it all together
- Displacing the beat
- Jazz & Blues Piano Part 14
- Introduction
- Concerted Comping
- Another Blues Scale
- 3 Ways to fill space
- Taking it Out in m4
- Boogie Woogie Basics Part 1
- Introduction
- The Basics
- Getting the Groove
- Right Hand Riff
- More Bass Lines
- Boogie Woogie Basics Part 2
- Left and Right Hand Variations
- Create Your Own Riffs
- Riff with Comping
- Intros and Endings
- Intermediate Boogie Woogie Part 1
- Introduction
- Refresher & Basslines
- Riff #1 and #2
- Bassline #2
- Riff #3
- Intermediate Boogie Woogie Part 2
- Riff #3 with bassline
- Riff #4
- Riff #4 with bassline
- Wrap Up
- Advanced Boogie Woogie Part 1
- Introduction
- Bassline Getting the Groove
- Main Lick and Intro
- Practice Habits
- Increasing Speed
- Advanced Boogie Woogie Part 2
- Lick #2 2nd Chorus
- Fast Triplet Line
- A Few Endings Pt 1
- A Few Endings Pt 2
- Real World Cocktail Piano Tips
- Gigging Tips
- Reharmonizations
- Wrap Up
- "I Loves You Porgy" - Gershwin (Part 1)
- Introduction
- Brainstorming the song pt 1
- Passing chords
- Further in the song
- "I Loves You Porgy" - Gershwin (Part 2)
- R-7-3 Shells
- Arrangement pt 1
- Measure 5
- Measure 9
- Measure 13
- What to practice
- "Jordu" - Duke Jordan (Arrangement)
- Lead Sheet
- Arrangement Pt 1
- Arrangement Pt 2
- Improv & Accompaniment
- "Jordu" - Duke Jordan (Improvisation)
- Introduction
- Discovery Phase 1
- Discovery Phase 2
- A section improv 2
- B section improv
- "Moonlight In Vermont" - Arrangement (Part 1)
- Moonlight in Vermont m 1
- Measure 5
- Measure 13
- Measure 21
- What to practice
- "Moonlight In Vermont" - Arrangement (Part 2)
- Moonlight in Vermont B section
- B section m33
- Last A section
- Last A section m45
- What to practice
- Moonlight in Vermont Arrangement
- "All Blues" - Miles Davis (Arrangement)
- Introduction groove
- Song pt 1
- Song m6
- Song m 10
- What to practice
- My All Blues Improvisation Tips
- "As Time Goes By"
- Introduction
- Step 2
- Advanced Arrangement
- Quick Chromaticism
- Pro Tips
- "Unforgettable" - Vol. 1
- Introduction
- The introduction
- For Beginners
- The A Section
- Measure 11
- Measure 17
- Measure 23
- Turnaround and Ending
- "Unforgettable" - Vol. 2
- Introduction
- Fills and Runs
- Fills and Runs 1
- Fills and Runs 2
- Fills and Runs 3
- Fills and Runs 4
- "What A Wonderful World" - Vol. 1 (Arrangement)
- Introduction
- Elements of arrangement
- Part 1 (m1-4)
- Fills
- Part 2 (m5-9)
- Part 3 (m10-m21)
- Part 4 (m22-m33)
- Ending (m34-end)
- "What A Wonderful World" - Vol. 2 (Improvisation)
- Introduction
- Arrangement full speed
- Arrangement-50percent
- Solo-50percent
- Myarrangement-50percent
- "When Sunny Gets Blue"
- Introduction
- Analysis pt1
- Analysis pt2
- Step 1 – mixed shells
- Assignment
- Step 2 – adding the 5th
- Review of accompaniment techniques
- Step 3 – accompaniment rhythms
- Step 4 – song
- Step 4 – sections
- Flourishes
- "Moon River"
- Introduction
- Measures 1-8
- Measures 9-16
- Measures 17-25
- Measures 29-End
- How to practice
- "Summertime"
- Introduction
- Reharm part 1
- Reharm part 2
- Reharm part 3
- Reharm part 4
- Reharm part 5
- Reharm part 6
- Reharm part 7
- Arrangement Introduction
- Arrangement Part 1
- Arrangement Part 2
- Arrangement Part 3
- Arrangement Part 4
- Arrangement Part 5
- Creating Licks Intro
- Creating Licks Part 1
- Creating Licks Part 2
- Creating Licks Part 3
- Creating Licks Part 4
- Creating Licks Part 5
- Creating Licks Part 6
- Creating Licks Part 7
- Creating Licks Part 8
- Creating Licks Part 9
- Creating Licks Part 10
- Creating Licks Part 11
- Creating Licks Part 12
- Creating Licks Part 13
- Improvisation Lick #1
- Improvisation Lick #2
- Improvisation Lick #3
- Improvisation Lick #4
- Improvisation Lick #5
- Improvisation Lick #6
- Improvisation Lick #7
- Improvisation Lick #8
- Improvisation Lick #9
- Free Improv over Chords
- Rock Piano Chords Vol. 1
- Introduction
- Major triads in Root Position
- Minor Triads in Root Position
- Doubling the Root
- Inversions for Major Triads
- Doubling the 3rd and 5th
- Inversions for Minor Triads
- 12 Days of Jazz Standards
- Level 1 - Melody and Melodic Embellishment
- Level 2 - Shells (R7) with rhythmic movement
- Level 3 - Shells alternating between R7 and R3
- Level 4 - Shells with chord tone in RH
- Level 5 - Adding tensions
- "You've Got A Friend" - Vol. 1
- Introduction
- Notes about transcription
- Part 1 (m1-m5)
- Part 1 (m1-m5) continued
- Pat 2 (m6)
- Part 3 (m9)
- Part 4 (m16)
- Part 5 (m22)
- Part 6 (m25)
- Part 7 (m30)
- "You've Got A Friend" Improvisation And Groove - Vol. 2
- Intro and Sample Groove
- Thumb Accents
- Pickups And Suspension
- Chords Within The Groove
- Approaches Into The chord
- Combining Approaches
- Pentatonic Double-Stops
- Blues Scale Double Stops
- Left Hand Groove Tricks
- Turnaround
- Rock Piano Chords Vol. 2
- Introduction
- Using Inversions
- Voice Leading
- 7th Chords
- Slash Chords
- Putting It All Together
- 11 Rock Piano Technique Tips
- Introduction
- Tip 1
- Tip 2
- Tip 3
- Tip 4
- Tip 5
- Tip 6
- Tip 7
- Tip 8
- Tip 9
- 11-Tip 10
- 12-Tip 11
- Rock Rhythm Practice 1
- Introduction
- Rhythmic Values
- Examples of Each
- Rhythmic Exercises 1-4
- Rhythmic Exercises 5-8
- Rhythmic Exercises 9-12
- Rock Rhythm Practice 2
- Introduction
- Rhythmic Values
- Rhythm Review
- Rhythmic Exercises 1-4
- Rhythmic Exercises 5-8
- Rhythmic Exercises 9-12
- Adele
- Introduction
- Intro Verse Chorus
- Bridge
- Bonus 1
- Bonus 2
- Bonus 3
- Africa - Toto
- Introduction
- Intro and Keyboard Split
- Bottle Blower Riff
- Verse
- Chorus
- Synth Solo
- Caravan - Van Morrison
- Introduction
- Intro
- Verse
- Chorus
- Don’t Stop Believin - Journey
- Introduction
- Section 1
- Transposition Challenge
- Section 2
- Hey Jude - The Beatles
- Introduction
- Technique
- Rhythm
- Reading
- Theory
- Licks and Fills
- Song Tips
- Human Nature - Michael Jackson
- Introduction
- Intro
- Verse
- Other Ideas For Verse
- Chorus
- Interlude and Outro
- Imagine - John Lennon
- Introduction
- Intro Verse
- Prechorus
- Chorus
- Just The Way You Are - Billy Joel
- Introduction
- Intro
- Verse
- Comping Considerations
- Bridge
- Ending-Coda
- Layla - Eric Clapton
- Introduction
- Intro and Chorus
- Verse
- Piano Outro Coda
- Licks from Jessica - Allman Brothers
- Introduction
- Intro Riff
- Lick 1
- Lick 2
- Lick 3
- Lick 4
- Lick 5
- Lick 6
- Like a Prayer - Madonna
- Introduction
- Finding the right sounds
- Intro and Bridge
- Chorus
- Verse
- Saturday In The Park - Chicago
- Introduction
- Intro and Verse
- Prechorus
- Chorus
- Bridge
- Ending
- My Girl - The Temptations
- Introduction
- Diatonic Chords
- The Intro
- The Verse
- The Chorus
- The Interlude
- The Verse-New Key
- The Chorus-New Key
- The Outro
- Maybe I'm Amazed - Paul McCartney
- Introduction
- Intro
- Verse
- Triads in Different Positions
- Chorus
- Your Smiling Face - James Taylor
- Introduction
- Intro
- Verse Chorus
- Prechorus
- Verse Chorus Transposed
- Verse Chorus Transposed Again
- Tiny Dancer - Elton John
- Introduction
- Intro
- Verse
- Bridge
- Chorus
- Interlude
- New York State of Mind - Billy Joel
- Verse Part 2
- Bridge
- Ending
- Introduction
- Intro
- Verse Part 1
- Rock Piano - Keys To Success
- Session 1
- Session 2
- Session 3
- Funk Keyboard Technique 1
- Introduction
- Synth Vs. Piano
- Electro-Mechanical Keyboard Sounds
- Organ Patches
- Pads
- Funk Keyboard Technique 2
- Lead Sounds
- Pentatonic Scales and Licks
- Brass Instruments
- Stringed Instruments
- Funk Rhythm Training 1
- Introduction
- Rhythmic Review
- More Rhythmic Practice
- Two Handed Practice
- Poly Rhythm Practice
- Funk Rhythm Training 2
- Introduction
- Downbeats and Upbeats
- Practicing with Drum Tracks
- Rhythmic Practice Chord Progression
- Rhythmic Reading Practice
- Reading a Rhythm Chart
- Putting it all Together
- Funk Reading 1
- Introduction
- Survey the Tune
- Rhythm Reading
- Building Chords
- Learning the Prechorus
- Funk Reading 2
- Rhythm Reading Chorus
- Building Chords Chorus
- The Bridge
- Scales for Improvisation
- Sound Selection
- Clavinet Grooves Revealed
- Introduction
- Use Me Main Clavinet
- Use Me Variations
- Superstition
- Superstition Part 2
- Higher Ground
- Higher Ground Part 2
- Comping Ideas For Blues Funk Grooves
- Introduction
- Right Hand Groove Comping
- Adding a Left Hand Bassline
- Adding a Funky Fill
- Using 9 Chords
- 6 Funky Chord Progressions
- Introduction
- Chord Progression 1
- Chord Progression 2
- Chord Progression 3
- Chord Progression 4
- Chord Progression 5
- Chord Progression 6
- 7 Ways to Resolve to a “I” Chord
- Introduction
- V7 to I
- V7 V to I
- Tritone Substitution
- Tritone Sub Combinations
- Backdoor ii V
- Minor Backdoor ii V
- Introduction to Arpeggios
- The Classic
- Skipping
- Outer/Inner
- Five to Four
- Waterfall
- Upper-Structures
- Bonus
- Building a Funk Groove
- Introduction
- Building the Drum Groove
- Building the Bass Groove
- Building the Clavinet Groove
- Lady Bird Changes
- 10 Must-Have Funk Licks 1
- Introduction
- Lick 1
- Lick 2
- Lick 3
- Lick 4
- Lick 5
- 10 Must-Have Funk Licks 2
- Lick 6
- Lick 7
- Lick 8
- Lick 9
- Lick 10
- 5 Scales for Soloing
- Introduction
- Pentatonics
- Blues Scale
- Mixolydian
- Dorian
- Lydian Dominant
- Soloing over the Funk Groove
- Introduction
- Step 1 Building the Blues Scale
- Step 2 Playing Uninterrupted Scales
- Step 3 Randomly Changing Directions
- Step 4 Adding Rhythmic Fluctuations
- Step 5 Skipping Notes
- Step 6 Inventing a Lick
- Step 7 Adding Some LH Comping
- Soon and Very Soon
- Introduction
- Song Introduction
- Measures 9-10
- Walk Up Fills
- The Verse
- Bassline Syncopation
- Interlude
- The Bridge
- The Coda
- "Go Tell It On The Mountain"
- Introduction
- The Melody
- Adding Basic Chords
- Introduction to the arrangement
- I-V chord progression
- I – I7 chord progression
- ii – V chord progression
- iii-vi-ii-V progression
- I – III7 – IV – #ivdim progression
- I – IV7/I progression
- Chord tones vs. Non-chord tones
- Line endpoints
- Accompaniment rhythms
- Bassline creation rules
- Arrangement part 1
- Arrangement Part 2
- Arrangement Part 3
- Shouting Chorus
- Arrangement Part 5
- Arrangement Part 6
- Slow Gospel Feel
- Contemporary Feel
- "This Little Light of Mine"
- Introduction
- The melody
- Apply chords to the melody
- Measure 5
- Walk up
- Finishing the reharm
- Arrangement introduction
- Arrangement Part 1
- Arrangement Part 2
- Arrangement Part 3
- Lick 1
- Lick 2
- Lick 3
- Lick 4
- Lick 5
- Lick 6
- “The Way You Make Me Feel.” - Michael Jackson
- Introduction
- Importance of Groove
- 16th Note Rhythms
- Playing Hands Together
- Playing the Horn Line
- Bonus - The Way You Make Me Feel
- "September" - Earth Wind & Fire
- Introduction
- Establishing the Intro Groove
- Some New Chords
- Variations in Verse Bassline
- Chorus
- “Signed Sealed Delivered” - Stevie Wonder
- Introduction
- Intro
- Verse
- Variations on Verse
- Chorus
- "Will It Go Round in Circles?" - Billy Preston
- Introduction
- Sections of the song
- Scale chords
- Billy Preston Lick #1
- Billy Preston Lick #2
- Billy Preston Lick #3
- Billy Preston Lick #4
- Billy Preston Lick #5
- Billy Preston Lick #6
- "There Will Never Be Another You" - Improvisation
- There Will Never Be Another You Improv
- Student Homework
- Improvisation in 5 Steps
- Step One - Major Scale
- Step Two - Fixing Scales
- Step Three - Guide Tone Lines
- Step Four - Articulation and Dynamics
- Step Five - Special Techniques
- "I Get A Kick Out of You" - Advanced Improv
- I Get A Kick Out of You
- Level 6 - Rootless Voicings
- Level 7 - Root Stomp
- Level 8 - Reharmonization
- Level 9 - Flow Between The Hands
- Level 10 - Intros & Endings
- Level 11 - Switching Styles
- Level 12 - Putting it All Together
- Funky Fender Rhodes Grooves - Vol. 1
- Introduction to Funky Fender Rhodes
- basic groove -(A)
- syncopated chords – (B)
- double stops – (C)
- diads – (D)
- improvisation exercises – (EFG)
- constant 16ths – (H)
- IV to I (I)
- Walkup
- In sync (KL)
- Funky Fender Rhodes Grooves - Vol. 2
- Groove A pt 1
- Introduction
- Groove A pt 2
- Groove B
- Groove C
- Putting together a progression
- Improvisation pt 1
- Improvisation pt 2
- Using effects
- Funky Fender Rhodes Grooves - Vol. 3
- Introduction
- Getting started
- The next chord
- 4 chord progression
- Change the minor chord
- Sus chord and voice-leading
- 15 Funk Grooves
- Groove #1
- Groove #2
- Groove #3
- Groove #4
- Groove #5
- Groove #6
- Groove #7
- Groove #8
- Groove #9
- Groove #10
- Groove #11
- Groove #12
- Groove #13
- Groove #14
- Groove #15
- "Funky Jazz Gospel"
- Introduction
- A Section pt 1
- A Section pt 2
- A Section pt 3
- B Section pt 1
- B Section pt 2
- B Section pt 3
- B Section pt 4
- B Section pt 5
- C Section
- Improvisation pt 1
- Improvisation pt 2
- Improvisation pt 3
- Funky Piano
- Introduction
- Sixteenth-note breakdown
- Harmonic progressions
- Broken sixteenth-note chords
- Bassline motion
- Right-hand chord infusion
- Shifting accents (1)
- Shifting accents (2)
- Triad infusion
- Where to go from here
- Stable Funk - Composition
- Introduction
- Creating a song part 1
- Bullet point tips
- Part 2
- The interlude
- The B section
- Licks
- End of solo section
- Getting out of solo section
- Ending the song
- Melody
- Studio Take 1
- Studio Take 2
- Studio Take 3
- Creating a Funk Groove
- Introduction
- Two-measure phrase intro pt 1
- Two-measure phrase intro pt 2
- A section (m3-m4)
- A section (m3-m4) pt 2
- A section (m5)
- B section Funkadiddle
- Solo Section Groove
- Solo Section Groove pt 2
- Turnaround – Ending
- "Misty - Erroll Garner
- Introduction/Reharm – part 1
- [1] Reharm – part 2
- [1] Reharm – part 3
- [1] Reharm – part 4
- [2] Arrangement part 1
- [2] Arrangement part 2
- [2] Arrangement part 3
- [2] Arrangement part 4
- [2] Arrangement part 5
- [2] Arrangement part 6
- [2] Arrangement part 7
- [2] Arrangement part 8
- [3] Improv part 1
- [3] Improv part 2
- [3] Improv part 3
- [3] Improv part 4
- [3] Improv part 5
- "Take 5" - Dave Brubeck Quartet
- Introduction
- The B section
- B section chords
- End of B section
- A section bassline
- The A section melody
- Fill out A section with chords
- The ending
- A section improvisation
- B section improvisation
- Advanced improv and reharm pt 1
- Advanced improv and reharm pt 2
- "Fly Me To The Moon"
- Introduction
- The melody
- Melody with chord shells
- Filling out the chord shells
- Add in chord tensions
- Add in chord tensions (2)
- Root fifth third accompaniment
- More fills and flourishes
- Chromatic scale fills
- Endings
- "In The Wee Small Hours Of The Morning"
- Introduction
- Analysis pt 1
- Analysis pt 2
- Step 1-Roots
- Step 2-RH chords pt 1
- Step 2-RH chords pt 2
- Step3-Arrangement pt 2
- Step3-Arrangement pt 1
- "Some Day My Prince Will Come" - Vol. 1
- Introduction
- M1-4
- M5-8
- M9-12
- M13-16
- M17-20
- M21-24
- Jazz Waltz Style
- "Some Day My Prince Will Come" - Vol. 2
- Introduction
- M 1-4
- M 5-8
- M 9-12
- M 13-16
- M 17-20
- M 21-24
- M 25-31
- Modulating Minor 3rd
- Reharmonized Ending
- "All of Me" Arrangement - Vol. 1A
- Introduction
- Song Intro measures 1-8
- Measures 9-12
- Measures 13-16
- Measures 17-20
- Measures 21-24
- "All of Me" Arrangement - Vol. 1B
- Measures 25-32
- Measures 33-36
- Measures 37-40
- Harmonic Analysis
- Confusion on M 2
- "All of Me" The Improvisation - Vol. 2A
- Introduction
- Different ways to play melody
- Rhythmically varying the melody
- 2 note cell
- 3 note cell
- "All of Me" The Improvisation - Vol. 2B
- 5-note-cell
- 5-note-cell-with-rhythmic-variety
- 5-note-cell-to-create-improv-idea
- summary
- "The Shadow Of Your Smile"
- Introduction
- Rhythm Of The Chords
- The Chords
- The Melody
- Hands Together Pt 1
- Hands Together Pt 2
- Hands Together Pt 3
- Hands Together Pt 4
- Advanced Tips
- "Tequila"
- Introduction
- The introduction groove
- A Section (m7)
- B Section (m15) Boogie groove
- Finishing the B section
- Lick #1
- Lick #2
- Lick #3
- Lick #4
- Creating an improvisation pt1
- Creating an improvisation pt2
- "La Cumparsita"
- Introduction
- Arrangement Part 1
- Arrangement Part 2
- Arrangement Part 3
- Arrangement Part 4
- Arrangement Part 5
- Arrangement Part 6
- The Entire Arrangement
- Improvisation
- "The Girl From Ipanema" - Vol. 1
- Introduction
- Part 1
- Part 2
- Part 3
- Part 4
- Part 5
- Part 6
- Part 7
- Part 8
- Bossa Rhythm
- Scales for improvisation
- Applying the scales
- Chord montuno
- "The Girl from Ipanema" Improv & Analysis - Vol. 2
- Introduction
- Analysis pt 1
- Analysis pt 2
- Analysis pt 3
- Analysis Wrap Up
- Reharmonization pt 1
- Reharmonization pt 2
- Improvisation with Arpeggios
- Improvisation with Arpeggios pt 2
- Improvisation with Arpeggios pt 3
- "The Peanut Vendor"
- Introduction
- Intro Groove in G
- Intro Groove (part A)
- Filler Groove (part B)
- Melody pt 1 (part C)
- Melody pt 2 (part D)
- Improv lick 1 (part E)
- Improv lick 2 (part F)
- Improv lick 3 (part G)
- Advanced chords pt 1
- Advanced chords pt 2
- In the Style of "Corcovado"
- Corcovado Intro
- Song introduction
- Corcovado measures 7-15
- Corcovado measures 15-27
- Corcovado measures 27-35
- Corcovado measures 35-end plus endings
- Corcovado improvisation
- Corcovado improvisation scales
- Corcovado improvisation scales pt. 2
- "Wave"
- Introduction
- Part 1
- Part 2 (m. 5)
- Part 3 (m. 8)
- Part 4 (m. 12)
- Part 5 (2nd ending)
- Part 6 (m. 20)
- Part 7 (m. 23)
- Part 8 (m. 29)
- Part 9 (endings continued)
- "Wave" Improvisation
- Introduction to Wave Improvisation
- Scales for improv pt. 1
- Scales for improv pt. 2
- Improvisation basics
- The Solo (at tempo)
- Wave Improvisation pt 1
- Wave Improvisation pt 2
- Wave Improvisation pt 3
- Wave Improvisation pt 4
- Wave Improvisation Tips 1
- Wave Improvisation Tips 2
- "Amazing Grace"
- Amazing Grace Introduction
- Harmonization techniques – lead 1
- Harmonization techniques – lead 2
- Transition chords
- ii-V-I add on progressions
- Harmonize using any chord
- Available tensions for chords
- Lead 4 – Dominant motion
- Move between re-harm variations
- Amazing Grace arrangement 1
- Amazing Grace arrangement 2
- Amazing Grace arrangement 3
- Amazing Grace arrangement 4
- Amazing Grace arrangement 5
- Fills Runs & Improv pt. 1
- Fills Runs & Improv pt. 2
- Fills Runs & Improv pt. 3
- "The Old Rugged Cross"
- Melody and Time feel
- Introduction
- 6/8 Groove exercise
- Analysis
- Diminished Exercise
- Arr. m1 – Fill in the groove
- Arr. m2 – Precede w/ Dom7
- Arr. m3 – Scale chords
- Arr. m4 – IV over I
- Arr. m5 – Change quality of IV
- Arr. m6 – Diminished harmony
- Arr. m7 – Walk ups
- Arr. m8 – Reharm
- Arr. m10 – Delayed resolution
- Arr. m11 – ii-V of I
- Arr. m14 – IV chord to minor
- I to IV groove
- Improvisation?
- "Precious Lord, Take My Hand"
- Introduction
- The melody
- Figuring out the key (Major or minor)
- Important chords within the key
- Chords for Precious Lord
- A basic accompaniment
- Discovery phase
- Discovery…measure 9 on…
- Arrangement Part 1
- Arrangement Part 2 (m. 5)
- Arrangement Part 3 (m. 9)
- Arrangement Part 4 (m. 13)
- Funky Phat Chords
- Introduction
- Minor 7 (add 9) chord
- Minor 7 (add 11) chord
- *mini* Clusters
- The *wide* minor
- Breaking up the *wide* minor
- No-fifth minor
- Minor scales
- Groove on minor scales
- Funky minor 6
- Altered Dominants
- Beefed Up Triad
- Major 7 (add 9) chord
- Putting it all together
- Funkadiddles
- Funkadiddles Introduction
- Funkadiddle #1
- Funkadiddle #2
- The “Add On”
- Funkadiddle #2 with the “Add on”
- Funkadiddle #3
- Funkadiddle #4
- Funkadiddle #4 with pickups
- Funkadiddle #5
- Funkadiddle #6
- Funkadiddle #5 + #6 put together
- Creating your own funkadiddle
- Funk Fluidity
- Introduction
- Beat Shifting
- Syncopated Shift
- Improvised Lines
- Chromatic Shift
- Shift With Improv
- Quartal Shift
- Chromatic Quartals
- Quartal Anticipation
- Target Note Exercise pt 1
- Target Note Exercise pt 2
- B3 Organ Techniques
- The Drawbars
- Introduction
- Dealing with No Sustain
- Role of the Organ & Pad pt 1
- Role of the Organ & Pad pt 2
- Bass Line Tips
- Progression Chords
- Solo Concepts pt 1
- Solo Concepts pt 2
- Organ A Flat Shout
- Introduction
- Intro Chords
- Basslines for LH
- Two Main Chords
- Hands Together – Intro Chords
- Hands Together-Main Chords
- Intro Through Chorus
- Bonus Ending
- Advanced Organ Shout
- Introduction
- Intro Chords
- Scales to riff improv
- Chord riffing over Ab Bb
- Chords to add without changes
- Adding actual chord changes
- Outro chords
- Closing
- Hammond Organ Basics
- Introduction
- Start Run Expression Pedal
- Drawbars
- Presets
- Foot Pedals
- Switches
- Leslie
- Basic Setup
- 6 Must-Have Organ Sounds
- Introduction to Organ Sounds
- Jazz Setting
- Classic Rock Setting
- Gospel Settings
- Pop Settings
- Funk Settings
- Left Hand Concepts
- "Stormy Weather"
- Discovery phase pt. 1
- Discovery phase pt. 2
- Discovery phase pt. 3
- Arrangement Played
- Arrangement Part 1
- Arrangement Part 2 (m.4)
- Arrangement Part 3 (m.5)
- Arrangement Part 4 (m.10)
- Arrangement Part 5 (m.11)
- Arrangement Part 6 (m.17)
- Arrangement Part 7 (m.25)
- Improvisation Part 1
- Improvisation Part 2
- "Georgia On My Mind"
- Introduction
- Reharm Part 1
- Reharm Part 2
- Reharm Part 3
- Reharm Part 4
- Reharm Part 5
- Reharm Part 6
- Reharm Part 7
- Arrangement Introduction
- Arrangement Part 1
- Arrangement Part 2
- Arrangement Part 3
- Arrangement Part 4
- Arrangement Part 5
- Arrangement Part 6
- Arrangement Part 7
- Creating Licks Part 1
- Creating Licks Part 2
- Creating Licks Part 3
- Creating Licks Part 4
- Creating Licks Part 5
- Creating Licks Part 6
- Creating Licks Part 7
- Creating Licks Part 8
- Creating Licks Part 9
- Creating Licks Part 10
- Creating Licks Part 11
- Learn the licks intro – part 1
- Learn the licks 2
- Learn the licks 3
- Learn the licks 4
- Learn the licks 5
- Learn the licks 6
- Learn the licks 7
- Learn the licks 8
- Learn the licks 9
- Learn the licks 10
- "All Blues" Techniques
- Introduction
- The Groove
- V7 Chords pt 1
- V7 Chords pt 2
- Improv Fluidity Exercise pt 1
- Improv Fluidity Exercise pt 2
- Create Improv Lines
- Willie Improv pt 1
- Willie Improv pt 2
- Advanced Ideas pt 1
- Advanced Ideas pt 2
- "Bebop Blues"
- Introduction
- The Bassline
- Chorus 1 (m1-6)
- Chorus 1 (m7-12)
- Chorus 2 (m13-18)
- Chorus 2 (m19-24)
- Chorus 3 (m25-30)
- Chorus 3 (m31-36)
- Endings
- How to practice this piece
- Blues and Boogie Piano
- Blues and Boogie Piano
- Unlocking the 9 Secrets of the Blues
- Introduction
- Use Blues Scale
- Simple Left Hand
- Important Chords and Form
- Rhythm Driven Licks
- 3 Licks and Repeat
- Slide and Crush Notes
- Swing or Straight
- Break Down
- Int/Adv Jazz & Blues Improv 2
- Blues For Alice Changes
- Exercise #1
- Exercise #2
- Exercise #3
- Int/Adv Jazz & Blues Improv 3
- Left Hand Exercise
- Rhythm of the melody
- Limiting choices
- What to practice
- Int/Adv Jazz & Blues Improv 4
- Left hand rootless exercise
- Adding a melody
- Creating your arrangement pt 1
- Creating your arrangement pt 2
- What to practice
- Int/Adv Jazz & Blues Improv 5
- Root-chord
- Rhythmic fills
- Fills in 10ths
- Tritone approach
- Chordal improv
- Int/Adv Jazz & Blues Improv 6
- Left hand pt 1
- Left hand pt 2
- Right hand pt 1
- Right hand pt 2
- What to practice
- Int/Adv Jazz & Blues Improv 7
- Groupings of 4
- Turnaround
- Groupings of 5
- What to practice
- Int/Adv Jazz & Blues Improv 8
- Intention
- Intentional Lines
- Longer lines with rhythm
- Analysis and criticism
- Go crazy!
- Diminished Harmony 1
- Introduction
- Diminished Scales
- Diminished Symmetry
- Chord Tones & Tensions
- Dominant & Diminished Motion
- How Diminished Chords Work
- Diminished Resolution
- Diminished Resolution (Ascending)
- Drop 2 Voicings
- V7 flat 9 chord
- part 2….
- Diminished Harmony 2
- Replace diminished chord with V7
- Example: I Could Write A Book
- Example: Have You Met Miss Jones?
- Diminished Chord improv
- Diminished Chord…chords!
- How diminished chords work
- vii diminished to I
- Diminished Approach in Major
- Diminished Approach in minor
- Example: Days of Wine And Roses
- Diminished Harmony 3
- Introduction
- Diminished chord reharmonization
- Spotting wrong chord symbols
- Harmonizing lines
- Drop 2 diminished approach example
- Half Whole Diminished Scale
- Diminshed Chords
- Transform Diminished Chords
- Advanced Improvisation Techniques 1
- Upper Structure
- Example lick 1
- Example lick 2-4
- Modified pentatonic
- What to practice
- Advanced Improvisation Techniques 2
- What makes a good target?
- Chromaticism and targets
- Application part 1
- Application part 2
- What to practice
- Advanced Improvisation Techniques 3
- Whole Tone Scale
- Sequences
- Shorter Sequences
- Whole Tone Blues
- Advanced Improvisation Techniques 4
- Intro
- Everything Happens To Me
- Part 1 (m1)
- Part 2
- Part 3 (m5)
- What To Practice
- Advanced Improvisation Techniques 5
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Advanced Improvisation Techniques 6
- Killer Joe Scales
- Scalar Vs. Angular Playing
- B Section
- Advanced Improvisation Techniques 7
- Accents and Grab Technique
- Down/Upbeat Accents
- Three and Four-note groupings
- Shifting Accents
- Student Input
- Advanced Improvisation Techniques 8
- Week 8
- "My Funny Valentine"
- My Funny Valentine Pt. 1
- My Funny Valentine Pt. 2
- My Funny Valentine Pt. 3
- My Funny Valentine Pt. 4
- My Funny Valentine Pt. 5
- My Funny Valentine Pt. 6
- My Funny Valentine Pt. 7
- My Funny Valentine Pt. 8
- My Funny Valentine Pt. 9
- "When I Fall In Love"
- The arrangement
- Introduction to When I Fall in Love
- The Song Part 1
- The Song Part 2
- The Song Part 3
- The Song Part 4
- The Song Part 5
- The Song Part 6
- Reharm Part 1
- Reharm Part 2
- Reharm Part 3
- Reharm Part 4
- Reharm Part 5
- Reharm Part 6
- Improv Part 1
- Improv Part 2
- Improv Part 3
- Final Improv/Conclusion
- "The Nearness of You"
- Introduction
- Step 1
- Step 2
- Step 3 Section 1
- Questions on Step 3 Section 1
- Step 3 Section 2
- Questions on Step 3 Section 2
- Step 3 Section 3
- Questions on Step 3 Section 3
- Step 3 Section 4
- Questions on Step 3 Section 4
- Step 4 Section 5
- Questions on Step 4 Section 5
- Step 4 Section 6
- Step 4 Section 7
- Questions on Section 6 and 7
- Step 4 Section 8
- Questions on Step 4 Section 8
- "How High The Moon"
- Introduction
- Discovery phase
- Discovery phase pt. 2
- Discovery phase pt. 3
- The Arrangement
- Arrangement Part 2
- Arrangement Part 3
- Arrangement Part 4
- The Entire Arrangement
- Endings
- "Ain't Misbehavin" - Vol. 1
- Introduction
- Left Hand
- Song Introduction
- Measure 5
- Measure 7
- Measure 10
- Measure 13
- Measure 15
- Measure 19
- "Ain't Misbehavin" - Vol. 2
- Introduction
- Measure 23
- Measure 25
- Measure 27
- Measure 31
- Ending
- Jelly Roll Morton "The Crave" - Vol. 1
- Introduction
- Measures 1-4
- Measures 5-8
- Measures 9-12
- Jelly Roll Morton "The Crave" - Vol. 2
- Measures 13-20
- Measures 21-28
- Measures 29-36
- Measures 37-45
- Measure 45-End
- "Autumn Leaves"
- The Solo (at tempo)
- Analysis Pt. 1
- Analysis Pt. 1-2
- Analysis Pt. 1-3
- Analysis Pt. 2-1
- Analysis Pt. 2-2
- Analysis Pt. 2-3
- Analysis Pt. 3-1
- Analysis Pt. 3-2
- Analysis Pt. 4-1
- Analysis Pt. 4-2
- Analysis Pt. 4-3
- Analysis Pt. 5-1
- Analysis Pt. 5-2
- Analysis Pt. 5-3
- Analysis Pt. 6-1
- Analysis Bass Pt. 1
- Analysis Bass Pt. 2
- Analysis Bass Pt. 3
- Analysis Bass Pt. 4
- Analysis Bass Pt. 5
- Analysis Bass Pt. 6
- Chords pt. 1
- Chords pt. 2
- Chords pt. 3
- Chords pt. 4
- Chords pt. 5
- Comping pt. 1
- Comping pt. 2
- Comping pt. 3
- Practice Tips pt. 1
- Practice Tips pt. 2
- Practice Tips pt. 3
- "Green Dolphin Street" Improvisation
- Introduction
- Analysis pt 1
- Analysis pt 2
- Analysis pt 3
- Making improv lines pt 1
- Making improv lines pt 2
- Master class
- "Green Dolphin Street" Master Class
- Mark
- Response to Mark
- Donna
- Response to Donna
- Bill
- Response to Bill
- Jack
- Response to Jack
- Thierry
- Response to Thierry
- Horace Silver - "Song For My Father"
- Song For My Father – Intro
- The arrangement part 1
- The arrangement part 2
- Scales for improvisation
- Lick #1
- Lick #2
- Delayed resolution
- Borrowed chord from Phyrigian
- Phyrigian mode
- Phyrigian progression and bassline
- Structured improv over phyrigian
- Improvisation ideas
- "Giant Steps" - Vol. 1
- Introduction
- Practice Method 1 & 2
- Practice Method 3 & 4
- Practice Method 5 & 6
- Practice Method 7 & 8
- "Giant Steps" - Vol. 2
- Practice method 1
- Practice method 2
- Practice method 3
- Practice method 4
- Solo M 1
- Solo M 5
- Solo M 9
- Solo M 13
- “This Can’t Be Love” - Melody & Comping - Vol. 1
- 01-Lead Sheet
- 02-Piano Arrangement
- 03-Piano Comping
- 04-Scales for Improvisation
- “This Can’t Be Love” With The Band Vol. 2
- This Can’t Be Love With The Band
- "So What" - Vol. 1
- Introduction
- Learning the song
- Dorian mode theory
- Comping voicings in the left-hand pt. 1
- Comping voicings in the left-hand pt. 2
- "So What" - Vol. 2
- Patterns (triads and 7ths) pt. 1
- Patterns (triads and 7ths) pt. 2
- Pentatonics pt 1
- Pentatonics pt 2
- "So What" - Vol. 3
- Introduction
- M. 1-8
- M. 9-16
- M. 17-24
- M. 25-32
- Advanced Scalar Lick
- Improvising Over "Georgia On My Mind"
- Improvising Over “Georgia On My Mind”
- "Have You Met Miss Jones" 10 Tips
- Introduction to the lesson
- Chord Tones & Arpeggios pt 1
- Chord Tones & Arpeggios pt 2
- Rhythm & Syncopation
- Chunking
- Bridge 2-5-1
- Bebop improvisation turns
- Turns extended
- Advanced ideas pt 1
- Advanced ideas pt 2
- Advanced ideas pt 3
- "Have You Met Miss Jones" Improvisation Tips (Part 2)
- Introduction
- Start With Chord Tones
- Upbeats and triplets
- Are your lines one-directional?
- Scales from chord tones
- Master class message
- "Waltz For Debby" - Vol. 1
- Introduction
- Measure 1
- Measure 5
- Measure 9
- Measure 13
- What to Practice
- "Waltz For Debby" - Vol. 2
- Introduction
- Part 1 (m17)
- Part 2 (m26)
- Part 3 (B Section)
- Part 4 (m41)
- Section Breakdown
- Scales in 3rds
- "The Days of Wine and Roses" - Vol. 1
- Introduction
- Sketch of the tune
- Chromatic Walkdown (m. 1)
- Inserting a ii-V (m. 3-4)
- Quartal Voicings (m. 5-8)
- "The Days of Wine and Roses" - Vol. 2
- reharmonization-m9-12
- reharmonization-m13-15
- modulation-m16
- bebop-harmony-m25-26
- Subdominants (Tritone Introduction)
- Hang #11: Subdominants
- Melodic Minor Harmony - Vol. 1
- Introduction
- What are modes?
- Mode 1 – minor Major 7
- Mode 2 – sus4 flat 9
- Melodic minor Improv Tips
- Mode 3 – Lydian Augmented
- Mode 4 – Lydian flat 7
- Mode 5 – slash chord
- Mode 6 – Locrian Natural 9
- Mode 7 – Altered scale
- Melodic Minor Harmony - Vol. 2
- Introduction
- Scales of Minor ii-V
- Minor voicings
- ii-V to minor
- ii-V to Major
- Sequences and Parallelism
- Creating a sequence pt 1
- Creating a sequence pt 2
- Chords of Melodic minor
- Applying melodic minor to song
- Tritones and Phat Chords
- Introduction
- What is a tritone?
- What is a substitution?
- Chords that use tritone subs
- Tritones and the bass
- V7 to I example bII7 to I
- ii – V7 – I example ii – bII7 – I
- Dominant vs. Tritone resolution
- Available tensions on Dom 7
- Voicings with quartals
- Inverting quartals
- Tensions that work well together
- Voicings with U.S.T.
- Using the U.S.T chart
- Using the quartals chart
- Applying to Abide With Me
- Upper Structure Triads Explained
- HWWe6 – Upper Structure Triads
- Upper Structure Triads
- 01-Dominant Upper Structure Triads
- 02-Minor and Major Upper Structure Triads
- 03-Misty Example
- 04-My Ship Example
- 05-Prelude To A Kiss Answers
- Boot Camp For Lovers Week 1
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Boot Camp For Lovers Week 2
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Boot Camp For Lovers Week 3
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Boot Camp For Lovers Week 4
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- Chapter 7
- Chapter 8
- Chapter 9
- Blues Piano Improvisation 101 - 1
- Root-5-7 Bassline
- Swing-Jazz Bassline
- Swing – Less Tension
- Shuffle pattern
- Funk bass
- Bassline Alterations
- What to practice
- Blues Piano Improvisation 101 - 2
- Triplet bassline
- 3-5 triplet lick
- Free form blues scale
- Triplet turns
- Licks and Accents
- Blues Piano Improvisation 101 - 3
- Basic Progression
- Quick Four
- Two Five to Four
- Jazz
- Licks
- Lick Application
- Blues Piano Improvisation 101 - 4
- Left-hand pattern
- Right hand licks pt 1
- Right hand licks pt 2
- What to practice
- Blues Piano Improvisation 101 - 5
- I to IV and IV to I walkups
- Walkup chords
- Example progression
- I chord motion
- Passing IV chord and Progression
- Blues Piano Improvisation 101 - 6
- Bluesy Song with Riffs pt. 1
- Song measure 3
- Song measure 5
- Song measure 7
- What to practice
- Blues Piano Improvisation 101 - 7
- Blues from snippets
- Blues turnarounds pt. 1
- Blues turnaround and ending
- What to practice
- Blues Piano Improvisation 101 - 8
- 8-Bar Bluesy Progression
- Getting the Blues Feel
- Simple Improv – The Feel pt. 2
- Course Wrap Up
- How To Create A Blues
- Introduction
- Basic Blues
- Basics Blues lines
- Gospel-like Blues pt 1
- Gospel-like Blues pt 2
- Gospel-like Blues pt 3
- Improv section left hand
- Improv section right hand pt 1
- Improv section right hand pt 2
- Creating your blues pt 1
- Creating your blues pt 2
- Rhythm Changes - Vol. 1
- Introduction
- Basic Changes pt1
- Basic Changes pt2
- V7 Changes
- Diminished Changes
- Bluesy/Gospel Changes
- Two-five of IV Changes
- My Typical Changes
- Sub V7 Changes
- Outside Changes
- Rhythm Changes - Vol. 2
- The B Section
- B section tri-tone substitutions
- Chords and comping techniques pt 1
- Chords and comping techniques pt 2
- Guide-tone voicings pt 1
- Guide-tone voicings pt 2
- B section neighbor chords pt 1
- B section neighbor chords pt 2
- Rhythm Changes Improvisation - Vol. 1
- Introduction
- Left-hand chords
- Ex1 – Major scale
- Ex2 – Whole tone and altered
- Using cells
- How to play fast
- Rhythm Changes Improvisation - Vol. 2
- Introduction
- Ex. 4 – Approaches pt 1
- Ex. 4 – Approaches pt 2
- Ex. 5 – Small Moves pt 1
- Ex. 5 – Small Moves pt 2
- Two-handed chords pt 1
- Two-handed chords pt 2
- Bassline in 10ths pt 1
- Bassline in 10ths pt 2
- Arrangement ideas
- CorePiano™ - Easy Piano Basics
- Introduction
- Notes of the piano
- Low and high notes
- The musical alphabet
- Finger numbers
- How to sit at the piano
- The grab technique
- Five finger scale
- G clef guideposts
- Steps and skips
- Half and whole-steps
- Higher and lower on staff
- The F clef
- The grand staff
- Barlines and measures
- Time signatures
- Ties
- Slurs
- The Pedals
- Repeats
- Playing hands together
- Sharps and flats
- Natural symbol
- Playing hands together pt 2
- Reading notes in groups and intervals
- Legato and staccato
- Major 5 finger scale
- Minor 5 finger scale
- Chords major and minor triads
- Chord symbols
- Key signatures
- Basic rhythms
- Outro
- Technique Builder Vol. 1
- Introduction
- Building the Scale Pt 1
- Building the Scale Pt 2
- Hands Together Pt 1
- Hands Together Pt 2
- Minor Mode Theory
- Using Process on A Min
- Using Process on A Minor Pt 2
- Excellent Rhythm Exercise
- Technique Builder Vol. 2
- F Major
- D Minor
- Bb Major
- G Minor
- Eb Major
- C Minor
- Technique Builder Vol. 3
- Ab Major
- F Minor
- Db Major
- Bb Minor
- Gb Major
- Eb Minor
- B Major
- Technique Builder Vol. 4
- A major
- E major
- D major
- B minor
- G major
- E minor
- G# minor
- C# Minor
- F# Minor
- "Minuet" Mozart - Vol. 1
- Introduction
- Surveying the tune
- M 1-4 Hands separately
- M 1-4 Hands together
- M 5-8 Hands separately
- M 5-8 Hands together
- "Minuet" Mozart - Vol. 2
- M 9-12 Hands separately
- M 9-12 Hands together
- M 13-16 Hands separately
- M 13-16 Hands together
- Musical details
- "Miniature Rondo" - Vol. 1
- Introduction
- Surveying the tune
- M 1-4 Hands separately
- M 1-4 Hands together
- M 5-8 Hands separately
- "Miniature Rondo" - Vol. 2
- M 5-8 Hands together
- M 9-16
- M 17-20
- M 21-24
- Musicality details
- "Minuet" Bach - Vol. 1
- Introduction
- Surveying the music
- M 1-4
- M 5-8
- M 9-12
- "Minuet" Bach - Vol. 2
- M 13-16
- M 17-20
- M 21-24
- M 25-28
- M 29-32
- "Fur Elise" - Vol. 1
- Introduction
- Surveying the music
- M 1-4
- M 5-8
- M 9-12
- "Fur Elise" - Vol. 2
- M 13-16
- M 16-19
- M 20-24
- Interesting tidbit
- Slow Minor Blues - Vol. 1
- Introduction
- Minor Blues Chords and Analysis
- Basic minor chord groove
- Progression 1 bassline
- Progression 1 chords
- Progression 2
- Progression Combinations
- Progression 3 pt 1
- Progression 3 pt 2
- 6/8 Basic blues pt 1
- 6/8 Basic blues pt 2
- 6/8 Extended blues pt 1
- 6/8 Extended blues pt 2
- Slow Minor Blues - Vol. 2
- Introduction
- Bassline and chords
- Adding tensions to the chords
- Scales for Improvisation
- 16th-note improvisation
- Scale chords
- Blues notes
- Crushed notes & double-stops
- Trills and trilling
- Turns
- Rhythmic cell improvisation
- Rhythmic cell comping
- Rhythmic cell exercises
- Slow Minor Blues - Vol. 3
- Introduction
- Basic Stride Pattern
- Octave Stride Double Stops
- Minor Stride Progression
- Minor Stride Blues pt 1
- Minor Stride Blues pt 2
- Minor Stride Blues pt 3
- Minor Stride Blues pt 4
- Minor Stride Blues pt 5
- Slow Bluesy Ragtime
- Introduction to Slow Bluesy Ragtime
- Scales and fingerings
- Left hand ragtime techniques
- Ragtime composition brainstorm
- Ragtime arrangement part 1
- Ragtime arrangement part 2 (m.13)
- Ragtime arrangement part 2 (m.13) #2
- Ragtime arrangement solo section
- Bb scales for improvisation
- Using the Bb blues scale over the improv section
- Making a simple Bb improvisation & wrapup
- Slow Gospel Blues
- Introduction
- The Basic Progression
- Dominant Motion
- Bass Motion
- I to vi Progression
- Building the Jazzy 7-3-6 Progression
- Tritone Substitution
- Bullet points of lesson
- Gospel Grooves
- Introduction
- A mixolydian scale chords
- 16th-note 2-hand exercises
- Groupings of 3
- Creating your own alterations
- D mixolydian scale chords
- IV mixolydian over the root
- I to IV walk up
- Minor 9th – Rise Up groove
- Gospel Piano Riffs - Vol. 1
- Introduction
- Get The Feel For a New Key
- Easy Bassline
- Drop Bassline
- Bassline And Chords
- Extended Bassline
- Easy Bassline in Octaves
- Drop Bassline in Octaves
- Extended Bassline in Octaves
- Extended Bassline Groove
- Gospel Piano Riffs - Vol. 2
- Introduction
- Chord Preparation Exercise
- Progression m1
- Progression m3
- Progression m7
- Progression m9
- Progression m13
- Jazz Neo Soul Chords and Arrangement
- Neo Soul Lesson
- Arrangements For Small Hands [HangWithWillie]
- Arrangements For Small Hands
- Left Hand Accompaniment Techniques
- Introduction
- Octaves and 5ths
- Block chord stabs
- Chord shells
- Broken shells
- Basslines
- Ostinato
- Melodic left-hand
- Rootless voicings
- Change the style
- Left to right mix
- Transposing Swing Baseline With Rootless Chords
- Hang #22
- Stride Piano and Pedaling Techniques
- Introduction
- Using the pedal pt 1
- Using the pedal pt 2
- Using the pedal pt 3
- Left hand chord variations pt 1
- Left hand chord variations pt 2
- Add right hand lick
- Moving to the IV chord
- My Simple Stride pt 1
- My Simple Stride pt 2
- Basic Stride Piano Techniques
- Introduction
- Basic Stride Progression
- C Major Pentatonic Scale
- Stride Pattern with Scale
- Descending Pentatonic
- Descending Pentatonic Together
- Progression Options
- Improvisation Patterns pt 1
- Improvisation Patterns pt 2
- Stride, Reggae, Funk and more! (Willie Answers)
- I Cant Get Started – analysis pt 1
- I Cant Get Started – analysis pt 2
- Reharmonization and melody conflicts
- Diatonic Walk ups
- Bill Withers – Use Me pt 1
- Bill Withers – Use Me pt 2
- Reggae grooves pt 1
- Reggae grooves pt 2
- Stride piano exercise
- Creating Contemporary Arrangements
- Introduction
- Change Dom7 to sus4
- Upper Structure Triads pt 1
- Upper Structure Triads pt 2
- Precede Dom 7 chords pt 1
- Precede Dom 7 chords pt 2
- Tritone Substitution
- Chord Tensions Inversions & Voicings
- Voicings pt 2
- Arrangement
- Harmonizing ANY melody note!
- Original Composition Techniques
- Introduction
- The song
- A Section
- B Section
- Improvisation pt 1
- Improvisation pt 2
- Ending and form
- Locked Hand Style over Georgia Bridge
- Georgia Bridge – Locked Hand Style
- "His Eye Is On The Sparrow"
- Introduction to Sparrow
- Analysis part 1
- Analysis part 2
- Creating a simple arrangement
- Contemporize discovery
- Discovery pt. 2 (m.9)
- Arrangement part 1
- Arrangement part 2 (m. 9)
- Arrangement part 3 (m. 12)
- Arrangement part 4 (m. 21)
- Improvisation part 1
- Improvisation part 2
- "Wade In The Water"
- Easy arrangement
- Discovery phase pt. 1
- Discovery phase pt. 2 (m. 9)
- Arrangement Part 1
- Arrangement Part 2 (m. 5)
- Arrangement Part 3 (m.9)
- Arrangement Part 4 (m.13)
- Contemporary Discovery phase pt 1
- Contemporary Discovery phase pt 2
- Wrap Up
- "Swing Low, Sweet Chariot" - Vol. 1
- Introduction
- Part 1
- Part 2 (m2)
- Part 3 (m5)
- Part 4 (m7)
- Part 5 (m9)
- Part 6 (m13)
- Ending
- "Swing Low, Sweet Chariot" Improvisation - Vol. 2
- Introduction
- Broken chords
- Feeling 3 against 2
- Step 2 – mixed chord tones
- Step 3-Passing tones
- Step 4 – Rests and rhythm
- Step 5 – bluesy
- Wrap up
- O Lamb of God
- Introduction
- The melody
- The chords
- Filling out the progression 1
- Filling out the progression 2
- Filling out the progression 3
- Each chord broken down
- Shout Chorus
- Improvising over the sequence
- Advanced improvisation
- Final tips
- "Thank You Lord"
- Introduction
- Part One
- Part Two – Dominant motion
- Part Three – Measure 5
- Sus Sound…continuing the song
- Passing chords
- Passing chords (review)
- Creating richer chords
- Measure 13
- Cool Turnaround
- Walk Downs
- I Wish I Knew How It Would Feel To Be Free
- Introduction
- Intro m1-5
- Intro m5-8
- Intro m9-12
- Intro m13-16
- The Verse pt 1
- The Verse pt 2
- Verse and Analysis
- Coda and Improv Ideas
- "Danny Boy" - Londonderry Air
- Introduction
- Danny Boy – the melody
- Applying I-IV-V chords to melody
- More interesting triad accompaniments
- Adding dominant motion to chords
- Preceding dominant chords w/related ii
- Precede related ii with dominant
- Precede dominant with related ii (ext.)
- Using tritones to add color
- Getting ideas from other lead sheets
- Explaining the Arrangement
- Disc 2 Intro
- Arrangement Part 1
- Arrangement Part 2
- Arrangement Part 3
- Arrangement Part 4
- Arrangement Part 5
- Danny Boy Improv Part 1
- Danny Boy Improv Part 2
- Danny Boy Improv Part 3
- "Don't Know Why" - Norah Jones - Vol. 1
- Introduction
- Creating an accompaniment
- Being aware of the melody
- Left-hand fluidity
- What to practice
- "Don't Know Why" - Vol. 2
- Introduction
- Pop Left Hand
- Minor Pentatonic
- Solo Pt 1
- Solo Pt 2
- Solo Pt 3
- Rock Piano Articulation
- "In A Sentimental Mood"
- Introduction
- Analysis pt 1
- Analysis pt 2
- Analysis pt 3
- Analysis pt 4
- Easy Arrangement Steps
- Reharmonization pt 1
- Reharmonization pt 2
- Reharmonization pt 3
- Arrangement pt 1
- Arrangement pt 2 (m7)
- Arrangement pt 3 (m10)
- Arrangement pt 4 (Bridge)
- Arrangement pt 5 (coda)
- "Blessed Assurance"
- Blessed Assurance Introduction
- Blessed Assurance pt. 1 – Easy (triads)
- Blessed Assurance pt. 2 (broken chords)
- Creating a drum beat
- Blessed Assurance – discovery pt. 1
- Blessed Assurance – discovery pt. 2
- Blessed Assurance – discovery pt. 3
- Blessed Assurance – discovery pt. 4
- Blessed Assurance – arrangement pt. 1
- Blessed Assurance – arrangement pt. 2
- Blessed Assurance – arrangement pt. 3
- Piano Hand Coordination
- Introduction
- Willie’s story
- Shuffle confusion
- Shuffle Exercise
- Fingering matters!
- Straight – New Orleans
- Funk sectioning
- Getting Focused (Audio Lesson)
- Chapter 1
- Chapter 2
- Chapter 3
- Insights for Practice
- Insights for Practice
- "Black Orpheus" Improvisation (Manha De Carnaval)
- Introduction
- Arrangement m1-3
- Quintuplets m4
- Arrangement m5
- Arrangement m7
- Arrangement m8
- Arrangement m13
- Flourishes And Simple Arpeggios
- Arrangement m17
- Arrangement m23
- Tips
- "Body and Soul" - Vol. 1
- Introduction
- Original Melody and Harmony
- Bebop Scale Harmony and Flurry Passage
- Reharmonizing Measure 2
- Melodic Embellishment and Reharm
- Harmonizing Measure 5
- Using Reharm to Create Motion
- Reharmonizing Measure 7
- Inserting a Minor ii Chord
- "Body and Soul" - Vol. 2
- Introduction
- Learning the Original Melody
- Harmonizing and Melodic Embellishment
- Harmonizing M 19-20
- Using Diminished Scale Theory
- Creating Internal Motion
- Melodic Embellishment M 22
- Melodic Embellishment M 23
- Playing Extreme Registers
- "Don't Get Around Much Anymore"
- Introduction
- Active Listening
- Importance of Form
- Bebop Scale Theory
- Harmonizing Bebop
- Planning Technique
- Another Bebop Scale
- "Don't Get Around Much Anymore" Vol. 2
- Using Unisons and 10ths M6
- Filling Space M7
- Stride Technique M21
- Stride Technique M17
- Filling Space in M16
- Creating an Intro
- Creating an Ending
- "Blue Bossa" - Vol. 1
- 00-Introduction
- 01-Harmonizing in 6ths
- 02-I minor 6 chord
- 03-Bonus material
- 04-Inserting a V chord
- "Blue Bossa" - Vol. 2
- inserting-a-chord-bar-4
- chromatic-walkup
- tritone-sub-in-bar-10
- turnaround
- Playing a montuno
- Fingering, Arpeggios and Chords
- Piano Fingerings pt1
- Piano Fingerings pt2
- Piano Fingerings pt3
- Piano Fingerings pt4
- Creating & Practicing Arpeggios pt 1
- Creating & Practicing Arpeggios pt 2
- Creating & Practicing Arpeggios pt 3
- Creating & Practicing Arpeggios pt 4
- Arpeggios & Fills pt 1
- Arpeggios & Fills pt 2
- Arpeggios & Fills pt 3
- Apply chords to a simple melody pt 1
- Apply chords to a simple melody pt 2
- Apply chords to a simple melody pt 3
- Apply chords to a simple melody pt 4
- Triad Primer
- Introduction
- What Are Chords
- Forming Triads by Scale
- Forming Triads by Interval
- Minor Triads
- Chord Progressions
- Easier Movement with Inversions
- Exercises
- Rock Piano Basics
- Introduction
- Triad basics / Major triads
- Root-position minor triads
- Triad Inversions
- When To use Triad Inversions
- Seventh chords and usage in Rock
- Putting chords to a melody
- Rock accompaniment techniques (Piano man)
- Rock accompaniment ex. A
- Rock accompaniment ex. B
- Rock accompaniment ex. C
- Rock accompaniment ex. D
- Conclusion – Slash Chords
- Rock Soloing Techniques
- Introduction to Rock Soloing
- Trills
- 32nd note chromatic
- Upbeat double-stop
- Passing IV to I
- Suspension w/ minor
- Double-stop Grit
- 32nd note Upbeat
- Sextuplets
- Sextuplet Grooving
- Building your solo
- Suzuki Workshop - Easy Rock and Blues Grooves
- Chapter 1
- Chapter 2 – oom pahs and easy blues song
- Chapter 3 (change)
- Chapter 4 (Red group)
- Chapter 5 (Blue group)
- Chapter 6 (Orange group-Advanced)
- Chapter 7 (Advanced accompaniments)
- Rock Groove Concepts
- Introduction
- Basic Rock Comping and Inversions
- Ghosting with 1/8th notes
- Ghosting with 1/16th notes
- Filling groove dead spots
- Rock Groove #1
- Rock Groove #2
- Create your own fills Exercise 1
- Outer/inner exercise
- Back to root exercise
- Rock Groove #3
- "Feelin' Alright"
- Introduction
- Intro Groove
- Intro Groove Alterations
- Lick A
- Scales
- Lick B
- Lick C
- Lick D
- Ending Groove
- "Use Me" - Vol. 1
- Introduction
- Keyboard licks part 1
- Keyboard licks part 2
- Pad voicings pt 1
- Pad voicings pt 2
- Safe chords
- Minor pentatonic
- Syncopated licks
- Scale sequences pt 1
- Scale sequences pt 2
- "Use Me" - Vol. 2
- Introduction
- 3 note grouping run
- Improv scales
- Dorian chord run
- 16th note triplets
- 32nd note arpeggios
- Dorian block chords
- Phat chord stabs
- Taking it outside
- Organ drawbars
- "Superstition" - Stevie Wonder
- Introduction
- The Basic Line
- Fill out the line
- Horn Line
- The Bridge/Interlude
- Descending Horn Line
- Minor Diatonic Triads
- Minor harmony clarification
- Harmonizing the horn line
- Diatonic Triad Scale
- Improv 1 – Intro & 5 note groupings
- Improv 2 – 3 note groupings
- Improv 3 – random quartals
- The math of groupings
- Richard Tee - Tribute
- Introduction
- Blues secrets
- Blues secrets pt 2 (articulation)
- The introduction
- The introduction pt2
- Section A (m5)
- Section A pt 2 (right hand)
- Section B (m9)
- Coda section
- Groove Improvisaiton
- "Chameleon" Bass Lines w/ Improvisation
- Introduction
- Chameleon Bass line
- Four note groupings
- 4-note groupings going up scale
- Groove #1 over bassline
- Groove #2 over bassline
- 1/2-whole diminished pattern #1
- 3- and 4-note groupings
- 3-note grouping pattern
- Cool chord patterns
- Creating a funk composition
- "I Wish" - Stevie Wonder
- I Wish Introduction
- A section part 1
- A section part 2
- B section
- C section
- Section D
- Beginner improvisation ideas
- Advanced improvisation ideas
- Chordal pattern improv
- B section improvisation
- 5-note grouping improvisation
- Combination of groupings
- Bassline alterations
- "Mercy, Mercy, Mercy"
- Measure 1
- Measure 9
- Measure 13
- Measure 16
- Tips and Tricks
- Improvisation
- Improv pt 2
- Improv pt 3
- "The Chicken" - Pee Wee Ellis
- Introduction
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Chapter 5
- Chapter 6
- "The Chicken" Vol. 2 - Improvisation
- Introduction
- Rootless Chords
- Improvisation Exercise
- The Solo Pt 1
- The Solo Pt 2
- The Solo Pt 3
- The Solo Pt 4
- The Solo Pt 5
- The Solo Pt 6
- "Blackbird"
- Introduction
- Part 1
- Part 2
- Part3
- Part 4
- Part 5
- Creating Your Style pt1
- Creating Your Style pt2
- Fluidity
- Improv pt 1
- Improv pt 2
- "Moondance" - Song - Van Morrison
- Introduction
- Bassline
- Verse 1st Part – pt 1
- Verse 1st Part – pt 2
- Verse 2nd Part – pt 1
- Verse 2nd Part – pt 2
- Chorus pt 1
- Chorus pt 2
- Ending
- "Moondance" Improvisation
- Introduction
- Triplet Triads Lick
- Triplet Triad Octaves Lick
- Double-Stop Lick
- Triplet Tritone Lick
- Tritone Floyd Cramer Lick
- Broken Chord Lick
- Repeated Note Lick
- Triplet Grouping Lick
- Octave Grouping Lick
- Descending Minor Lick
- "Every Breath You Take" - Jazz Reharm Part 1
- Introduction
- Measure 1-6
- Measure 7-15
- Measure 16-24
- "Every Breath You Take" - Jazz Reharm Part 2
- Measure 24-34
- Measure 35-44
- Coda
- Solo over the vamp
- "Sunny" Smooth Jazz Version
- Introduction
- Groove Intro With Quartal Chords
- Smooth Jazz Chords pt 1
- Smooth Jazz Chords And Voicings
- Smooth Jazz Chords And Voicings pt 2
- "Sunny" Smooth Jazz Improvisation
- Introduction
- Analysis, chords and form
- Chords in the right hand
- Jam 1
- Jam 2
- Jam 3
- Jam 4
- Advanced Jazz and Blues - Vol. 2A
- Introduction
- Part 1 (m1)
- Part 2 (m6)
- Part 3 (m9)
- Part 4 (m13)
- Part 5 (m18)
- Target Notes
- Part 6 (m21)
- Scales for improvisation
- Sprints – Getting faster
- Advanced Jazz and Blues - Vol. 2B
- How do the MIDI files work?
- Blues voicings
- pt 1-Choosing notes for improv
- pt 2-Target notes
- pt 3-Play anything exercise
- Chromatic exercise pt 1
- Chromatic exercise pt 2
- Octave linking
- Bb minor pentatic exercise
- Bb blues scale
- What Child Is This
- 00-Introduction
- 01-M 1-4 A Section Easy
- 02-M 5-8 A Section Easy
- 03-M 9-12 A Section Adv
- 04-M 13-16 A Section Adv
- 05-M 17-20 B Secion Easy
- 06-M 17-24 B Section Easy
- 07-M 17-20 Adv
- 08-M 29-32 B Section Adv
- PianoWithWillie Live 12/3/13
- PianoWithWillie Live 12/3/13
- PianoWithWillie Live 12/17/13
- PianoWithWillie Live 12/17/13
- PianoWithWillie Live 1/7/14
- PianoWithWillie Live 1/7/14
- PianoWithWillie Live 1/21/14
- PianoWithWillie Live 1/21/14
- PianoWithWillie Live 2/4/14
- PianoWithWillie Live 2/4/14
- PianoWithWillie Live 2/11/14
- PianoWithWillie Live 2/11/14
- PianoWithWillie Live 2/25/14
- PianoWithWillie Live 2/25/14
- PianoWithWillie Live 3/7/14
- PianoWithWillie Live 3/7/14
- PianoWithWillie Live 3/11/14
- PianoWithWillie Live 3/11/14
- PianoWithWillie Live 3/25/14
- PianoWithWillie Live 3/25/14
- PianoWithWillie Live 3/19/14
- PianoWithWillie Live 3/19/14
- Students' Questions Answered (Willie Answers)
- Question 1 part 1 (Outside ii-V-I)
- Question 1 part 2 (Outside ii-V-I)
- Question 2 (Turnaround Rule)
- Question 3 (Arpeggio Fingering)
- Question 4 part 1 (Approaching Target Chords)
- Question 4 part 2 (Approaching Target Chords)
- Question 5 part 1 (More Approaching Target Chords)
- Question 5 part 2 (More Approaching Target Chords)
- Accompaniment Toolkit
- Introduction
- Intros part 1
- Intros part 2
- Intros part 3
- Melodic Voicings - Comping
- Swing Comping
- Ballad Comping
- Endings
- Accompaniments and Turnarounds
- Introduction
- #1 Boogie Shuffle
- #2 Shuffle
- #3 Boogie Octaves
- #4 Jazz
- #5 Country
- #6 Tango
- #7 New Orleans
- #8 Funk
- Applying patterns to the Blues (1)
- Applying patterns to the Blues (2)
- Master Class 1-11-2013
- class-1-11-2013
- Improvisation With Chords and Inversions - Vol. 1
- Why use chord tones for improv?
- Diatonic triads and seventh chords
- Common chord progressions
- Creating your own chord progression
- Using chords outside the diatonic scale
- Inverting Chords
- The flat VII chord
- Flat II III VI chords
- Harmonic motion (chord rhythm)
- Diminished passing chords
- Dominant motion
- Slash passing chords
- Breaking up the chords: arpeggios+
- Adding the 9th
- Suspended chords and grace notes
- Creating a chord improvisation
- Improvisation Using Chords and Inversions - Vol. 2
- Introduction
- Diatonic clustering
- Non-diatonic cluster
- ii-V-I cluster
- Clustering wrapup
- Slash sus and diminished
- Guide tone improv
- Jazz/Gospel Progression
- Filling out guide tone lines
- Pentatonic lick pt 1
- Pentatonic lick pt 2
- Jazz and Gospel Exercises
- Scorch Plug In
- Gospel Ex. A
- Gospel Ex. B
- Gospel Ex. B pt. 2
- Gospel Ex. C
- Gospel Ex. D
- Gospel Ex. E
- Gospel Ex. F
- Gospel Ex. G
- Gospel Ex. H
- Gospel Ex. I
- Jazz Intro
- Jazz 2-5-1 Ex. A
- Jazz 2-5-1 Ex. B
- Jazz 2-5-1 Ex. C
- Jazz 2-5-1 Ex. D
- Jazz 2-5-1 Ex. E
- Jazz 2-5-1 Ex. F
- Jazz 2-5-1 Ex. G
- Jazz 2-5-1 Ex. H
- Jazz 2-5-1 Ex. I
- Jazz 2-5-1 Ex. J
- Jazz 2-5-1-V7 Ex. K pt. 1
- Jazz 2-5-1-V7 Ex. K pt. 2
- Jazz 2-5-1-V7 Ex. K pt. 3
- Jazz Hands Together
- Hanon Mastery
- Scorch Plug In
- Core Concepts pt.1
- Core Concepts pt.2
- Core Concepts pt.3
- Hanon Exercise #1
- Hanon Exercise #2
- Hanon Exercise #3
- Hanon Exercise #4
- Hanon Exercise #5
- Hanon Exercise #6
- Hanon Exercise #7
- Hanon Exercise #8
- Hanon Exercise #9
- Hanon Exercise #10
- Chord Straddles pt.1
- Chord Straddles pt.2
- Chord Straddles pt.3
- Musical Hanon pt.1
- Musical Hanon pt.2
- Musical Hanon pt.3
- Musical Hanon pt.4
- Musical Hanon pt.5
- Musical Hanon pt.6
- Musical Hanon pt.7
- Musical Hanon pt.8
- Musical Hanon pt.9
- Musical Hanon pt.10
- All 12 Major Scales 2-hands
- Two Minute Piano
- Introduction Blues Riff
- Improvisation starting note
- Choosing improvisation scales
- Quartal 2-5-1 voicings
- 2-5-1 lick in E
- 2-5-1 lick in E altered
- Gospel country groove
- Latin intro/ending groove
- Octave Blues Riff
- Blues lick
- Jazz lick #1
- Chord Tips
- Chord Tips
- Improvisation Techniques for All levels
- Introduction
- Practical elements of improvisation
- What notes do I play?
- What rhythm do I use?
- Avoiding fingering problems
- Starting small…a few measures
- Starting with chord tones
- Spice it up with upbeats
- Using Approaches
- Chord guide tones and usage
- Chord/scale relationship
- Arpeggios and their usage
- Fluid Improvisation Exercises
- Essential Scale Tricks - How To Learn Scales Faster
- Introduction
- Major chord scales pt 1
- Major chord scales pt 2
- Minor chord scales
- Dominant chord scales
- Creating your own scales
- Lydian flat 7
- Finding Scale Secrets
- Finding Scale Secrets
- Dominant Bebop Scale
- Dominant Bebop Scale
- Diatonic Chords - Vol. 1
- Introduction
- What is a Scale Degree
- Stacking 3rds to Create Triads
- Using Roman Numerals
- Stacking 3rds to Create 7th Chords
- Diatonic Chords - Vol. 2
- Using Roman Numerals (7th chords)
- Harmonic Analysis
- Roman Numeral Formula
- Transposition Practice
- Mini Lessons
- i-Scale fingerings on other notes
- i-Fly Me ballad to swing pt 1
- i-Fly Me ballad to swing pt 2
- Mini Lesson: Creating Jazz Chords
- Creating Jazz Chords
- HangWithWillie - Nov. 29th Session - Beginner
- Chapter 1
- Chapter 2
- Chapter 3
- HangWithWillie - Nov. 29th Session - Advanced
- Chapter 1
- Chapter 2
- Chapter 3
- HangWithWillie - Nov. 27th Session
- Chapter 1
- Chapter 2
- Chapter 3
- "You Don't Know Me"
- Introduction
- The introduction
- m4 A section
- m8 First Ending
- m8 Second ending
- m16 Bridge
- Form and modulation
- The end tag
- Improv tips pt 1
- Improv tips pt 2
- "Blue In Green"
- Step 1 – Easier / Less Motion
- Step 2 – Adding Motion and Substitutions
- Step 3
- Step 4 – Ending
- "That's Life" - Vol. 1
- Introduction
- The entire arrangement
- The intro
- Measures 5-8
- Measures 9-20
- Measures 21-28 bridge
- Measures 29-36
- The coda
- "That's Life" - Vol. 2 (improvisation)
- Chapter 1
- Chapter 2
- Chapter 3
- "Look of Love"
- Introduction
- Arranging Steps
- Song Intro
- Measure 5-12
- Measure 13-20
- Measure 21-30
- Measure 31-End
- Accompanying Yourself
- "What A Difference A Day Made"
- What A Difference A Day Made – Intro
- The Melody
- Discovery phase pt. 1
- Discovery phase pt. 2 (m. 17)
- Arrangement Part 1
- Arrangement Part 2 (m.9)
- Arrangement Part 3 (m.24)
- Chords you can take out for improv
- Three note improvisation pt. 1
- Three note improvisation pt. 2
- "Will You Still Love Me Tomorrow" - Carole King
- The Arrangement
- "Ring of Fire" - Ray Charles
- Intro
- Verse
- Chorus
- Chorus Pt 2
- Fill Idea 1
- Fill Idea 2
- Improvisation Ideas
- Horn Line Intro
- "I Heard It Through The Grapevine" - Marvin Gaye
- Introduction
- Intro-section
- Verse
- Pre-chorus
- Chorus
- Interlude
- Outro
- "In My Life" - Vol. 1
- Introduction
- Intro, Measures 1-4
- Measures 5-7
- Measures 8-10
- Measures 11-14
- "In My Life" - Vol. 2
- Measures 15-17
- Measures 18-20
- Solo Measures 21-28
- Measures 29-43
- "Ain't No Mountain High Enough"
- introduction
- verse-a-section
- verse-b-section
- chorus-section
- bridge-section
- verse-a1-section
- verse-b1-section
- chorus-1-section
- "Don't Stop Believin'" - Journey
- Part 1
- Part 2
- Part 3
- "Isn't She Lovely" - Stevie Wonder
- Introduction
- Chord Rhythm
- Chords of the Song
- Add Chords to the Melody
- Scales for Improvisation
- Building a Solo
- "New York State Of Mind" - Billy Joel
- Introduction
- Intro
- Verse Part 1
- Verse Part 2
- Bridge
- Ending
- "I Want You Back"
- Jackson 5 – I Want You Back – Introduction
- Errata – A section fix…
- A section groove
- A section groove analysis
- New analysis of fixed A section
- B section
- B2 section – quiz
- C section
- C2 and D section
- Want you back – improv pt 1
- Want you back – improv pt 2
- Want you back – improv pt 3
- "Man in the Mirror" - Michael Jackson
- Introduction
- The Intro
- Pg 1, Line 2
- Pg 1, Line 3
- Pg 1, Line 4
- Pg 1, Line 5
- Pg 2, Line 1
- Pg 2, Line 2
- Chorus
- Pg 2, Line 5
- Ending
- The 80's - Vol. 1
- Introduction
- How Will I Know Pt 1
- How Will I Know Pt 2
- How Will I Know Pt 3
- How Will I Know Pt 4
- How Will I Know Pt 5
- The 80's - Vol. 2
- Billie Jean Pt 1
- Billie Jean Pt 2
- Time of My Life Pt 1
- Time of My Life Pt 2
- Time of My Life Pt 3
- Time of My Life Pt 4
- Time of My Life Pt 5
- "I Feel Good"
- Introduction to I Feel Good
- Bassline for part 1
- Creating new basslines
- Interlude/Shout Chorus
- Last chorus with tag
- Comping techniques
- Comping part 2
- Improvisation part 1
- Sixteenth note improv part 1
- Sixteenth note improv part 2
- "This Is My Last Affair" - The Meters
- Introduction
- Basslines pt 1
- Basslines pt 2
- Melody pt 1
- Melody pt 2
- Improv – Scales
- Blues scale
- Holds and Double Stops
- Working licks – plus Ending
- But I play piano!
- "Tipitina" - As Played By Dr. John
- Introduction
- Measure 1
- Measure 2
- Measure 3
- Measure 4
- Measure 5
- Measure 6
- Measure 7
- Measure 8
- "Someone Like You" - Adele
- Introduction
- Part 1 Verse
- Part 2 Interlude
- Part 3 Chorus
- Part 4 Interlude
- Bridging the Gap
- Advanced Concepts
- Improvising Over Standards in 5 Steps
- Introduction
- Original melody
- Melodic embellishment
- Guide tones
- Chord tones
- Approaches
- Chord scale relationship
- Chord scale exercise
- Improvisation Over Basslines
- Improvisation over bassline pt 1
- Improvisation over bassline pt 2
- Improvisation over bassline pt 3
- Improvisation over bassline pt 4
- Improvisation Cells
- Hang #5: Improvisation Cells
- Using Quartals in Your Improvisation
- Using quartals pt 1
- Using quartals pt 2
- Using quartals pt 3
- Improvising Lines Over Songs
- Hang #10: Improvising Lines Over Songs
- Classic Jazz Piano Endings Part 1
- Intro
- A Train Ending
- Basie Ending
- Boogie Woogie Style
- Ladybird-Changes
- I-VI-II-V Ending
- Classic Jazz Piano Endings Part 2
- Orange colored sky
- Amen Ending
- Stevie Ray Vaughan Blues
- Up a minor 3rd
- Chromatic Walk-down
- 10 Jazz and Blues Licks
- Lick 1
- Lick 2
- Lick 3
- Lick 4
- Lick 5
- Lick 6
- Lick 7
- Lick 8
- Lick 9
- Lick 10
- "A Mid-Summer Session"
- Introduction
- Part 1
- Part 2
- Part 3
- Part 4
- Part 5
- Part 6
- Part 7
- Creating The Song pt. 1
- Creating The Song pt. 2
- Creating The Song pt. 3
- Playing Around
- Conclusion
- 5 Must Have Rhythms
- Hang #7: 5 Must Have Rhythms
- Chord Essentials Tips
- Chord Essentials Tips
- Hand Coordination Technique for Improv
- Step 1 – Start With Simple Bass Pattern
- Step 2 – Add A Lick
- Step 3 – Repurpose A Lick Rhythm
- Step 4 – Make Small Bassline Changes
- Scary Halloween Music
- Scary Piano Music
- "Summer Samba"
- Introduction to Bossa Nova
- Basic Bossa version
- Basic Bossa version m7
- Bassline with anticipation
- Adding fills to Bossa groove
- Chromatic Fills & 6ths
- Bossa bassline fills
- Bossa tag/turnaround
- Bossa ending
- "Jolly Ol' Saint Nick"
- Jolly Old St. Nick pt 1
- Jolly Old St. Nick pt 2
- Jolly Old St. Nick pt 3
- Jolly Old St. Nick pt 4
- Jolly Old St. Nick pt 5
- Jolly Old St. Nick pt 6
- Jolly Old St. Nick pt 7
- Jolly Old St. Nick pt 8
- Jolly Old St. Nick pt 9
- Arranging Christmas Songs - The First Noel
- Chapter 1
- Chapter 2
- Chapter 3
- Chapter 4
- Secondary and Extended Dominants
- Secondary & Ext. Dominants pt 1
- Secondary & Ext. Dominants pt 2
- Secondary & Ext. Dominants pt 3
- Fixing Chord Progressions
- Introduction to Fixing Chord Progressions
- Natural Minor Scale
- Natural Minor Diatonic Chords
- Harmonic Minor & chords
- V7 or V-7? V7 chord in minor
- Minor chord progression
- Step 1) Chord quality
- Step 2) Harmonic rhythm
- Step 3) Listen for Odd chords
- Progression part 2/3
- Chord accompaniment
- Big Chords, Progressions & Fills
- Introduction to Big Chords
- Chord Tensions
- Big Sounding Chord Secrets
- Big Sounding Chord Secrets 2
- Good and Poor Chord choices
- Basic Progression
- Basic Progression with Broken Chords
- Contemporize a Progression
- Flowing Left Hand
- Adding Re-harm to Contemporary Progression
- Chord Progression Fills
- Easy Gospel Basics
- Introduction
- Basic I-IV groove and lick
- Adding Grace Notes
- Passing IV chord
- I-IV-V7-vi progression
- Diminished passing chords
- V7sus slash chord
- Diminished Fill
- Popular Cadence Pattern
- Jazz Gospel Chord Progression
- Jazz Gospel Chord Progression
- Easy Gospel Bass - Ethel Caffie-Austin
- Introduction
- One chord bassline
- Scale chords
- Tri-tone shells
- Common Walkup
- Pentatonic Gospel
- Walkup with progression
- Preacher Chords
- Preacher Chords Intro
- Major scales
- Scale chords – diatonic chords
- Alternate inversion of scale chords
- G7 groove
- Eb7 groove
- Basic “preaching” progression
- Adding the grace note
- IV chord scale groove
- Diminished chords in tenths
- “Phat” V7 chords with neighbors
- “House Raising”
- Putting these concepts together
- My Yiddishe Momme
- Introduction
- Measure 1-4
- Measures 5-8
- Measures 9-14
- Measures 15-20
- Measures 21-26
- Measures 27-31
- Coda Part 1
- Coda Part 2
- Analysis
- "Salsa Bop"
- Introduction
- The song – piano roll
- Part 1
- Part 2
- Part 3
- Part 4
- Part 5 – B Section
- Part 6 – different montuno
- Part 7
- Improvisation scales
- Improv licks part 1
- Improv licks part 2
- Advanced Warm Up Exercises For Piano
- Hang #9: Advanced Warm Up Exercises For Piano
- "Every Prayer"
- Introduction
- Figuring out the song Part 1
- Figuring out the song Part 2
- Figuring out the song Part 3
- Figuring out the song Part 4
- The Song Part 1
- The Song Part 2
- The Song Part 3
- The Song Part 4
- Improvisation Part 1
- Improvisation Part 2
- Warmups and Improvisation
- Scorch Plug In
- Introduction
- 5-finger scale & technique
- Major Scale exercises
- Major Scale Improv
- Minor scales
- Quartal Exercises
- Free Quartals
- Quartal grooves
- Arpeggios
- Diminished *rack*
- Chromatic scale
- Overview of my warmup routine
- Stretching to warmup
- Rootless Chords Exposed
- 01-Rootless Chord Confusion pt 1
- 02-Rootless Chord Confusion pt 2
- 03-Rootless Chord Confusion pt 3
- 04-Moon River Example
- 05-Rootless Chord Improvisation
- 06-Modified Rootless Chords
- 07-How to Practice Rootless Chords
- 50's Blues Rock Piano
- Hang #16
- Rock Piano Arranging
- Rock Piano Arranging
- Rock Soloing with Pentatonics
- Hang #12: Rock Soloing with Pentatonics
- How to Improvise Over Rock Songs
- Hang #18
- 12/8 Piano Grooves
- Hang #15
- "Les Miserable" Improvising
- Mis
- Exercises in 7/8 (Willie Answers)
- Exercise in 7 pt 1
- Exercise in 7 pt 2
- Exercise in 7 pt 3
- Exercise in 7 pt 4
- Exercise in 7 pt 5
- Exercise in 7 pt 6
- Exercise in 7 pt 7
- Exercise in 7 pt 8
- Suzuki Piano Institute 2012 Lesson
- Introduction
- Beginner
- Intermediate
- Advanced
- Filling Out Chord Progressions
- Filling Out Chord Progressions
- 5 Ways To “Lock In” Chords At The Piano
- Hang #14
- Understanding Chords
- Hang #17
- Creating Modal Chords
- Hang #23
- Walking Bass At The Piano
- Episode #1: Walking Bass At The Piano
- Ear Training 1 Boot Camp - Lesson 1
- Ear Training 1 Bootcamp - Lesson 1
- Ear Training 1 Boot Camp - Lesson 2
- Ear Training 1 Bootcamp - Lesson 2
- Ear Training 1 Boot Camp - Lesson 3
- Ear Training 1 Bootcamp - Lesson 3
- Ear Training 1 Boot Camp - Lesson 4
- Ear Training 1 Bootcamp - Lesson 4
- Ear Training 1 Boot Camp - Lesson 5
- Ear Training 1 Bootcamp - Lesson 5
- Ear Training 2 Boot Camp - Lesson 1
- Ear Training 2 Bootcamp - Lesson 1
- Ear Training 2 Boot Camp - Lesson 2
- Ear Training 2 Bootcamp - Lesson 2
- Ear Training 2 Boot Camp - Lesson 3
- Ear Training 2 Bootcamp - Lesson 3
- Ear Training 2 Boot Camp - Lesson 4
- Ear Training 2 Bootcamp - Lesson 4
- Session 1
- Session 1
- Session 2
- Session 2
- Session 3
- Session 3
- Session 4
- Session 4
- Adv. Improv Session 1
- Session 1
- Adv. Improv Session 2
- Session 2
- Adv. Improv Session 3
- Session 3
- Adv. Improv Session 4
- Session 4
- Tech. Builder Boot Camp Session 1
- Session 1
- Tech. Builder Boot Camp Session 2
- Session 2
- Tech. Builder Boot Camp Session 3
- Session 3
- Tech. Builder Boot Camp Session 4
- Session 4
- Tech. Builder Boot Camp Session 5
- Session 5
- Piano Challenges #1-10
- Challenge #1 - STRONGER Fingers Fills Exercise in 3rds
- Challenge #2 - Coolest Minor Chord Voicing And Progression
- Challenge #3 - Jazz & Blues Piano Lick Broken Down
- Challenge #4 - Ed Sheeran Perfect Piano Tips
- Challenge #5 - Get Smooth Piano Chords
- Challenge #6 - Country Rock Piano Style
- Challenge #7 - Rootless Jazz Piano Chords Part 1
- Challenge #8 - Funky Bass Lines!!
- Challenge #9 - Super Funky Piano Chord Pattern and Riff
- Challenge #10 - Rootless Jazz Piano Chords Explained Part 2
- Piano Challenges #11-20
- Challenge #11 - 3 Must Have 2-5-1 Chord Voicings for Jazz Piano Players
- Challenge #12 - 4 EASY Left Hand Piano Tips, Part 1 of 2
- Challenge #13 - 4 EASY Left Hand Piano Tips, Part 2 of 2
- Challenge #14 - Slick Dominant 7th Chord Voicings
- Challenge #15 - Bebop 2-5-1 Lick Piano Tutorial
- Challenge #16 - Bebop Piano Lick part 2
- Challenge #17 - Funky Piano Progression and Lick with Sheet Music
- Challenge #18 - Write Your Own Song with This Minor Chord Progression!
- Challenge #19 - Killer Jazz Piano Lick Part 1
- Challenge #20 - Killer Jazz Piano Lick Part 2
- Piano Challenges #21-30
- Challenge #21 - Bill Evans Major 7th Lick
- Challenge #22 - Really Cool Jazz Ending
- Challenge #23 - Rock Piano Octaves Part 1
- Challenge #24 - Rock Piano Octaves Part 2
- Challenge #25 - Slick Jazz Minor Quartal Groove Progression
- Challenge #26 - Minor Pentatonic Improvisation Lick
- Challenge #27 - Hip Minor Piano Chord Voicing
- Challenge #28 - Hip Dominant Piano Chord Voicing
- Challenge #29 - Hip Major 7th Piano Chord Voicing
- Challenge #30 - Cool Piano Improv Lick and Chords with Backing Track
- Piano Challenges #31-40
- Challenge #31 - Dr. John New Orleans Piano Lick
- Challenge #32 - Dr. John New Orleans Blues Licks with Bassline
- Challenge #33 - Blues Piano Shuffle Lick
- Challenge #34 - Play FASTER Piano Scales and Improvisation
- Challenge #35 - Jazz Piano Chords and Comping
- Challenge #36 - Playing with Hand Injuries
- Challenge #37 - Easy Slow Blues Piano Part 1
- Challenge #38 - Easy Slow Blues Piano Part 2
- Challenge #39 - Easy Slow Blues Piano Part 3
- Challenge #40 - Easy Slow Blues Piano Part 4
- Piano Challenges #41-48
- Challenge #41 - Easy Slow Blues Piano Part 5
- Challenge #42 - Polyrhythms at the Piano
- Challenge #43 - Easy 9th Chords For Jazz and Blues
- Challenge #44 - Fast Lick For Jazz and Blues #1
- Challenge #45 - Fast Lick For Jazz and Blues #2
- Challenge #46 - Advanced Lick For Jazz and Blues
- Challenge #47 - Jazz and Blues Improv Combinations
- Challenge #48 - Octave Bell Tones for Fatter Chords
- Scale Accents
- Scale Accents
- Student Questions
- 8 Scales you MUST know for Improvisation
- 8 Scales Lesson
- Student Questions
- Mastering Your Scales
- Master Scales
- Student Questions
- Improvising Over Progressions
- Improv Over Progressions
- Student Questions
- Switching Styles
- Change Styles
- Student Questions
- Working With Other Musicians
- Working With Others
- How To Play From Fakebooks
- How To Play From Fakebooks
- How To Improvise Over Fakebooks
- Improv over Leadhseets
- Student Questions
- BF16 Live Training "November Webinar"
- Blues Notes
- Bluesy Stride
- Slow Blues
- Switching Styles
- Create Your Own Music
- Improvisation 1
- Improvisation 2
- Improvisation 3
- Advanced improvisation
- Rock Piano Improv
- Rock Piano Improv 2
- Vital Comping Techniques
- Effortless Minor Improvisation
- Intro and 5 Questions
- Part 2 - rhythm and scales
- Part 3 - Q&A
- A section improv 1
- Anyone Can Improvise in 3 Easy Steps (For Beginners)
- Introduction
- Accompany Yourself Using This Simple Pattern
- 4 Rhythms EVERY Improviser Needs To Know
- 8 Blues Scale Licks For Beginners
- Licks Condensed Version
- NBGJP Prep Lesson
- Beginner Prep
- Advanced Prep
- Master Every Chord At The Piano Using This Exercise
- Master Every Chord
- Episode #1 - Green Dolphin Street Locked Hand Style
- Willie playing Green Dolphin Street
- Green Dolphin Street Locked-Hand Style
- *PRACTICE SESSION* Guide Tones & Rootless Chords
- Guide Tones and Rootless Chords
- Lesson #1 - 3 Basic Rhythms
- 3 Basic Rhythms
- Lesson #1 - Guide Tones and Blues Chords
- Guide Tones and Blues Chords
- Lesson #2 - 12 Bar Blues Form and Chords
- 12 Bar Blues Form and 7th Chords
- Lesson #2 - Guide Tones with Added 9th Rootless Chords
- Guide Tones with Added 9th
- Lesson #3 - Anyone Can Play The 12-Bar Blues
- 12-Bar Blues with 7th Chords
- Lesson #3 - Simplified Rootless Jazz Chords
- Rootless Jazz Chords
- Lesson #4 - Chord Shells
- Chord Shells
- Lesson #5 - Comping Chords
- Comping Chords
- Lesson #4 - Jazz Comping Made Easy
- Comping Chords
- Lesson #5 - Minor Pentatonic and Blues Scales
- Minor Pentatonic and Blues Scales
- Lesson #6 - How To Create Jazz Licks
- How To Create Jazz Licks
- Lesson #6 - Comping & Rhythmic Improvisation
- Comping & Rhythmic Improvisation
- Lesson #7 - Improvising Over The Blues Part 1
- Improvising Over the Blues Part 1
- No Bull Piano Webinars
- April 2020 Webinar-How Do I ACTUALLY Learn Jazz Piano
- Lesson #8 - Improvising Over The Blues Part 2
- Improvising Over The Blues Part 2
- Lesson #9 - Blues Fills and Turns Part 1
- Turns Part 1
- Lesson #10 - Blues Fills and Turns Part 2
- Turns Part 2
- Lesson #11 - Blues Fills and Turns Part 3
- Turns Part 3
- Lesson #7 - Jam Over The Blues
- Jam over the blues
- Lesson #8 - The Blues Scale Demystified
- The Blues Scale Demystified
- Lesson #9 - How To Improvise Over The Blues
- How To Improvise Over The Blues
- Lesson #10 - How To Improvise Over The Blues Part 2
- How To Improvise Over The Blues Part 2
- Lesson #11 - Blues Notes and Licks Part 1
- Blues Notes and Licks Part 1
- Lesson #12 - Blues Notes and Licks Part 2
- Blues Notes and Licks Part 2
- Lesson #13 - Blues Triplet Rhythm
- Blues Triplet Rhythm
- Lesson #14 - Blues Rolls, Tremolos and Grace Notes
- Blues Rolls, Tremolos and Grace Notes
- Lesson #15 - Blues Double Stops
- Blues Double Stops
- Lesson #12 - Blues Improvisation Guide Tones
- Blues Improvisation Guide Tones
- Lesson #13 - Neighbor Tones & Enclosures
- Neighbor Tones & Enclosures
- Lesson #14 - How To Use Enclosures for Improv
- How To Use Enclosures for Improv
- Lesson #15 - Blues Bebop Improvisation
- Blues Bebop Improvisation
- Lesson #16 - Latin Jazz / Swing Blues
- Latin Jazz / Swing Blues
- Lesson #17 - How To Play Jazz & Blues Basslines
- How To Play Jazz & Blues Basslines
- Lesson #18 - Jazz Piano Quartal Comping
- Jazz Piano Quartal Comping
- Lesson #19 - Improvise Using Chord Cells Part 1
- Chord Cells Part 1
- Minor Blues Progression with Rootless Chords
- Lesson #16 - Minor Blues Progression with Rootless Chords
- Minor Blues With Rootless Chords
- Lesson #17 - How To Play a Easy Bass Line for Minor Blues
- Minor Bass
- Lesson #18 - How to Improvise Over Minor Blues
- Minor Blues Improv
- Lesson #19 - Alternate Minor Blues Bassline
- Alternate Minor Bassline
- Lesson #20 - Rhythms To Make Your Improv Sound Advanced
- Rhythms
- Lesson #20 - Improvise Using Chord Cells Part 2
- Chord Cells Part 2
- How To Play Blues For Hours
- Webinar
- Episode #2 - Enclosures
- Episode #3 - Diminished Chord Tricks
- Diminished Tricks
- Enclosures
- Lesson #21 - Altered And Diminished Scales for Improvisation
- Altered And Diminished Scales
- Lesson #22 - Altered and Diminished Scale Cells
- Altered and Diminished Scale Cells
- Lesson #23 - Mixolydian and Diminished Jazz Etude
- Jazz Etude
- Lesson #24 - Three Advanced Blues Intros
- Three Advanced Blues Intros
- Lesson #25 - Three Advanced Blues Endings
- Blues Endings
- Lesson #26 - Blues Turnaround Progressions
- Blues Turnaround Progressions
- Lesson #21 - Jazz Walking Bass Made Easy
- Jazz Walking Bass
- Lesson #22 - Easy Boogie-Woogie Bass
- Boogie-Woogie Bass
- Lesson #23 -Boogie-Woogie Bass With Licks
- Boogie-Woogie With Licks
- Lesson #24 -Three Easy Blues Intros
- Blues Intros
- Lesson #25 -Three Easy Blues Endings
- Blues Endings
- Lesson #26 - 5 Blues Improvisation Scales
- 5 Scales for Improv
- Lesson #27 - Upper Structure Chord Voicings Part 1
- Upper Structures Part 1
- Lesson #28 - Upper Structure Chord Voicings Part 2
- Upper Structures Part 2
- Lesson #29 - 5 Ideas to Improve Your Jazz Solos
- 5 Ideas For Better Solos
- Lesson #27 - 5 Killer Blues Licks Part 1
- 5 Licks Part 1
- Lesson #28 - 5 Killer Blues Licks Part 2
- 5 Licks Part 2
- Lesson #29 - Easy Blues Piano Pentatonic Licks
- Easy Blues Piano Pentatonic Licks
- Lesson #30 - How To Use All That You've Learned in This Course
- Using What You've Learned in NBGJP
- Slow Blues Form
- Slow Blues 1
- Left-Hand Techniques
- Left-Hand Techniques
- Reharmonization Part 1
- Reharmonization Pt. 1
- 6 Slow Blues Accompaniments
- 6 Accompaniments For Slow Blues
- Articulations, 3rd & 7ths
- Articulations, 3+7ths
- Episode #4 - Altered Chords and Scales
- PRW Episode 4
- The Bridge
- Bridge
- Jam #1 - Easy C Blues
- Jam #1
- Performance
- Tennille's Blues Part One
- Tennille's Blues Part 1
- Tennille's Blues Part Two
- Tennille's Blues Part 2
- Jam #3 - Funk
- Jam #3 - Lesson
- Video Jam Track
- Jam #2 - Bossa Nova
- Jam #2 - Lesson
- Jam #2 - Playalong
- Student Performances
- Tennille's Blues Part Three
- Tennille's Blues Part 3
- Tennille's Blues Part Four
- Last A Section
- 5 Blues Endings
- 5 Endings (High Def)
- 5 Endings (Live Version - Lower Resolution)
- Tennille's Blues Part Five
- Tennille's Blues Part 5
- 4 Blues Intros
- 4 Blues Intros
- Episode #5 - Basslines
- Episode 5
- Tennille's Blues Bassline
- Tennille's Blues Bassline
- How to Upload Your Video
- Beginner's Guide
- Beginner's Guide
- Analysis and Starting Improv
- Easy Living Analysis and Improv 1
- Altered and 1/2 Whole Diminished Scales
- Altered and 1/2 Whole Dim
- Episode #6 - Scale Slipping
- Scale Slipping
- Chord-Tone Boulders
- Chord Tone Boulders
- Play and Rest
- Play And Rest
- Targeting
- Targeting Notes
- Rhythmic Improvisation Map
- Rhythmic Map
- Fingering And Flow
- Fingering / Flow
- Chords and Accompaniment
- Accompaniment Options
- Improvising Over A New Standard From Scratch
- Improv From Scratch
- My Romance Improv Part 1
- My Romance Solo Part 1
- My Romance Improv Part 2
- Improv Part 2
- Just The Way You Are - Part 1
- Solo Part 1
- Just The Way You Are - Part 2
- Solo Part 2
- Wrap Up and Student Questions
- Last Session
- Entire solo
- Getting Started With Lead Sheets
- Introduction
- Blueberry Hill
- Blueberry Hill Arrangements
- Blueberry Hill Q&A
- We've Only Just Begun
- The Song
- Q&A
- Dock of the Bay
- Song - Dock of the Bay
- Just The Way You Are
- Live lesson
- Intermediate Arrangement
- Q&A Part 1
- Q&A Part 2
- Backfilling Harmony (Back Fill Progressions)
- Bye Bye Blackbird
- Bye Bye Blackbird
- Bye Bye Blackbird Q&A
- Blue Moon
- Blue Moon Arrangements
- Blue Moon Q&A
- Comping Bossa chords
- Exercise #4 Quiz
- How the Program Works
- Announcement Webinar
- TCI - Exercise #1
- Exercise #1 Quiz
- TCI - Exercise #2
- Exercise #2
- Ex. 3 Coming Soon
- Ex. 4 Coming Soon
- Exercise #2 Quiz
- Exercise #3 Quiz
- How the program works
- Exercise #1
- Exercise #1 (Inspiration)
- TCI - Exercise #3
- TCI - Exercise #4
- Ep. 1 - Endless Improvisation Lines
- Exercise #2 (Inspiration)
- Ep. 2 - Mastering Your Chords
- Exercise #3
- Exercise #3 (Inspiration)
- Ep. 3 - Improvisation Targets
- Exercise #4
- Exercise #4 (Inspiration)
- Ep. 4 - Play & Rest
- JazzKids Level 1
- JazzKids Level 1
- JazzKids Level 2
- JazzKids Level 2
- JazzKids Level 3
- JazzKids Level 3
- JazzKids Level 4
- JazzKids Level 4
- Mr. Grinch - Christmas Classic
- Mr. Grinch
- TCI - Exercise #5
- Exercise #5
- Exercise #5 (Inspiration)
- TCI Practice Guides
- Rhythm Practice Guide
- Scales Practice Guide
- Exercise #5 Quiz
- TCI - Exercise #6
- Exercise #6
- No Bull Guide To Arranging Jazz Standards
- Session Part 1
- Session Part 2
- Accompaniment Practice Guide
- Exercise #6 (Inspiration)
- Ep. 6 - The Key To Killer Licks
- Ep. 5 - Articulation
- TCI - Exercise #7
- Exercise #7
- Exercise #7 (Inspiration)
- Exercise #6 Quiz
- Ep. 7 - Practice Session - Triads
- TCI - Exercise #8
- Exercise #8
- Exercise #8 (Inspiration)
- Exercise #7 Quiz
- Exercise #8 Quiz
- Ep. 8 - Comping Chords
- TCI - Exercise #9
- Exercise #9
- Exercise #9 (Inspiration)
- Exercise #9 Quiz
- Ep. 9 - Three Easy Jazz Endings
- TCI - Exercise #10
- Exercise #10
- Exercise #10 (Inspiration)
- Ep. 10 - “Big Three” Seventh Chords
- Mixing Exercises
- TCI - Exercise #11
- Exercise #11
- Exercise #11 (Inspiration)
- Ep. 11 - Switching Styles in Music
- TCI - Exercise #12
- Exercise #12
- Exercise #12 (Inspiration)
- Ep. 12 - Piano Mindset
- TCI - Exercise #13
- Exercise #13
- Exercise #13 (Inspiration)
- SBTD-1: The Days of Wine And Roses
- How Standards by the Dozen™ Works
- SBTD Quick Start
- SBTD1 Where is the Lesson Video?
- Ep. 13 - How to Create Flowing Jazz Improvisation Lines
- TCI - Exercise #14
- Exercise #14
- Exercise #14 (Inspiration)
- Ep. 14 - How to Create and Use an Inspiration Journal
- SBTD1 How the Course is Structured
- SBTD1 Section 1 - Lead Sheet
- SBTD1 Section 1 - Lead Sheet Q&A
- SBTD1 Section 2 - Shells
- SBTD1 Section 2 - Shells Q&A
- SBTD1 Section 3 - Bassline
- SBTD1 Section 3 - Bassline Q&A
- SBTD1 Section 4 - Rootless Chords
- SBTD1 Section 4 - Rootless Chords Q&A
- SBTD1 Section 5 - Two-Handed Comping
- SBTD1 Section 5 - Two-Handed Comping Q&A
- SBTD1 Section 6 - Improvisation
- SBTD1 Section 6 - Improvisation Q&A
- SBTD1 What is Next?
- SBTD1 Q&A Session
- TCI - Exercise #15
- Exercise #15
- Exercise #15 (Inspiration)
- Ep. 15 - 2-5-1 Progression Deciphered
- TCI - Exercise #16
- Exercise #16
- Exercise #16 (Inspiration)
- SBTD1 GEMS - Days of Wine and Roses
- SBTD-2: Autumn Leaves
- SBTD-3: Misty
- SBTD-4: The Way You Look Tonight
- SBTD-5: All The Things You Are
- SBTD-6: My Funny Valentine
- SBTD-7: On Green Dolphin Street
- SBTD-8: New York State of Mind
- SBTD-9: Blue Monk
- SBTD-10: Song For My Father
- SBTD-11: Almost Like Being in Love
- SBTD-12: Bewitched, Bothered and Bewildered
- How Does SBTD Work?
- Ep. 16 - 2-5-1 Quiz #1
- TCI - Exercise #17
- Exercise #17
- Exercise #17 (Inspiration)
- How the Course is Structured
- SBTD2 Section 1 - Lead Sheet
- SBTD2 Section 1 - Lead Sheet Q&A
- SBTD2 Section 2 - Shells
- SBTD2 Section 2 - Shells Q&A
- SBTD2 Section 3 - Bassline
- SBTD2 Section 3 - Bassline Q&A
- SBTD2 Section 4 - Rootless Chords
- SBTD2 Section 4 - Rootless Chords Q&A
- SBTD2 Section 5 - Two-Handed Comping
- SBTD2 Section 5 - Two-Handed Comping Q&A
- SBTD2 Section 6 - Improvisation
- SBTD2 Section 6 - Improvisation Q&A / Wrap up
- TCI - Exercise #18
- Exercise #18
- Exercise #18 (Inspiration)
- Ep. 17 - Diatonic 7th Chords
- Ep. 18 - 2-5-1 Quiz #2
- TCI - Exercise #19
- Exercise #19
- Exercise #19 (Inspiration)
- SBTD2 Q&A Session
- Ep. 19 - The Altered Scale
- SBTD2 GEMS - Autumn Leaves
- TCI - Exercise #20
- Exercise #20
- Exercise #20 (Inspiration)
- Ep. 20 - Becoming a Confident Improviser
- SBTD3 Section 1 - Lead Sheet
- SBTD3 Section 1 - Lead Sheet Q&A
- SBTD3 Section 2 - Shells
- SBTD3 Section 2 - Shells Q&A
- SBTD3 Section 3 - Bassline
- SBTD3 Section 3 - Bassline Q&A
- SBTD3 Section 4 - Rootless Chords
- SBTD3 Section 4 - Rootless Chords Q&A
- SBTD3 Section 5 - Two-Handed Comping
- SBTD3 Section 5 - Two-Handed Comping Q&A
- SBTD3 Section 6 - Improvisation
- SBTD4 - Where is the rest of the Lesson?
- SBTD4 - How does SBTD work?
- SBTD5 - Where is the rest of the Lesson?
- SBTD5 - How does SBTD work?
- TCI - Exercise #21
- Exercise #21
- Exercise #21 (Inspiration)
- TCI Podcast
- Ep. 21 - Bebop Improvisation
- Ep. 22 - Bill Evans Voicings - Rootless Chords Pt. 1
- SBTD3 - Q&A Session
- SBTD3 - GEMS
- Ep. 23 - Bill Evans Voicings - Rootless Chords Pt. 2
- TCI - Exercise #22
- Exercise #22
- Exercise #22 (Inspiration)
- Ep. 24 - Chick Corea Celebration Band Interview
- SBTD4 - Lead Sheet
- SBTD4 - Shells
- SBTD4 - Bassline
- SBTD4 - Bassline Q&A
- SBTD4 - Rootless Chords
- SBTD4 - Rootless Chords Q&A
- SBTD4 - Comping
- SBTD4 - Comping Q&A
- SBTD4 - Improv & Analysis
- Ep. 25 - Enclosures
- TCI - Exercise #23
- Exercise #23
- Exercise #23 (Inspiration)
- Ep. 26 - Three-note Rootless Chords
- Ep. 27 - Why Do We Use Target Notes?
- SBTD4 - Q&A Session
- SBTD4 - GEMS
- TCI - Exercise #24
- Exercise #24
- Exercise #24 (Inspiration)
- Ep. 28 - 8 Scales You MUST Know for Improvisation
- Ep. 29 - Core Practice Material for Improvisers
- SBTD5 - Lead Sheet
- SBTD5 - Shells
- SBTD5 - Bassline
- SBTD5 - Rootless Voicings
- SBTD5 - Comping
- SBTD5 - Improvisation & Analysis
- TCI - Exercise #25
- Exercise #25
- Exercise #25 (Inspiration)
- Ep. 30 - Jazz Piano Improvisation Part 1 of 4 - Accompaniment Patterns
- SBTD5 - GEMS
- TCI - Exercise #26
- Exercise #26
- Exercise #26 (Inspiration)
- Ep. 31 - Jazz Piano Improvisation Part 2 of 4 - Scales
- Ep. 32 - Jazz Piano Improvisation Part 3 of 4 - Rhythm
- PACE Pattern #1 (Triads and Inversions)
- PACE Pattern #1 Lesson
- Ep. 33 - Jazz Piano Improvisation Part 4 of 4 - Adv Improv
- Where is the lesson for SBTD6?
- TCI - Exercise #27
- Exercise #27
- Exercise #27 (Inspiration)
- Ep. 34 - Are you a T-Shape Practicer?
- SBTD6 - Lead Sheet
- SBTD6 - Shells pt. 1
- SBTD6 - Shells pt. 2
- SBTD6 - Bassline
- SBTD6 - Rootless Chords
- SBTD6 - Comping (two-hand voicings)
- SBTD6 - Improvisation
- PACE Pattern #2 (Slash Chords & Broken Triads)
- PACE Lesson #2
- TCI - Exercise #28
- Exercise #28
- Exercise #28 (Inspiration)
- SBTD6 - GEMS
- PACE Pattern #3 (Seventh Chords)
- PACE Lesson #3
- Ep. 35 - A New Rootless Jazz Chords Trick
- Ep. 36 - An Easier Way To Learn Scales
- Ep. 37 - Seriously, How Do I Get Flow in My Improv?
- TCI - Exercise #29
- Exercise #29
- Exercise #29 (Inspiration)
- SBTD7 - Lead sheet
- SBTD7 - Shells
- SBTD7 - Bassline
- SBTD7 - Rootless Chords
- SBTD7 - Comping
- SBTD7 - Improvisation & Analysis
- PACE Pattern #4 (Mixing Triad & Seventh Chords)
- PACE Lesson #4
- TCI - Exercise #30
- Exercise #30
- Exercise #30 (Inspiration)
- Ep. 38 - Dominant Motion
- Ep. 39 - When To Use Alt Chords
- SBTD7 - GEMS
- PACE Pattern #5 (Chord Tensions & Flow Between The Hands)
- PACE Lesson #5
- PACE Lesson #5 (Inspiration)
- TCI - Exercise #31
- Exercise #31
- Exercise #31 (Inspiration)
- Ep. 40 - Easy Jazz Piano Improvisation Rhythm
- Ep. 41 - How To Improvise Over Dominant Chords Part 1
- PACE Pattern #6 (How to Create Fills & Riffs)
- PACE Lesson #6
- PACE Lesson #6 (Inspiration)
- SBTD8 - Lead Sheet
- SBTD8 - Shells
- SBTD8 - Rootless chords
- SBTD8 - Arrangement
- SBTD8 - Comping (backing a singer)
- TCI - Exercise #32
- Exercise #32
- Exercise #32 (Inspiration)
- Ep. 42 - Improvise Over Dominant Chords With Advanced Upper Structures
- SBTD8 - GEMS
- PACE Pattern #7 (Accompaniment Fluidity)
- PACE Lesson #7 - Exercises
- PACE Lesson #7 - Patterns
- PACE Lesson #7 (Inspiration)
- Ep. 44 - New Tritone Substitution Mastery Jazz Piano Techniques Mini Course - Part 1 of 3
- Ep. 43 - Advanced Improvisation Using Quartals Over Dominants
- Ep. 45 - New Tritone Substitution Mastery Jazz Piano Techniques Mini Course - Part 2 of 3
- TCI - Exercise #33
- Exercise #33
- Exercise #33 (Inspiration)
- PACE Pattern #8 (Fills Within The Accompaniment)
- PACE-8 Exercise
- PACE-8 Patterns
- PACE-8 Inspiration
- Ep. 46 - New Tritone Substitution Mastery Jazz Piano Techniques Mini Course - Part 3 of 3
- Ep. 47 - Blues Piano Tritone Substitutions
- Ep. 48 - HUGE CHORD Blues Piano Tritone Substitutions
- Ep. 49 - A NEW Blues Improvisation Trick
- Ep. 50 - PRO-SOUNDING Blues Piano Improvisation
- SBTD9 - Lead Sheet
- SBTD9 - Shells
- SBTD9 - Bassline
- SBTD9 - Rootless chords
- SBTD9 - Comping
- SBTD9 - Improvisation
- SBTD9 - GEMS
- TCI - Exercise #34
- Exercise #34
- Exercise #34 (Inspiration)
- PACE Pattern #9 (Let It Be Accompaniment)
- PACE 9 - Exercise
- PACE 9 - Patterns
- PACE 9 - Inspiration
- Ep. 51 - Chromatic Chord Tone Targeting
- Ep. 52 - EXTENDED Chromatic Chord Tone Targeting
- Ep. 53 - Diatonic Chord Extensions For Improv Part 1
- SBTD10 - Lead
- SBTD10 - Shells
- SBTD10 - Bassline
- SBTD10 - Rootless
- SBTD10 - Comping
- TCI - Exercise #35
- Exercise #35
- Exercise #35 (Inspiration)
- SBTD10 - GEMS
- SBTD11 - Lead Sheet
- SBTD11 - Shells
- SBTD11 - Bassline
- SBTD11 - Rootless
- SBTD11 - Comping
- PACE Pattern #10 (Chord Mastery)
- PACE 10 - Exercise
- PACE 10 - Patterns / Inspiration
- SBTD11 - Improv / GEMS
- TCI - Exercise #36
- Exercise #36
- Exercise #36 (Inspiration)
- Quick Reference - Key of C
- Key of C
- Quick Reference - Key of G
- Key of G
- Quick Reference - Key of D
- Key of D
- Quick Reference - Key of A
- Key of A
- Quick Reference - Key of E
- Key of E
- SBTD12 - Lead
- SBTD12 - Shells
- SBTD12 - Bassline
- SBTD12 - Rootless
- SBTD12 - Comping
- Quick Reference - Key of F
- Key of F
- Quick Reference - Key of B Flat
- Key of B Flat
- PACE Pattern #11 (Style Mastery)
- Quick Reference - Key of E Flat
- Key of E Flat
- Quick Reference - Key of A Flat
- Key of A Flat
- PACE 11 - Exercise
- PACE 11 - Patterns
- PACE 11 - Inspiration
- SBTD12 - GEMS
- Quick Reference - Key of D Flat
- Key of D Flat
- Quick Reference - Key of B
- Key of B
- Quick Reference - Key of F Sharp
- Key of F Sharp
- Quick Reference Tips (Checklist)
- Quick Reference Tips
- TCI - Exercise #37
- Exercise #37
- Exercise #37 (Inspiration)
- PACE Pattern #12 (Rhythm Mastery Part 1)
- PACE 12 - Exercise
- PACE 12 - Patterns
- PACE 12 - Inspiration
- Ep. 54 - Diatonic Chord Extensions For Improv Part 2
- TCI - Exercise #38
- Exercise #38
- Exercise #38 (Inspiration)
- SBTD22-1: You Are The Sunshine of My Life
- Introduction - You Are The Sunshine of My Life
- Listening
- Lead Sheet
- Song Intro
- Chorus
- Verse Part 1
- Verse Part 2
- Modulation
- SBTD22-2: Ain't No Sunshine
- SBTD22-3: Round Midnight
- SBTD22-4: Desafinado
- SBTD22-5: Lullaby of Birdland
- SBTD22-6: Sunny
- SBTD22-7: For Once in My Life
- SBTD22-8: Just The Two of Us
- SBTD22-9: Linus and Lucy
- SBTD22-10: I Left My Heart in San Francisco
- SBTD22-11: Can’t Take My Eyes Off Of You
- SBTD22-12: Fire And Rain
- PACE Pattern #13 (Rhythm Mastery Part 2)
- PACE 13 - Exercise
- PACE 13 - Patterns & Inspiration
- PACE Pattern #14 (Pop/Rock Accompaniment)
- PACE 14
- Getting Started - Ain't No Sunshine
- Introduction - Ain't No Sunshine
- Measures 1-8
- Measures 8-12 (drop 2)
- Measures 12-15
- Measures 16-21
- Measures 22-38
- TCI - Exercise #39
- Exercise #39
- Exercise #39 (the bassline)
- Exercise #39 (Inspiration)
- PACE Pattern #15 (Jazz Accompaniment /while Singing)
- PACE 15 - Exercise
- Getting Started - Round Midnight
- Intro
- m. 1-4
- m. 5-8
- m. 9-10
- m. 17-20
- m. 21-24 and final measure
- Getting Started
- Intro
- m. 1-8
- m. 9-16
- m. 17-24
- m. 25-32
- m. 33-40
- m. 41-48
- m. 49-56
- m. 57-60
- Lullaby of Birdland - Intro
- LOBL - m.1-4
- LOBL - m.5-8
- LOBL - m.9-12
- LOBL - m.13-16
- LOBL - m.17-20
- LOBL - m.21-24
- LOBL - m.25-28
- LOBL - m.29-32
- Sunny - Intro
- Sunny - m1
- Sunny - m2-5
- Sunny - m6-9
- Sunny - m10-13
- Sunny - m14-15
- Sunny - m16-19
- Sunny - m 20-27
- Sunny - m28-31
- Sunny - m32-33
- Sunny - m34-37
- Sunny - Improvisation practice
- Introduction to FOIML
- FOIML (m. 1-6)
- FOIML (m.7-10)
- FOIML (m.11-14)
- FOIML (m. 15-18)
- FOIML (m.19-22)
- FOIML (m.23-26)
- FOIML (m.27-30)
- FOIML (m.31-34)
- FOIML (m.35-41)
Jazzedge Lesson List
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